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Archive for the ‘Reviews’ Category

Generation Ax

Wednesday, October 11th, 2017

Okay, I’m not naive, I know a no-budget regional slasher nobody’s ever heard of from the advanced year of 2001 was a long, long, loooong shot for kicking off Slasher Search 2017, this year’s quest to find a great obscure slasher movie I’ve never seen before. But I don’t know, man. The title GENERATION AX always intrigued me. That was a pretty good exploitation title for its time, or at least for several years before its time. The opening credits spell it out “GENERATION aX,” as if we might not get the play on “Generation X” without typographic hints. In that case it’s a misnomer, because this is a movie about 17 year olds in a year when the youngest Gen Xers were 25. In the movie’s defense, though, the entire cast looks closer to 30.

The story opens with Todd (Brian Kelly, “Jacobi Boy #2,” MANHUNTER), sort of a young Shea Whigham type, in a lone containment cell being taunted by a completely-by-himself cop or sheriff or whatever (Robert Steinmeyer?) who complains about having to fill out reports and helpfully talks about “those teens” and “those cheerleaders” Todd is accused of killing. Of course Todd escapes and the story jumps back two weeks. This tension-by-telling-us-the-future is maybe the closest thing to a successfully executed technique in the movie. If we were invested in the character Leslie (Jennifer Peluso, coach for The Firm: Total Body series of workout videos) it would be suspenseful as it goes back and forth about whether or not she’ll make the cheerleading team. (read the rest of this shit…)

Tobe Hooper’s Night Terrors

Tuesday, October 10th, 2017

TOBE HOOPER’S NIGHT TERRORS (or THE MARQUIS DE SADE’S NIGHT TERRORS according to the menu of the German DVD I watched – it’s VHS-only in the States) is a lesser known one from Hooper’s disreputable ’90s period. This was 1993, when he was doing alot of TV, but theatrical-movie-wise it came between SPONTANEOUS COMBUSTION and THE MANGLER.

I’d actually never seen this one before and I’m glad I waited until now because I can at least respect its place in Hooper’s filmography and its rejection of normal horror ideas. Can’t really say I like it, though.

What is the premise? I’ve seen it, so I have a good guess. It’s about Genie (yes, that’s how it’s spelled), a young American woman played by Zoe Trilling (DR. GIGGLES, NIGHT OF THE DEMONS 2) who goes to Alexandria, Egypt to stay with her archaeologist father Dr. Matteson (William Finley, THE PHANTOM OF THE PARADISE, EATEN ALIVE, THE FUNHOUSE), meets a few people, experiments with her sexual boundaries and then gets chained up by some sadists. (read the rest of this shit…)

Cult of Chucky

Monday, October 9th, 2017

I kind of want the CHUCKY cinematic saga to go on forever, or at least as long as Don Mancini wants to keep making them. He’s the guy who wrote the original script BLOOD BUDDY, that became CHILD’S PLAY, and then wrote all six sequels to date, and directed SEED OF CHUCKY (2004), CURSE OF CHUCKY (2013) and now CULT OF CHUCKY (aka CHUCKY NUMBER SLEVIN).

CURSE was the first one made for the DTV market, and CULT follows in its footsteps: lower budget, limited locations, filmed in Winnipeg, more serious tone than BRIDE or SEED except for some broad meta references and some nods to continuity. It also brings back the star, Fiona Dourif (yes, Brad’s daughter) as Nica, innocent paraplegic woman now committed to an asylum, blamed for Chucky’s murders and convinced she imagined him to ease her guilt. Of course, the dumbass doctor (Michael Therriault, The Girlfriend Experience) decides he should bring in a vintage Good Guy doll as part of her therapy, and, you know, shit may or may not happen. (read the rest of this shit…)

Invaders From Mars

Thursday, October 5th, 2017

In the ’80s, lots of people were trying to make Steven Spielberg movies. And obviously POLTERGEIST is Tobe Hooper’s Steven Spielberg movie. Or Steven Spielberg’s Tobe Hooper movie. These days it sounds like they should’ve just been credited as co-directors if it had been allowed. Accounts vary. So let’s forget all that and call INVADERS FROM MARS his version of a Spielberg movie, but not a regular Spielberg movie. It’s the type that the weirdo who directed LIFEFORCE would make. And that Golan and Globus would produce.

It was, in fact, Hooper’s followup to LIFEFORCE (which the kid is watching in part of the movie – lenient parents) and has a screenplay by the same duo. That would be the great Dan O’Bannon (ALIEN, RETURN OF THE LIVING DEAD) and the mysterious Don Jakoby (DEATH WISH 3, ARACHNOPHOBIA, DOUBLE TEAM, VAMPIRES – how is the writer of all of those not legendary?) Hooper was still editing this when he started TEXAS CHAINSAW MASSACRE 2, so by my calculations this is right near the peak of feverish Hooper creativity. (read the rest of this shit…)

Night of the Comet

Tuesday, October 3rd, 2017

NIGHT OF THE COMET is like OMEGA MAN reborn as a vividly nineteen-eighties movie. To me it feels like a cousin of RETURN OF THE LIVING DEAD, and an acquaintance of MIRACLE MILE, CHERRY 2000 and A BOY AND HIS DOG. The tone is a little cartoony, but not silly; it has zombies, but the bigger threat comes from the government. It’s a good salty-sweet mix of bleak and cynical with sweet and fun.

The young leads, Reggie (Catherine Mary Stewart, NIGHTHAWKS, THE LAST STARFIGHTER) and her little sister Sam (Kelli Maroney, SLAYGROUND, CHOPPING MALL) are called “Valley girls” on the box, but luckily that means no more than where they live. Maybe they say “I’m so sure” or something, but they’re serious characters, not the goofy-talking stereotype we know from the Moon Unit Zappa song. Still, centering around youths of the ’80s, NIGHT’s primary locations are a movie theater, a radio station lit by neon art, and a mall. (read the rest of this shit…)

The Legend of Billie Jean

Thursday, September 28th, 2017

THE LEGEND OF BILLIE JEAN is a cool little 1985 stick-it-to-the-man teen feel-good movie that I think still has alot of relevance today. Helen Slater (SUPERGIRL) plays Billie Jean, a Texas trailer park girl who lives parent-free with her young brother Binx (Christian Slater, no relation, MINDHUNTERS). One day they’re riding around on his motor scooter when they get harassed by a carload of giggly rich bros who I think are following the grade school throw-rocks-at-the-girl-you-like method of flirting. But things escalate until the scooter is damaged.

Billie Jean would not be legendary if she put up with this type of treatment. Instead she goes to the store owned by the ringleader Hubie Pyatt (Barry Tubb, Wolfman from TOP GUN)’s dad (Richard Bradford, MORE AMERICAN GRAFFITI) and demands the $608 it will cost to repair the scooter. Mr. Pyatt pretends to be reasonable but then tries to get her to have sex with him for the money, which is very much not in the spirit of the request. As Billie Jean struggles to get away, Binx accidentally shoots Mr. Classy with his own gun. So Billie Jean and Binx and their friends Ophelia (Martha Gehman, F/X) and Putter (Yeardley Smith, THREE O’CLOCK HIGH) go on the run. (read the rest of this shit…)

Crouching Tiger, Hidden Dragon: Sword of Destiny

Thursday, September 14th, 2017

Okay, so admittedly it’s weird that 17 years after the acclaimed, Academy Award winning CROUCHING TIGER, HIDDEN DRAGON, The Weinstein Company up and made a sequel without the original director. And filmed it in English. And sold it to Netflix so it was barely released in theaters and may never be available on disc in most countries. It’s not surprising that people seem to have been disappointed, or just confused, or completely unaware of it. But if we think of it in terms of unlikely DTV sequels, CROUCHING TIGER, HIDDEN DRAGON: SWORD OF DESTINY is in the upper echelon.

No, the director is not Ang Lee, but it’s not nobody either – it’s Yuen Woo-Ping, whose choreography was the life’s blood of the first film. I wouldn’t say he tops it here, but he brings more graceful glides, spinning swords and nimble roof top skips and hops. It’s worth noting that today’s technology is used to create more elaborate magical realism, like when the two leads ride in on horses, block a barrage of spears, leap high into the air, land and begin a sword fight, all in one beautiful shot. (read the rest of this shit…)

Crouching Tiger, Hidden Dragon

Wednesday, September 13th, 2017

CROUCHING TIGER, HIDDEN DRAGON is an important movie to me for a couple reasons. One is personal, but the other is kinda about you guys. I had been writing reviews on my Geocities websight for a bit, but I didn’t really think anybody gave a shit, so I had kind of given it up for a few months when I ran into an old friend who mentioned he liked what I wrote about CROUCHING TIGER and wondered when I was gonna write more reviews. So I did, and then I continued for like 17 years, and here we are. Thank you, Jacob M., for saying that to me that day.

I love CROUCHING TIGER. I wasn’t sure how well it would hold up after all these years. It was such an exciting movie of its time, but it’s been imitated, techniques have evolved, new things have been achieved in martial arts, we’ve changed. And though I still like HULK, the other Ang Lee film I was obsessed with in the early 2000s, it doesn’t quite knock my socks all the way off anymore. Just part way off.

CROUCHING TIGER, I’m happy to discover, still does. And it knocks them off in a deeper, more mature way than it used to. My socks were very impressed.

(read the rest of this shit…)

It

Tuesday, September 12th, 2017

STAND BY ME vs. THE THING. A group of young nerd friends in the small town of Derry, Maine battle a shape-shifting (usually clown-shaped) thing-from-another-(not-specified) that feeds on the fears of children. Oh, and also feeds on the actual children, apparently as a way to create more of that sweet fear.

Stephen King’s book tells the story of this “Losers’ Club” in 1958, and then reunites them as adults to do It in grown up style. Andy Muschietti (MAMA)’s movie just handles the childhood half of the story, moving it up to the summer of 1989, three years after the book even came out.

I read the book probly 30 years ago and only remember it well enough to be thankful they left out the pre-teen gang bang scene. I still question the part where a bunch of boys and one girl go swimming together in their underwear and then hang out that way. Maybe it was different on the east coast but this seemed like an alien clown’s idea of what the youths do together. Also the graphic blood pact seemed to me from a different time, but I guess God bless those little psychos for being up to that kind of self-mutilation. I couldn’t do it. (read the rest of this shit…)

Okja

Monday, September 11th, 2017

This year THE HOST and SNOWPIERCER director Bong Joon-ho made a truly one-of-a-kind movie. OKJA is a sweet girl-and-her-creature tale like MY NEIGHBOR TOTORO after it has been swallowed by a vicious satire of corporate greed and man’s treatment of animals. It’s produced by Netflix with an international cast, many of them speaking English, but its wild shifts in tone make it feel safely within the tradition of South Korean cinema.

It already seems bug-nuts from the opening, when aggressively-faux-enlightened Mirando Corporation CEO Lucy Mirando (Tilda Swinton, CONSTANTINE) gives her colorful presentation about the “discovery” of the allegedly miraculously eco-friendly “superpig” species and their plan to give them to farmers in 26 cities around the world to raise for ten years using their local traditions and then to crown one as the best.

The decade passes, and young Mija (Ahn Seo-Hyun, the daughter in THE YELLOW SEA) lives an idyllic life in some mountains in Korea helping her grandfather (Byun Hee-bong, MEMORIES OF MURDER) take care of their superpig Okja. She’s bigger than a hippo – looks like a giant Eeyore – but limber enough to leap around like Ang Lee’s Hulk. Mija plays with her and rolls around on top of her belly and climbs inside her mouth to brush her teeth for her. (read the rest of this shit…)