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"I ask you not to worry about that possibility. Because my son and I live on the Demon Way in Hell, we're prepared to descend into Hell through the Six Realms and Four Lives."

Posts Tagged ‘Ben Affleck’

Triple Frontier

Tuesday, March 19th, 2019

TRIPLE FRONTIER is last week’s straight-to-Netflix-no-theaters release from director J.C. Chandor (MARGIN CALL, ALL IS LOST, A MOST VIOLENT YEAR). This one is higher profile than most such releases because it floated around various big name directors and studios before Netflix bought it with the bottomless money supply their CEO famously received by catching a magic fish, and it stars Oscar Isaac (SUCKER PUNCH), Ben Affleck (ELEKTRA, director’s cut only), Charlie Hunnam (KING ARTHUR: LEGEND OF THE SWORD), Garrett Hedlund (TRON LEGACY) Pedro Pascal (THE GREAT WALL) and Adria Arjona (PACIFIC RIM UPRISING). It’s such a big deal for the company that they made the uncharacteristic choice of promoting its existence!

Isaac plays Santiago “Pope” Garcia, an American advising the Colombian military in violent raids on drug gangs. His informant/sometime-girlfriend Yovanna (Arjona) claims to know the location of a jungle fortress where cartel boss Lorea (Reynaldo Gallegos, MONKEY TROUBLE) hides out with all his money. So Pope goes back to the states to recruit some of his old retired spec ops buddies as a team to go in and do reconnaissance and pocket a percentage of the money the police ultimately seize.

At least that’s what he says until they get there, and then it becomes clear that the police don’t know anything about it yet. He wants his buddies to do a heist with him. Ah, shit, Pope. Are you kidding me with this shit? (read the rest of this shit…)

Armageddon

Tuesday, July 24th, 2018

July 1, 1998

“There was some criticism that I made NASA look dumb in certain places. In fact if you heard some of these asteroid theories of what they are thinking of doing, it just sounds asinine.” –Michael Bay

ARMAGEDDON is Michael Bay’s third movie, but in some sense it’s the one where he revealed his true face to the world. There were plenty of examples of his style and character in BAD BOYS and THE ROCK, but it was ARMAGEDDON that first presented the full breadth of his trademarks: awesome awesome macho bros, pretty pretty sunsets, government employees portrayed as insufferable weiners even though they’re in the right, spinning cameras, haphazard editing all over the fucking place, chaotic mish-mashes of explosions and sparks and machinery and debris and smoke and crap, beautiful shots of people in various locations around the world, weirdly hateful characters presented as cutesy comic relief, an army of highly qualified writers seemingly locked in a cage and forced to duct tape a bunch of dumb ideas into the most unwieldy structure they can come up with that has a running time at least 30 minutes longer than the story has earned, and of course an ensemble of talented actors improvising jokes with no regard for any sort of desired rhythm or tone of storytelling. (read the rest of this shit…)

The Accountant

Thursday, November 30th, 2017

Bear with me here, but Christian Wolff, a.k.a. The Accountant (Ben Affleck, REINDEER GAMES) has kind of alot in common with Blade. He’s an anti-hero vigilante who works mysteriously in the underground, a good guy but scary and at odds with the law. He’s mostly a loner, but has a few trusted accomplices. He’s very aloof, not good at talking, expressing emotion, connecting. He has traumatic parental issues and a condition that he tries to keep under control with special treatments. He has a well-established operation with a secret headquarters and armory that we sort of learn about piece-by-piece as the movie goes on. He’s nomadic, setting up base in different parts of the world, always prepared to dump everything and move on if he gets burnt.

This time he knowingly breaks protocol to protect a young woman (Anna Kendrick, SCOTT PILGRIM VS. THE WORLD) who gets mixed up in his fight, and he shocks her by giving a glimpse into his crazy world.

One pretty big difference: instead of a half man/half vampire daywalker, this guy is autistic. That’s what causes his social awkwardness. If he were to walk around in broad daylight with a sword on his back it would be understandable.

(read the rest of this shit…)

Justice League

Tuesday, November 21st, 2017

(SPOILERS)

Sometimes, you know, Superman dies, so a bad guy decides to conquer the world, so you have to put together a team of other super heroes to fill in for Superman, but then you decide to bring him back to life, but he seems evil at first and fights you, but then he chills out while you fight the CGI guy, then he shows up. JUSTICE LEAGUE is a perfectly watchable, okay super hero romp, with a hefty serving of the humor everyone thought was missing in the last two Superman pictures, but no more sense, and very little of the gravity or operatic style. Goodbye worshipful awe of Superman, hello green screened-in undercutting gags.

Oh, but don’t worry, when Aqua-Man smashes through a building it’s been painstakingly established that it’s in an abandoned town. That’s the most important thing, obviously.

The invasion foreshadowed at the end of BATMAN V. SUPERMAN: DAWN OF THE LIVING JUSTICE is at hand. Batman knows it because a Geonosian “Parademon” flies up while he’s hanging a thief off a rooftop. I think he was using the poor guy as bait (the things smell fear), but possibly it’s just a weird thing that happens while he’s on the job. I like that when the creature appears Batman and the criminal seem to completely drop their conflict and have a conversation about how fucked up things are since Superman’s death. A little bonding between fellow humans. A nice moment. (read the rest of this shit…)

Suicide Squad

Monday, August 8th, 2016

tn_suicidesquadFor many years, Warner Brothers had pretty good luck making Batman and Superman movies. With SUPERMAN: THE MOVIE they pretty much invented the comic book movie. With BATMAN they reinvigorated it. Sure, there were those Joel Schumacher movies that put the whole venture in peril, but then they took the genre to the next level when they let Christopher Nolan start over and do his very successful and influential trilogy. They’ve had more hits than misses, I think.

But now the rival Marvel Comics company has their whole interconnected movie universe thing, and everybody’s gonna be jealous of their neighbor’s sports car, I guess, so WB is trying to do one of those for DC Comics. So far this has caused excitement followed by disappointment.

But the upside is that because they’re desperate to show off all these characters they own they went for the cool idea of SUICIDE SQUAD, a comic where a bunch of the villains from other comics are taken out of prison and forced on dangerous missions for the government, DIRTY DOZEN or Snake Plissken style. Popular bad guy characters are able to be enjoyed as anti-heroes, and get some amount of redemption for that time when they tried to rob a bank but the Flash caught them or whatever. The movie version is written and directed by David Ayer. That’s the guy who used to be known for writing TRAINING DAY, but more recently he’s come into his own as a writer/director with END OF WATCH, SABOTAGE and FURY. He can also brag that he has a writing credit on THE FAST AND THE FURIOUS. (read the rest of this shit…)

Batman v Superman: Dawn of Justice

Monday, March 28th, 2016

tn_bvs(HEAVY SPOILER REVIEW)

Here’s a weird thing about gigantic blockbuster movies based on popular licensed characters: you can end up making a sequel aimed less at the fans of the first movie than at the people who saw it once and have still not stopped complaining about it. At least that’s the fool’s errand that director Zack Snyder and writer David S. Goyer (this time rewritten by Academy Award winner Chris Terrio) chose for themselves on BATMAN von SUPERMAN: DAWN OF JUSTICE, which selects as its primary theme the criticisms that people had of part 1.

To this day I don’t feel like I understand the widespread outrage at MAN OF STEEL for having a comic book style battle between super beings where buildings were destroyed in the process. I still haven’t noticed this standard applied to any other movie or comic book (including the cover of the very first issue of Superman!) and I stand by everything I said in this essay about how wild misinterpretations of MAN OF STEEL have become conventional wisdom. Still, I gotta thank all of you for doing that because I suspect it inspired the most intense and cinematic section of BATMAN vehemently opposed to SUPERMAN, in which we see the Superman v Zod battle from an even more human perspective than before. Specifically, from Bruce Wayne’s point-of-view as he runs fearlessly into the destruction and tries to help.

We only see the Kryptonians in tiny glimpses, far away, high in the sky. Mostly we see raining glass and brick and glowing energy beams in their wake. They truly are gods. And now we specifically see that rubble landed on one guy and are told that a woman is missing. And Bruce Wayne doesn’t like it.

(SPOILER: Bruce Wayne is Batman.) (read the rest of this shit…)

Gone Girl

Tuesday, October 7th, 2014

tn_gonegirlGONE GIRL is the new David Fincher popular fiction adaptation, another murder mystery but this time I guess you could say with a lighter touch than SEVEN, ZODIAC or THE GIRL WITH THE DRAGON TATTOO. Nick Dunne (Ben Affleck, PAYCHECK) comes home on his fifth anniversary to find his wife Amy (Rosamund Pike, DOOM) missing. They were unhappy and he’s not good at faking it, so suspicion quickly falls on him. Meanwhile Amy had a tradition of leaving a series of clues for an anniversary treasure hunt, initially romantic, these days bitter and mean. While Nick and lead investigator Rhonda Boney (Kim Dickens, HOLLOW MAN) follow the trail of cute riddles, we start to see Amy’s diary entries telling the story of their relationship from her perspective. And this may shock you but it eventually turns out that there’s more to the story!

This is one that you really need to see without knowing any more than that, so I’m not even gonna attempt a spoiler-wary review. From this point on don’t read unless you’ve already seen it or are mortally wounded and aren’t gonna make it another 2 hours and 25. In which case thank you, I am honored and flattered that you chose to live out your last moments here on outlawvern.com. You know I hope this isn’t too forward of me but if you don’t have any heirs and it’s not too much to ask maybe consider making a bunch of expensive purchases through my Amazon links before you kick. I really appreciate it man, thanks alot bud and good luck to you. (read the rest of this shit…)

Paycheck

Sunday, February 24th, 2013

tn_paycheckwoozone?Remember when John Woo did a science fictional movie a while back that everybody said was shitty? This was after we’d all kind of given up on him, so I never saw it. Until now.

Ben Affleck, the director of ARGO, stars as Michael Jennings, an amoral engineering genius of a futurist Seattle, some time after the near-future one in STEALTH. (In the future the borders of Seattle will be stretched so far that they will include Vancouver, BC, which is all we see in this movie other than one helicopter shot over Seattle Center). His introduction is funny because he gets to do a John Woo slo-mo strut toward the camera wearing shades (it’s important to the plot that he’s finicky about sunglasses) and, uh, holding a computer monitor under his arm.

(read the rest of this shit…)

Argo

Monday, January 7th, 2013

tn_argoARGO is based on an amazing true story, recently declassified and told in this great Wired article. During the Iran hostage crisis, it turns out, the CIA managed to rescue a group of stranded American workers using an unusual cover story: they were part of a Canadian film crew scouting exotic locations for a STAR WARS inspired sci-fi fantasy epic. John Chambers, the genius makeup artist behind the PLANET OF APES series (and played by John Goodman here), had done “some contract work” for the CIA according to the article (let’s hope he gets a whole series of MISSION: IMPOSSIBLE style thrillers) and helped to set up real Hollywood producers and offices for the fake movie. The now-worshipped-by-nerds comic book artist Jack Kirby (seen only in a cameo here, played by DEATH WISH V’s Michael Parks) provided the artwork that they used as pre-production set and costume designs.
(read the rest of this shit…)

Pearl Harbor

Sunday, June 12th, 2011
chapter 4
chapter 4

2001posterreleased May 25th, 2001

WARNING: contains spoilers for PEARL HARBOR and World War II

After three financially successful action movies in a row (BAD BOYS, THE ROCK, ARMAGEDDON), Michael Bay got a once-in-his-career itch to make An Important Movie. He probly had SAVING PRIVATE RYAN on the brain, and definitely TITANIC.

Ever since James Cameron’s movie broke all box office records studios had been threatening to make asses of themselves by blatantly trying to catch more lightning in that same melodramatic-love-story-during-historic-disaster bottle. Jan de Bont almost did a love-story-on-the-Hindenburg movie, for example. PEARL HARBOR wasn’t as obvious of a copycat as that because 1) it was a love story set against a war movie as much as a disaster and 2) the love song on the end credits was by Faith Hill instead of Celine Dion. Totally different.
(read the rest of this shit…)