Peter “Star Lord” Quill (Chris Pratt, ZERO DARK THIRTY) is a wannabe legendary space outlaw, a good fighter with a cool breather mask and ship who takes gigs from unsavory characters retrieving rare objects and stuff. A Transporter, if you will. When he finds something called “the orb” for a scary space guy with the scary space name of Rhonan the Accuser, he learns that it endangers everybody in the galaxy, and he decides he’s against that. So he teams up with an alien lady trying to snatch it from him (Zoe Saldana, but green this time instead of AVATAR blue), two bounty hunters trying to capture him (Bradley Cooper [MIDNIGHT MEAT TRAIN] and Vin Diesel, both voicing cartoons), and a psycho they met in prison (Dave Bautista, RIDDICK) to try to get it somewhere safe, wherever the fuck that would be. I don’t think they discuss throwing it into a volcano like a lord of the rings would do. (read the rest of this shit…)
Archive for the ‘Reviews’ Category
Guardians of the Galaxy
Tuesday, August 5th, 2014Barbarian Queen / Barbarian Queen II: The Empress Strikes Back
Monday, August 4th, 2014
“I’ll be no man’s slave and no man’s whore. And if I can’t kill them all then by the gods they’ll know I tried.”
BARBARIAN QUEEN (1985)
I’m not saying BARBARIAN QUEEN would be great under other circumstances either, but especially watching it right after HUNDRA it seems like kind of a waste. Obviously Roger Corman and/or his people saw that movie and thought “oh shit, we can do a CONAN rip-off but with boobs!” So it’s another sword-wielding woman who overcomes medieval evil, but you’re never really sure how pro-woman it is. As often as they have tough warrior women defeating men in sword fights they seem to have them getting pinned down and having their tops torn off. It happens so much I’m thinking maybe they think the audience is supposed to enjoy it more than root against it.
She even gets hung topless on a rack for a long period and it’s not really treated like a traumatic event. And the wort part is it seems like they could’ve done fine in the titillation department without all that shit. The costume department obviously worked really hard on all the cleavage display all throughout the movie, and then they just get shown up by these boobs ‘n torture scenes. (read the rest of this shit…)
Lucy
Thursday, July 31st, 2014
LUCY is the new movie by Luc Besson and his first directorial work since… THE MESSENGER? … to be noticed much in the U.S. He had supposedly retired from directing after ANGEL-A in 2005, but then he made another one of those ARTHUR children’s movies and by 2010 he was doing THE EXTRAORDINARY ADVENTURES OF ADELE BLANC-SEC (which I liked) and fuck it, he was still a director. Last year he did THE FAMILY with Robert DeNiro and Michelle Pfeiffer (which I, like most Americans, haven’t gotten around to yet) but now all the sudden he has this LUCY and it’s a big hit, opening much bigger than The Rock’s HERCULES even though that one is PG-13. (There actually was a point early in LUCY where I thought to myself “Oh good, they do still make R-rated movies.”)
Scarlett Johansson plays the titlogical Lucy, a student in Taiwan when her douchebag boyfriend of one week (a Donal-Logue-at-a-rave type dude with a shitty cowboy hat and yellow-tinted glasses) gets her involved against her will with some ruthless gangsters led by Choi Min-sik (OLDBOY). She doesn’t speak the language so she barely knows what’s going on by the time she has a bag of experimental drugs (actually blue pop rocks I think) sewn into her belly for clandestine transport.
Blue Ruin
Wednesday, July 30th, 2014
I don’t know what this has to do with BLUE JASMINE, but it’s pretty good as a standalone.
I saw alot of film festival acclaim for BLUE RUIN as a movie about how bad and ugly revenge actually is. I gotta tell you I was skeptical, because I didn’t want to hear some joyless lecture about the wrongness of something most of us never experience, especially as punishment for our inherent enjoyment of classic action movie formula. DEATH SENTENCE and others prove you can make that point and still have fun.
Luckily my assumptions were unfounded. As the writer Harry once told Flavor Flav, “Don’t believe the hype.” BLUE RUIN isn’t trying to teach us a lesson, it’s actually a fairly traditional and enjoyable thriller about a murder and ensuing mess, spiraling out of control like that time the Cat in the Hat came over and ate cake in the bath tub. It’s just that it comes from young independent filmatists so it feels more like it’s happening to some dude you know than the usual slick Hollywood players. It’s quiet, naturalistic, and you have to piece together the backstory from what’s happening, you don’t get alot of obvious exposition. The avenger is a pretty non-descript nerd named Dwight (Macon Blair). Big, sunken eyes, a little doughy, bad haircut, no cool motorcycle jacket or shades or nothin. Just a normal guy. Could work at Best Buy or something.
(read the rest of this shit…)
Hercules
Tuesday, July 29th, 2014
I don’t know what you people are thinking not wanting to see a new Hercules movie starring Dwayne T.R. Johnson. The motherfucker grew a beard and wore a lion on his head and somehow increased his workout from what it was before, and yet the world acts like there’s nothing to see here. Here we have a movie star who we have all anointed an icon, an actor who combines the charm of George Clooney with the cartoonish physicality of Arnold Schwarzenegger, who has entertained us many times but who still hasn’t quite found that great movie vehicle he deserves. And he has decided to use his impossibly giant muscles to lift up the sorely missed genre of the macho sword and sandal b-movie. Just on principle people like us should be taking time off work to see this thing, but all my friends, people I work alongside, who I admire and respect, just respond to the existence of HERCULES with a “ho hum” or a “ha ha.”
Yeah, I know the reason. With everything going on in Gaza right now, and in Russia and the Ukraine, it’s hard to really put our minds on something so trivial nah just fucking with you it’s because this was directed by Brett Ratner.
Superman: The Movie
Wednesday, July 23rd, 2014
SUPERMAN: THE MOVIE (not to be confused with Superman: The Imitation Pasteurized Process Cheese Spread) is an important movie. It was the first big comic book super hero picture, and an early entry in the world of post-STAR WARS blockbusters that shaped today’s generation of filmatists. By casting Marlon Brando as Joe L. Superman (plus Gene Hackman as Lex Luthor and Glenn Ford as Pa Kent), director Richard (LETHAL WEAPON) Donner set the precedent, still in place today, that big respected actors in supporting roles can add credibility to a super hero picture. And by casting only-one-movie-under-his-belt Christopher Reeve as Kal L. “Clark Kent” Superman he showed that sometimes a fresh face is better than a familiar veteran to play an iconic character. That later worked for Wolverine (whose first movie was executive produced by Donner), Thor and two subsequent Supermen. (Other actors who were supposedly on the producers’ wish list: Al Pacino, James Caan, Steve McQueen, Clint Eastwood, Dustin Hoffman and [why not?] Muhammad Ali. Any one of those would’ve automatically been a completely different movie.)
(read the rest of this shit…)
A Time To Die
Tuesday, July 22nd, 2014
I found A TIME TO DIE in the action section, and it looks like an action vehicle for Traci Lords. On the cover she’s holding a gun in front of some burning vehicles and she looks awesome. But that’s not exactly what this is, there’s not alot of action. I’m gonna go ahead and classify it as “crime” to be less misleading. A few people get shot, and there’s a car chase where an unrelated car crashes and blows up. And the one part at the beginning where she crushes a dude’s balls (pictured left). But you’re not gonna see Traci Lords doing karate or anything. It’s more of a suspense-drama I guess.
But I kinda liked it. It has all the hallmarks of a generic and at times amateurish thriller, but it keeps surprising with extra bits of personality. Take for example the opening scene, where an arms deal is going on on the roof of a building, and one of the dealers gets mad ’cause a kid sets off the alarm on his car in the alley below. He yells at the kid, and the kid gets offended and lays on top of the car just to fuck with him. The dealer loses his temper and shoots the kid, fucking up the whole deal.
This is not the introduction of the bad guys, and the kid is not a brother or friend of Jackie (Lords) who needs to get avenged. It’s just a weird incident that she reports to as a crime scene photographer. (read the rest of this shit…)
Speed 2: Cruise Control
Monday, July 21st, 2014
I never watched SPEED 2 before. When I decided the day had come I actually got excited about it for a minute. Wait, so there’s a studio blockbuster in the DIE HARD or UNDER SIEGE type of subgenre that I haven’t seen? What was I waiting for? I mean, I know it was almost unanimously hated, and that it was an early example of the PG-13-sequel-to-R-rated-action-movie, but when has that stopped me before? I am an individual with an open mind and an open heart. I am ready to welcome SPEED 2 into the hospitality of my mental space.
I thought. But the mob was right on this one. SPEED 2 is pretty sucky. It’s the SPEED 2 of SPEED sequels.
(read the rest of this shit…)
Speed
Thursday, July 17th, 2014
Do you guys know about SPEED? It’s like GRAND PIANO with a bus! An L.A. public bus that requires the very precise driving of not going below 50 mph or it will blow up. Even if it went through a school zone it could not slow down to avoid crunching the little ones under its wheels. That’s fucked up! I mean they don’t run into that problem in the movie but jesus, bad guy mastermind, think of the children.
It’s no mystery to us, this is the work of bomber-for-ransom Dennis Hopper (TICKER), who in a pre-bus sequence tries a similar job on an elevator full of Patrick Bateman types, but is foiled by Jeff Daniels (BLOOD WORK) and his young gum-chewing sidekick Keanu Reeves (MAN OF TAI CHI). This was after POINT BREAK but before THE MATRIX, so Keanu as the lead in a big action movie was still a new notion to the world. But what are you gonna do, the Jeff Daniels character gets shot and taken off the streets, it’s just not in the cards for it to be a kickass Jeff Daniels vehicle. I’m sorry.
(read the rest of this shit…)
A Woman, a Gun and a Noodle Shop
Wednesday, July 16th, 2014
There’s a nice little tradition of cross-cultural, cross-genre remakes. The most famous of course is the Japanese samurai movie YOJIMBO becoming the Italian western A FISTFUL OF DOLLARS. And recently I reviewed the Japanese samurai remake of the American western UNFORGIVEN. There was also BLIND FURY, that was an American action movie based on Zatoichi, and they didn’t even have to get cowboys involved at all. There are both Indian and American remakes of OLDBOY. This is a thing that we do now. If the story is strong enough it can work, and translate in different ways for different cultures.
Still, it was a surprise in 2009 when Zhang Yimou, director of gorgeous epics like HERO and RAISE THE RED LANTERN, took on the Coen Brothers’ lean neo-noir debut BLOOD SIMPLE. The dry, dusty tale of adultery, murder and dumb mistakes becomes a period Chinese story with broad comedy elements. It’s weird and not entirely successful, but interesting to a fan of this type of cultural outreach. (read the rest of this shit…)
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