I can’t see the new GODZILLA VS. KONG in a theater, because we still have the pandemic here (and apparently slower vaccine distribution than some other states). But I’m excited to at least get to watch it on TV tonight. I don’t know if it will live up to my hopes, but I’m glad it inspired me to rewatch the original East-meets-West giant monster mashup, 1963’s KING KONG VS. GODZILLA.
In my mind it seems like this current GODZILLA series rushed to the KING KONG crossover pretty fast, but not really. KING KONG VS. GODZILLA was only the third film in the GODZILLA series (though it also followed the American productions KING KONG and SON OF KONG, both from 1933). As discussed in yesterday’s review, the series started with GOJIRA in 1954, and GODZILLA RAIDS AGAIN six months later. It wasn’t exactly a smash, so seven years passed before they brought the big guy back. Think about that – seven years is almost as long as the gap between BATMAN & ROBIN and BATMAN BEGINS. Or FRIDAY THE 13TH and FRIDAY THE 13TH PART VII. About the same as the gaps between A NIGHTMARE ON ELM STREET and FREDDY’S DEAD: THE FINAL NIGHTMARE, or FREDDY VS. JASON and the ELM STREET remake.
So after that wait Toho brought back original director Ishiro Honda, composer Akira Ifukube and effects director Eiji Tsuburaya (who held KING KONG dear since it had inspired his interest in effects) to revive Godzilla in this big crossover event that marked both monsters’ first appearances in color and in widescreen. Also their first movie that opens with a quote from Hamlet (at least in the American version, which I watched because I didn’t realize the original was hidden in the supplements of the Criterion box set). (read the rest of this shit…)