For some years now, some of you may remember, I’ve made it a point to watch all of the best picture nominees. This year, for the first time ever, I’d already seen all of them when the nominations were announced. Achievement unlocked, as they say in whatever they say that in.
Since I was ahead of the game there I thought maybe I could also review them all for the first time ever. I always don’t get around to a couple of them, and that’s what happened this year too. I did review AMERICAN FICTION and ANATOMY OF A FALL together, as well as BARBIE, MAESTRO, OPPENHEIMER, POOR THINGS and THE ZONE OF INTEREST. The ones I missed were THE HOLDOVERS, KILLERS OF THE FLOWER MOON and PAST LIVES, so I’ll say a little about them now. (read the rest of this shit…)

Hello friends, and welcome to my annual preview of the Oscars. They happen on Sunday and I’m anticipating them in the very rare-for-me position of my actual personal favorite movie of the year (
Well, it’s that time of year again. The end of April, that fabled time when the Oscars were 2 1/2 months ago unless there was a pandemic. Okay, obviously the big event this week is MORTAL KOMBAT coming out on Friday. But I’m still gonna enjoy watching the Oscars on Sunday.
Okay, time for my traditional pre-Oscars post. As you have probly gathered by now, I enjoy watching awards shows, I do not think they are too long, I do understand that they don’t represent the best of cinema, and that it doesn’t really matter that much, and I’m not offended if you don’t care about the Oscars. It’s fine, we all do what we want to do. And
The Oscars are coming up Sunday. Yes, I know it doesn’t matter who wins, but I enjoy watching the awards and I think they’re a good reflection of the aspirations and values of the people in this business we follow because we love (some of) what they create.


















