Archive for the ‘Reviews’ Category
Wednesday, February 9th, 2022
ALPHABET CITY is a unique, stylish little 1984 crime drama directed by Amos Poe, a New York City legend best known for co-directing the 1976 punk documentary THE BLANK GENERATION. This one’s only about 70% story and 30% ambience, but I kind of loved that about it.
It stars Vincent Spano (already in OVER THE EDGE, THE BLACK STALLION RETURNS and RUMBLE FISH, but still very young) as Johnny, a hot shot drug dealer who zooms around in a white Trans-Am (25th Anniversary Daytona 500 Edition according to Wikipedia) lording over the small area of the East Village named after its Avenues A through D. His license plate says “CHUNGA,” and I don’t know what it means, but it’s also his password when he knocks on the door at the crackhouse. (read the rest of this shit…)
Tags: Amos Poe, Daniel Jordano, Fun City Editions, Jami Gertz, Kate Vernon, Kenny Marino, Michael Winslow, Miguel Pinero, Nile Rogers, Raymond Serra, Tom Wright, Trans Am, Vincent Spano, Zohra Lampert
Posted in Crime, Reviews | 1 Comment »
Tuesday, February 8th, 2022
FEAR CITY is a 1984 crime movie by Abel Ferrara, his followup to MS. 45 and prelude to the TV movie THE GLADIATOR. This one has that sleazy Ferrara New York City, but compared to MS. 45 it seems pretty normal and commercial, getting him ready for those TV gigs.
Tom Berenger (between EDDIE AND THE CRUISERS and RUSTLERS’ RHAPSODY) plays Matt Rossi, well known and liked for his days as a boxer (before he killed a guy in the ring), now running Starlite Talent Agency in Manhattan with his buddy Nicky Parzeno (Jack Scalia, right after AMAZONS). That means booking the strip clubs in the neighborhood, basically. They do the rounds at the clubs and everybody’s treating him like a V.I.P. or an old friend, smiling or saying “hi, baby” when he shows up. And he’s Tom Berenger so he’s fucking cool.
He’s troubled, though. One of those guys who likes to go out to some spot on the shore where there’s nobody else around and just look across. Day or night, doesn’t matter, the man likes to brood with good scenery. And he has flashbacks about the fateful boxing match. It really changed him. (read the rest of this shit…)
Tags: Abel Ferrara, Billy Dee Williams, David Johansen, Jack Scalia, Melanie Griffith, Nicholas St. John, Rae Dawn Chong, Tom Berenger
Posted in Crime, Reviews | 9 Comments »
Monday, February 7th, 2022
BURST CITY (1982) is more of an immersive experience than a movie. It’s very light on plot, and I couldn’t tell you any of the characters’ names, and only what a couple of them were up to. But I thought it was great as sort of a travelogue to a dystopian near future as imagined by the early ‘80s Japanese punk scene.
It’s about the gangs and punk bands in a very filthy and crowded slum. They live in wrecked buildings and abandoned factories, covered in graffiti, strewn with junk, wreckage, the occasional mannequin. They sit around on the floor, playing instruments, watching a TV, giving commentary through a megaphone. One such place is presented with a title card that says “BATTLE ROCKERS SECRET BASE.”
Some of them have drag races and work at garages, but quit that job because they’re “much too artistic” for it. (read the rest of this shit…)
Tags: dystopian futures, Japanese punk, jishu eiga, punk, Sogo Ishii
Posted in Music, Reviews, Science Fiction and Space Shit | 9 Comments »
Thursday, February 3rd, 2022
So, OZ THE GREAT AND POWERFUL (2013) is Sam Raimi’s most recent feature film until DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS comes out in a few months. It’s like he accidentally took one too many drops of the potion and woke up in a whole new world.
But not really. In the interim, as always, he’s been producing movies for other people, including Fede Alvarez’s EVIL DEAD remake (also 2013) and DON’T BREATHE (2016). And of course he’s developed movies to direct that just haven’t gotten off the ground for one reason or another. There have been announcements of him directing movies based on the video game The Last of Us, the books Love May Fail, The Blade Itself, The Next 100 Years and The Kingkiller Chronicle: The Name of the Wind, plus a remake of A PROPHET. All of these seem to have fallen away, as such things often do.
Throughout his career as a director he’s also been prolific as an executive producer of TV shows including M.A.N.T.I.S., Hercules: The Legendary Journeys, American Gothic, Spy Game, Young Hercules, Jack of All Trades, Cleopatra 2525, Xena: Warrior Princess, Legend of the Seeker and Spartacus. But in 2014, about a month after OZ came out, he finally directed his first TV show. (read the rest of this shit…)
Tags: Anne Gee Byrd, Bill Smitrovich, Bob Murawski, Bojana Novakovic, Bruce Campbell, Chasty Ballesteros, Dana DeLorenzo, Dave Garbett, Denis O'Hare, Greg Kinnear, Ian Colletti, Ivan Raimi, Jill Marie Jones, John Ortiz, Joseph LoDuca, Lucy Lawless, Mike Edward, Miranda Otto, Necar Zadegan, Omar Dorsey, Peter Stormare, Rachel Brosnahan, Ray Santiago, Sam Raimi, Sian Davis, Tara Summers, Tom Spezialy, Travis Fimmel, TV shows
Posted in Comedy/Laffs, Horror, Reviews | 23 Comments »
Wednesday, February 2nd, 2022
And now in our journey through the films of Sam Raimi we have arrived at a difficult spot. We have come to the film that was at the time “the new Sam Raimi” but for a few years became “the last Sam Raimi?” I enjoyed OZ THE GREAT AND POWERFUL well enough when it came out in 2013 (here’s my review), even though a big commercial Disney movie that’s an unsolicited prequel to a famous story wasn’t high on the list of what I wanted to see from him. And it definitely wasn’t what I wanted to see him go out on.
Luckily he has now actually filmed his next movie, so a comeback is on deck. But isn’t it crazy that it’s been 9 years since the last Sam Raimi movie? To remind you of how long ago this was, it’s when FURIOUS 6 and MAN OF STEEL came out. It’s when they were on the first film of MCU Phase Two, IRON MAN THREE. We’re talking seven David Gordon Green movies ago (he was on PRINCE AVALANCHE, starring Paul Rudd, who was not yet Ant-Man). It’s when Franck Khalfoun’s remake of MANIAC came out, and Spike Lee’s remake of OLDBOY, and Ryuhei Kitamura’s WWE Films joint NO ONE LIVES. Remember those? No? You weren’t born yet? That’s what I’m saying – it’s been a while. (read the rest of this shit…)
Tags: Abigail Spencer, Bob Murawski, Bruce Campbell, Danny Elfman, David Lindsay-Abaire, James Franco, Joey King, L. Frank Baum, Michelle Williams, Mila Kunis, Mitchell Kapner, Peter Deming, Rachel Weisz, Robert Stromberg, Sam Raimi, Tim Holmes, Tony Cox, Zach Braff
Posted in Family, Fantasy/Swords, Reviews | 46 Comments »
Tuesday, February 1st, 2022
“What we really have at the core here is a timeless story concept that was used in this film, along with many others: the idea of a character that commits a sin of greed and has to pay the terrible price for it. It’s a morality tale that many churches have told, throughout the ages. So it’s a tried and true, oldest horror story in the book, basically.” —Sam Raimi, describing DRAG ME TO HELL (but also A SIMPLE PLAN)
While Raimi was preparing what he thought would be SPIDER-MAN 4, he decided to do a smaller film first. Previously titled THE CURSED or THE LAMIA, Sam and Ivan Raimi had originally written it as a short story in 1989, then considered adapting it into a movie after ARMY OF DARKNESS. In 2002 they planned to give it to another director and produce it through Raimi and Rob Tapert’s new company Ghost House Pictures. But they decided it required a larger budget than they were dealing with at the time. Later they offered it to Edgar Wright, who didn’t feel he was right for it, and was about to do HOT FUZZ anyway.
Then, finally, Raimi realized that he should do it himself. In an interview posted on Cinema.com, he explained how working on DRAG ME TO HELL was more fulfilling than what he’d been doing:
“On this picture I could have complete creative control and final cut, which I actually had for the first time since my first film, THE EVIL DEAD. I could just do what I believed in… for the last seven or eight years I’d been working with the luxury of SPIDER-MAN type budgets, big studio productions. This was much more hands-on. No department heads to deal with – just the actors, and the technicians. And it’s much more rewarding I think.”
It was also rewarding for those of us who first knew Raimi from horror movies, and were thrilled to see him back. Not that everyone got what they wanted out of it. In my very positive 2009 review I noted others fretting about the film’s use of digital effects and its PG-13 rating (later bumped up to “unrated” on DVD), complaints that seem more irrelevant the more time passes and the more times I revisit it and love it even more. This is a movie that combines the go-for-broke energy and macabre humor of the EVIL DEAD series with the morality and character-based centers of A SIMPLE PLAN and the SPIDER-MAN trilogy. So it’s not like it’s just EVIL DEAD lite. It’s a different sort of thing. Whatever it loses in volume of rubbery fluid-spewing cackling soul-swallowers it balances with other interests. (read the rest of this shit…)
Tags: Adriana Barraza, Alison Lohman, Bojana Novakovic, David Paymer, Flor de Maria Chahua, Ivan Raimi, Justin Long, Lorna Raver, Molly Cheek, Reggie Lee, Sam Raimi
Posted in Horror, Reviews | 20 Comments »
Monday, January 31st, 2022
SPIDER-MAN 3 is Sam Raimi’s most financially successful movie to date, having raked in $894 million at the worldwide box office. That’s about 41 ARMY OF DARKNESSes. But it’s also his first (and only?) infamous movie. Looking back at the reviews surprised me – they were more positive than I remembered. But it almost immediately became one of those movies that the conventional wisdom decides is bad, and that reputation has stuck. Remember how I showed you all those articles declaring SPIDER-MAN 2 the best super hero movie ever? Well, a list on Comic Basics ranks part 3 as the #4 “Worst Superhero Movie That Hollywood has Ever Puked Up,” Goliath ranked it #5 “Most Terrible Superhero Film,” the much more thorough Comic Vine calculated it as #53 “Worst Superhero Movie,” but that means they consider it worse than GREEN LANTERN. In recent years, C-Net, Business Insider, comicbook.com, Complex and Gizmodo all included it on lists of the worst superhero/comic book movies. If it’s ever mentioned positively, it’s in the context of defending it,with the understanding that it’s an uphill battle (for example Sandy Schaefer’s 2020 Screen Rant piece “Is Spider-Man 3 Actually Bad? Why Marvel Fans Hate It So Much.”)
Of course, you know how I am. I always kinda liked it. In my review at the time I said it was “more flawed than Part 1 or Part 2. But not by much,” and concluded, “This movie is worse than the other two in some ways and better in other ways. Lots of interesting characters, great action scenes, good emotional climax, some sloppy writing and a weird tangent for the history books.“
Watching it now, I still like what I always liked, and not a single one of the things I used to dislike bothers me anymore. In fact, what seemed like its big weakness at the time – the hurried, three-villained plot – now makes it feel refreshingly different from other comic book movies, and honestly more faithful to these stories as they once existed in their original medium. (read the rest of this shit…)
Tags: Alvin Sargent, Avi Arad, Bill Nunn, Bill Pope, Bruce Campball, Bryce Dallas Howard, Christopher Young, Dan Bradley, hated sequels, Ivan Raimi, J.K. Simmons, James Cromwell, Kirsten Dunst, Marvel Comics, Sam Raimi, Thomas Haden Church, Tobey Maguire, Topher Grace
Posted in Comic strips/Super heroes, Reviews | 39 Comments »
Thursday, January 27th, 2022
Raimi started work on SPIDER-MAN 2 immediately after the first one, and had it ready to go two summers later. Since it really is about following up on the events of the first film, it starts by running the credits over some of them, as depicted in paintings by Alex Ross. (He’s celebrated for his realistic portraits of comic book super heroes, which are more impressive when they come from his imagination and not photography we’ve already seen, but still, it was cool that they got him). The end of the sequence reminds us that in SPIDER-MAN Peter chose not to be with Mary Jane, who he loves, so that he could be Spider-Man.
Which does not seem to be working out great so far. The painting of Mary Jane dissolves into a closeup of her face on a perfume billboard that Peter has to walk under every day, reminding him of his pain. Though he tries to hide it, it’s clear his world crumbles when she is not near. He’s in college now, and living on his own in a small apartment. Much like part 1’s opening about all the ways Peter can be humiliated on the way to school, this one piles it on real thick about what a shit sandwich life still hands to him every day. (read the rest of this shit…)
Tags: Alex Ross, Alfred Gough, Alfred Molina, Alvin Sargent, Bill Nunn, Bill Pope, Brent Briscoe, Bruce Campbell, Christopher Young, Dan Bradley, Daniel Gillies, Danny Elfman, David Koepp, Dion Lam, Donna Murphy, Dylan Baker, Elizabeth Banks, Emily Deschanel, J.K. Simmons, James Franco, Joel McHale, John Dykstra, Kirsten Dunst, Michael Chabon, Miles Millar, Rosemary Harris, Sam Raimi, Ted Raimi, Tobey Maguire
Posted in Comic strips/Super heroes, Reviews | 19 Comments »
Wednesday, January 26th, 2022
“He had an uneventful childhood. He played baseball with the other kids on the block, became fascinated with the antics of what later became his heroes – The Three Stooges, read Spiderman comic books, thought Jerry Lewis was hilarious and the Little Rascals even more so. What influenced Raimi to become the ‘horror meister’ of slash and gore films is not found in his past.”
—Dead Auteur: How a 20-year-old ex-college student carved out his horror niche in Hollywood by Sue Uram, Cinefantastique, August 1992
Immediately following Raimi’s very serious director period, his career changed drastically again. After so many stabs at the mainstream, he finally made the leap to genuine blockbuster filmmaking, bringing one of the most famous characters in the history of American pop culture to the big screen for the first time. This is not the use-Intro-Vision-to-stretch-the-budget-enough-to-try-to-compete-in-summer of DARKMAN and ARMY OF DARKNESS, or the work-with-huge-stars-but-scare-off-boring-people-by-doing-something-different-with-them of THE QUICK AND THE DEAD. I’m talking a super hero event movie with ten times the budget of DARKMAN, working with Sony Digital Imageworks to pioneer effects techniques that nobody was even sure would be possible, and finally sharing his talents with pretty much the widest audience possible for a movie. (read the rest of this shit…)
Tags: Alvin Sargent, Benny "The Jet" Urquidez, Bill Nunn, Bob Murawski, Bruce Campbell, Ching Siu-Tung, Cliff Robertson, Clint Cadinha, David Koepp, Elizabeth Banks, J.K. Simmons, James Franco, Joe Manganiello, Kirsten Dunst, Larry Joshua, Laura Albert, Macy Gray, Marvel Comics, Michael Papajohn, Rosemary Harris, Sam Raimi, Scott Rosenberg, Ted Raimi, Tobey Maguire, Willem Dafoe
Posted in Comic strips/Super heroes, Reviews | 51 Comments »
Tuesday, January 25th, 2022
The year was 2000. For the the third year in a row, Sam Raimi released a “this is the more serious Sam Raimi” type of movie. Though it combines a thriller story with southern gothic atmosphere and some supernatural elements, it’s his only movie to date that seems in a similar mode to A SIMPLE PLAN. And the script is by that film’s co-star Billy Bob Thornton, along with his long time writing partner Tom Epperson. The two had broken through as writers with ONE FALSE MOVE (starring Bill Paxton), followed by the lesser known A FAMILY THING and DON’T LOOK BACK. On the DVD extras for THE GIFT, star Cate Blanchett says that Thornton told her about the script while they were filming PUSHING TIN together. If it was his idea to cast her in the lead, good idea, Billy Bob.
Blanchett (not long after her first Oscar nomination for ELIZABETH) plays Annie Wilson, a widow raising three boys in a small town in Georgia. The titular gift is her clairvoyance, inherited from her grandmother (Rosemary Harris, UNCLE VANYA), which she uses to make a living, seeing clients in her home. She’s very helpful and beloved by most of the town, though treated with suspicion and superstition by a few assholes. (read the rest of this shit…)
Tags: Billy Bob Thornton, Bob Murawski, Cate Blanchett, Chelcie Ross, Christopher Young, Danny Elfman, Gary Cole, Giovanni Ribisi, Greg Kinnear, Hilary Swank, J.K. Simmons, Jamie Anderson, Katie Holmes, Keanu Reeves, psychic, Rosemary Harris, Tom Epperson
Posted in Reviews, Thriller | 25 Comments »
