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Posts Tagged ‘long takes’

One More Shot

Thursday, January 18th, 2024

Well, Scott Adkins has another franchise. ONE MORE SHOT is the new sequel to ONE SHOT, director James Nunn’s 2021 siege thriller shot in ROPE style (simulated to look like one continuous shot). The first film is really well made, with surprisingly good drama and performances, in addition to the cleverly planned camera moves and action. Many fans ranked it among Adkins’ best, but it’s a movie where he mostly just uses guns and never does a single flying kick, so I could not be a party to that. It also has a bit of a War On Terror mindset that I wasn’t too excited about. But it’s good.

Adkins, Nunn, and co-writer Jamie Russell have reunited for the sequel, which not only avoids those things I complained about, but is just a bigger and more novel action movie anyway. While the first was set at a CIA black site similar to the location of over 432,000 other military action movies since the George W. Bush administration, this one is set at an evacuated airport. (read the rest of this shit…)

Athena

Tuesday, January 10th, 2023

ATHENA is an astonishing piece of filmmaking. I have no idea how they did it. I have one (1) huge issue with it, which prevents it from being one of my top movies of last year, but it’s a big ass spoiler that I will deal with separately at the end of this review. And you may disagree with me, so don’t worry about that for now. What’s important is that this is a thrilling cinematic experience and about as epic as a movie could feel while clocking in at less than 100 minutes. And it’s on Netflix – it’s one of the ones that actually wouldn’t exist if they hadn’t funded it – so it’s a very accessible way to get knocked flat on your ass by a concussion grenade of impeccable spectacle.

For those who haven’t heard of it, ATHENA is an intense French action-thriller about a battle between riot cops and the predominantly French-Algerian residents of a housing project (in a Parisian banlieue, you know, like the parkour movie) after the death of a 13 year old kid named Idir. Idir’s oldest brother Abdel (Dali Benssalah, NO TIME TO DIE) is a straight-laced soldier who exits police headquarters and announces to the press that they’ve promised to investigate which officers were responsible for his brother’s death. He asks that the people of the Athena project please stay calm and peaceful. (read the rest of this shit…)

Adult Swim Yule Log a.k.a. The Fireplace

Monday, December 19th, 2022

I do believe this is my first review where just telling you the movie exists is kind of a spoiler. But I had to have it spoiled to know to watch it myself, so now I’m passing that information on to you. This is a horror movie that was designed to be found on accident, originally promoted like this: “ADULT SWIM YULE LOG: Get in the holiday spirit with this cozy, crackling fire,” and airing at 11:30 pm after the season finale of Rick & Morty. Now it can be found on Home Box Office Maximum under “Adult Swim Yule Log – a.k.a. The Fireplace.”

It starts off as a normal Yule Log or fireplace video. Just footage of a fire with some Christmas music playing. But after a few minutes of that we start to hear something going on outside of the frame. The owner of the cabin containing the cozy, crackling fire is talking about getting the place cleaned We see her walk past the fireplace a few times. Then there’s a knock on the door, a woman (Tordy Clark, GLORIOUS) talking about her car breaking down, and introducing her son… a hulking, grunting Leatherface type (Brendan Patrick Connor, JOKER) wearing a plastic Halloween mask of a Ken-doll type character. He bursts in and attacks as his mom reminds him to “Say nice things to her, women like that.” It’s off camera, but we get the implication, and this is a really fucked up thing to have on as holiday background ambience. (read the rest of this shit…)

Carter

Friday, August 5th, 2022

CARTER is a new South Korean action spectacular just released on Netflix today. It’s a real runaway roller coaster, bowling ball rolling down a steep hill, adrenaline jolt type of movie, so in that spirit I’m gonna try to plow through a review and get it up real fast, like in the old days.

I’m not always on top of the South Korean cinema, but this one is from director Jung Byung-gil, whose THE VILLAINESS (2017) ranks high for me in the list of the best action movies in the last decade. CARTER is in some ways not as good, but it’s even more action-packed and technically awe-inspiring, so I absolutely recommend it.*

*To most people. Some restrictions apply, see later in review for details, ask your doctor if CARTER is right for you.

Joo Won (FATAL INTUITION) stars as Carter Lee, a guy who wakes up face down in a hotel room surrounded by gun-pointing CIA agents. He has a freshly stitched-up, cross-shaped wound on the back of his head, and there’s a trail of blood leading from under the covers across the floor. He doesn’t remember who he is or what the fuck is going on, but the agents show a video of him holding one Dr. Jung Byung-ho (Jung Jae-young, SYMPATHY FOR MR. VENGEANCE) hostage and saying to come get him in that hotel room. (read the rest of this shit…)

One Shot

Monday, November 8th, 2021

ONE SHOT is the new Scott Adkins joint, and the most heavily hyped and anticipated movie of the moment for those who stay plugged in to “Action Twitter.” I’m sure Adkins would prefer to work in a little higher budget range, but I think having a dedicated and growing following as he continues to make movies like this is a much better outcome than if he had been cast as Iron Fist or some big movie character like we all used to say he should. Instead of a super hero he’s an institution.

This one is not from Jesse V. Johnson or Isaac Florentine, but rising #3 most prolific Adkins director James Nunn (GREEN STREET 3, ELIMINATORS). And as you might guess from the title, yes, it is a movie like ROPE or RUNNING TIME designed to look like it was filmed in one continuous shot. I know there are some who don’t like that approach, so I will say in its defense that it doesn’t come across as flashy or show-offy at all (not that I would see that as a bad thing, personally) and the real time feeling serves to heighten the tension of its siege scenario. And in case you were wondering there is an organic explanation of the title (the protagonists believe they are defending their “one shot” to stop a terrorist attack). (read the rest of this shit…)

Gravity

Monday, October 7th, 2013

tn_gravityGRAVITY is the new one from Alfonso Cuaron, genius director who hasn’t done one since CHILDREN OF MEN seven years ago. You remember for that he and his criminally award-snubbed cinematographer Emmanuel Lubezki (THE TREE OF LIFE, THE CAT IN THE HAT [!?]) devised several completely jaw-dropping long take shots where the protagonists run through these crazy battles and go through all kinds of shit without any visible edits. Remember that scene where the car is rolling down the hill and they get attacked by a band of marauders, or the one where he has to fight his way up the stairs looking for his elephant? Or actually I think one of those was TOM YUM-GOONG. But even so there were some great ones in CHILDREN OF MEN, and for GRAVITY they took that to the next level, doing most of the movie in long unbroken takes. You just stop thinking about it, but apparently the first shot lasts 17 minutes. And this is in an era when 17 seconds without a cut would seem like a long time.

Like AVATAR, this plays like a live action movie but actually has more animation onscreen than organic human flesh. Sandra Bullock and George Clooney play astronauts who are out in their astronaut suits fixing a satellite or telescope or some scientifical type shit when debris from an exploded satellite wrecks the shuttle and kills the rest of their crew. They have no contact with earth, no space ship and limited resources they gotta try to use to get their ass to the International Space Station or whatever. One of those space joints they got up there. Stop me if I use too much technical jargon and what not. (read the rest of this shit…)