"CATCH YOU FUCKERS AT A BAD TIME?"

Archive for the ‘Action’ Category

Full Eclipse

Thursday, January 12th, 2017

For those of us disappointed that MOONLIGHT, although very good, was not about werewolves, here is a pretty okay wolfman movie to dig up. (You know, like a dog would dig up a bone or something.) It stars Mario Van Peebles, it’s directed by Anthony Hickox right after WARLOCK: THE ARMAGEDDON, and it’s written by Richard Christian Matheson (THREE O’CLOCK HIGH) & Michael Reaves (Super Friends).

I like that it combines werewolves with a straight up cop movie. It’s hard to classify as horror exactly, because the lycanthropy is treated more like super powers than monsters. In fact, they have Wolverine style claws and Magneto type helmets. But they are werewolves in a legit action movie complete with cliches about cops and their partners and one of them saying “I’m too old for this” and everything.

Even better, this came out the year America stole John Woo, and the style seems pretty influenced by him. Lots of leaping through the air to fire guns, slow motion, intense, lingering closeups. For the opening set piece Hickox revisits his HELLRAISER III: HELL ON EARTH idea of terror in a dance club full of big spooky body part sculptures, but with bullets and debris and people flying everywhere, usually with LAPD detective Max Dire (Van Peebles) dropping from above or jumping in the air or laying on the floor while shooting two guns. (read the rest of this shit…)

Alien Nation

Monday, January 9th, 2017

A premise like ALIEN NATION’s is as rare a mineral as unobtainium. It alchemically melds two seemingly unmixable genres (’80s cop thriller and sci-fi alien movie) in a way that organically lends itself to social commentary within pop entertainment. I wouldn’t say ALIEN NATION succeeds wildly in those goals, but it gets the job done and just the conception of it is so beautiful it can get away with coasting.

At its heart it’s a standard-issue interracial buddy cop movie. Like Dirty Harry and a million other movie cops, Detective Matthew Sykes (James Caan)’s partner dies, and he tries to solve the case with a new partner who happens to be from a different culture, and has a very different personality and approach to law enforcement. Like Tyne Daly in THE ENFORCER, Detective Francisco (Mandy Patinkin, DICK TRACY) is part of an advancement program to promote diversity, and is receiving rejection and resentment from the usual self-centered-backwards-afraid-of-change-knuckledragging-anti-progress assholes. Sykes isn’t any more enlightened than his bros, but he knows Francisco is on a case that might be related to the guys who killed his partner.

So Sykes says culturally insensitive things, insults his partner, makes a fool of himself, but starts to learn, they get to know each other, they bond with each other, he changes his perspective, starts to stand up against racism from the other cops, all while they go after the killers.

But Francisco is different from other cops who are different, because he’s not just a different race or gender from Sykes, he’s from a different planet. He’s a Newcomer, an alien. Three years ago they arrived in “an intergalactic slave ship,” but they’re genetically engineered to be highly intelligent and adaptable, so they’ve already integrated into human society much more than the ones in DISTRICT 9 did. They have large, bald heads with distinctive spots on their skin, but they’re humanoid so they just wear suits and ties and sunglasses and shit like anybody else, and they take on human names and jobs and try to fit in like any immigrant in America. (read the rest of this shit…)

Pink Cadillac

Monday, January 2nd, 2017

In PINK CADILLAC, Clint Eastwood plays Tommy Nowak, a skip tracer who has to bring in a woman who jumped bail after getting blamed for her stupid husband’s stupid prison buddies’ counterfeiting scheme. Of course he catches her, but ends up protecting her and falling for her and what not. Do not get this confused with the one where he’s a cop who has to escort a mob trial witness from Vegas to Phoenix and falls for her. That’s THE GAUNTLET. That one has a bus, not a Cadillac.

I’d say this qualifies as an action comedy. It takes itself seriously, it’s not broad like the EVERY WHICH WAY BUT LOOSE movies, but Clint goes further than his usual wry one-liners, because Nowak loves to wear disguises and play characters. In the opening he catches a guy by making him think he won a date with Dolly Parton from a country radio station. Just for this he does a “Crazy Carl Cummings” DJ persona and a briefly-British-accented limo driver. Since he later quibbles with his boss over gas mileage I really wonder how he paid for the limo and costume. I guess he just thinks it’s worth the expense to fuck with people. During the drive back to Sacramento he asks the guy what kind of music he wants to listen to, and when he doesn’t make a choice, Tommy puts on some Dolly Parton. (read the rest of this shit…)

Christmas Rush (a.k.a. Breakaway)

Friday, December 23rd, 2016

CHRISTMAS RUSH (or BREAKAWAY on DVD) is a 2002 action movie made for the cable channel then known as TBS Super Station. (Other original TBS movies that year: DEAD IN A HEARTBEAT, DISAPPEARANCE, ATOMIC TWISTER, COUNTERSTRIKE, FIRST SHOT). It’s a DIE-HARD-in-a-mall type setup and I believe the only DIE HARD copycat besides DIE HARD 2 that takes place at Christmas time.

Dean Cain (A CHRISTMAS ADVENTURE …FROM A BOOK CALLED WISELY’S TALES, A CHRISTMAS WEDDING, THE DOG WHO SAVED CHRISTMAS, THE CHRISTMAS GIFT, A NANNY FOR CHRISTMAS, THE DOG WHO SAVED CHRISTMAS VACATION, THE CASE FOR CHRISTMAS, THE DOG WHO SAVED THE HOLIDAYS, DEFENDING SANTA, SMALL TOWN SANTA, A BELLE FOR CHRISTMAS, MERRY EX-MAS, BEVERLY HILLS CHRISTMAS, A DOG FOR CHRISTMAS, BROADCASTING CHRISTMAS) plays Cornelius Morgan, edgy Chicago cop who gets suspended and is being sued for a shooting that happens while arresting Chinese gangsters. On Christmas Eve day he’s handed a subpoena and gets in a small snit with his wife Cat (Erika Eleniak, UNDER SIEGE, an episode of Hunter and a Wet ‘n Wild video). At night he tries to visit her at her work, a jewelry store in Chicago Place Mall, to give her flowers and apologize.

BUT! He sees the supposedly-retired thief Jimmy Scalzetti (Eric Roberts, CHRISTMAS IN COMPTON, SO THIS IS CHRISTMAS, ALL AMERICAN CHRISTMAS CAROL, A HUSBAND FOR CHRISTMAS, SANTA’S BOOT CAMP) strolling in looking all tough and intent on something and clearly not there to shop for holiday gifts or trenchcoats, which they are stocked up on. He follows them into an employees only hallway and sees that they’re there to rob the place. (read the rest of this shit…)

Toy Soldiers (1991)

Thursday, December 8th, 2016

TOY SOLDIERS is a kid’s movie clashing with an action movie. It’s rated-R and surprisingly legit, opening with chaos in Colombia, where Luis Cali (Andrew Divoff, WISHMASTER), the son of a captured narco-terrorist, has a court room held hostage. Within the first four minutes of the movie they throw a woman out of a high window and a judge out of a helicopter (an impressive skydiving stunt). Later they will take over a boarding school full of the children of American politicians and super-riches, and being that Columbine has not happened they will have no compunction about shooting the place up.

But when we meet our young protagonists jogging into The Regis School and spray painting it to say “The Rejects School”, Robert Folk (POLICE ACADEMY)’s score goes from sounding like a Chuck Norris movie to an episode of Amazing Stories or The Young Indiana Jones Chronicles. Oh, youth. They have self-owned themselves as rejects because they’re supposed to be the fuckup rich kids who got kicked out of every other prep school. Now they will endure the gauntlet of action-movie-scenario to prove their true worth. (read the rest of this shit…)

Lone Wolf and Cub: Baby Cart to Hades

Wednesday, November 30th, 2016

tn_babycarttohadesWhen you’re the shogun’s executioner and your wife is murdered and you’re set up and your life is ruined and you choose to take your son on the demon’s path and become an elite assassin for hire, you do alot of wandering around having adventures. Part 3 of the LONE WOLF AND CUB series (or, if you prefer it dubbed and edited to be dumber, part 2 of the SHOGUN ASSASSIN series) is episodic in a good way. They cross a couple different enemies, get offered a couple different gigs, get into some shit with the Yagyu Clan, and their nemesis Retsudo is mentioned but not seen, like The Emperor in STAR WARS.

On their travels, Ogami Itto (Tomisaburo Wakayama) and son Daigoro (Akihiro Tomikawa) are jumped by a bunch of ninjas, so he kills them. (SPOILER)

Along a road there are some watari-kachi, mercenaries, drifters who go around trying to get gigs, often just “hired for show when someone needs more men in their procession” because the kind of lords they work for can’t afford to hire them full time. (see also: film critics) They’re sitting around with Master Kanbei (Go Kato, SWORD OF THE BEAST), who they consider uptight, so they try to take him down a notch. “You’re really peculiar. You don’t drink, you don’t touch women.” They don’t get him because they figure the only reason it’s worth having their job is to “have fun,” which we quickly realize means to rape women along the highway.

Master Kanbei chooses not to participate when these pricks run off to attack a passing mother and daughter, knocking out their male servant. But he doesn’t stop them either – not until he hears them brag about who they’re all working for. Then Kanbei intervenes in a very calm, business-like manner: he kills the servant, then the two victims, then makes the three mercenaries draw straws so that one can be killed and blamed for the murders. (read the rest of this shit…)

Skinheads

Monday, November 28th, 2016

tn_skinheadsBefore GREEN ROOM, before Election 2016, there was Greydon Clark’s SKINHEADS (1989), about a small gang of neo-Nazis running wild.

It starts, like so many cheap action movies, with the gang robbing a convenience store. But in this case they there’s no hero to kick their ass, and they intentionally turn their wrath on the elderly Jewish owners and a young black customer.

Now that they are murderers, they decide maybe it’s time to get out of town for a bit. Take a vacation in the mountains somewhere outside of Reno. But their rampage continues when they stop at a cafe and pick a fight with some other patrons. After Tiny (Duane Davis, UNDER SIEGE, TYSON, PAPARAZZI) accepts the challenge and outboxes the biggest, dumbest skinhead, Brains (Dennis Ott, “Bar Character,” ROAD HOUSE), their crazy leader Damon (Brian Brophy, CITY OF INDUSTRY) shoots and kills him. (read the rest of this shit…)

The Martial Arts Kid

Tuesday, November 15th, 2016

tn_martialartskidTHE MARTIAL ARTS KID is about a young man who gets in trouble too much so he gets sent far away to live with his aunt and uncle. He meets a nice girl he likes, but she has an asshole sports car driving bully boyfriend who threatens him just for talking to her. And the boyfriend is part of a bad crowd and they end up in competition over the girl and in sports. And he has an older mentor that trains him.

Remind you of any other movie? Me too. THE FAST AND THE FURIOUS: TOKYO DRIFT. Or maybe you were thinking THE KARATE KID, but in that one he just moved because his mom moved, he wasn’t a troublemaker. Totally different. Also, that’s about a kid who specifically does karate. This is a kid who does martial arts in general. I don’t really see a comparison.

Okay, maybe I do. I just like to mention TOKYO DRIFT whenever I can. This is a weirdly transparent KARATE KID rehash, arguably closer to a straight up retelling than the official remake with Jaden Smith and Jackie Chan. There’s even a wax on/wax off reference like some remakes would want to do, and it plays with your expectations of him being given a nice car as a gift. Instead he gets a bike, which he rides around the suburbs, keeping him a Martial Arts Kid when he seems to be on the verge of Martial Arts Manhood. (read the rest of this shit…)

Riot

Thursday, November 3rd, 2016

tn_riotYou and I, obviously we rented RIOT because Dolph Lundgren is on the cover. But we will quickly learn that this is a Matthew Reese Films presentation starring Matthew Reese as Jack Stone.

As you could guess from his name, Jack Stone was an amazingly awesome and legendary cop before a bank robbery and killing of a fellow officer (seen in fragmented flashbacks) put him behind bars. The guards (who wear full body armor and goalie masks) taunt him and the inmates threaten him, except for one tall shy guy with a mop. That’s William, played by Dolph. He hunches over, winces, mumbles, acts scared. But he immediately looks out for Jack. If Jack gets jumped he’ll leap in and beat up a guy with a mop handle if necessary.

Actually there’s one other guy who likes Jack, in a part I didn’t understand. When Jack’s cellmate (ex-football player Seante Williams) first finds him in the cell he starts threatening him, but then recognizes him and smiles. “Jack, right?” He introduces himself as Silva and gives him his choice of top or bottom bunk! Toward the end of the movie a giant muscular blond, like a new model of Dolph, who has been set up as a major threat, comes to kill Jack, and Silva flies in with a Superman punch and takes care of the guy for him.

I don’t know, maybe Silva’s supposed to be some undercover guy planted there to help him? Might as well be, it seems like everybody else in here is. Jack purposely pleaded guilty to get into the prison where his wife’s killer is. William, we find out, is an FBI agent who has been inside for 6 months to look into corruption at the prison (talk about a shitty gig!) and he also has a partner in there who is also undercover. (read the rest of this shit…)

Jack Reacher: Never Go Back

Wednesday, November 2nd, 2016

tn_jackreacher2For some reason it’s hard to make a movie series based on a book series about some dude who has different adventures. Except for James Bond, and Jack Ryan at one point. And it tends to be only screenwriters turned directors who know this sort of thing would be cool: Brian Helgeland did a Parker book (PAYBACK), Scott Frank did a Matthew Scudder (A WALK AMONG THE TOMBSTONES), Christopher McQuarrie did a Jack Reacher (JACK REACHER). All of these are artful takes on pulpy material, slightly elevated genre fare that’s neither generic nor ashamed to take part in a one-liner or just-how-badass-is-he speech. The latter two are really more interesting for their characters and style than for the particular mysteries they get involved in, so naturally you’re left wanting them to have a whole series of movies.

So congratulations to Jack Reacher for eking out just enough box office to justify a sequel. It feels so natural, but I honestly didn’t think it would happen. (read the rest of this shit…)