Archive for the ‘Reviews’ Category
Tuesday, February 2nd, 2021
I don’t necessarily think of Renny Harlin as one of my favorite directors, but the truth is he’s very foundational to my viewing. I grew up being obsessed with all kinds of movies, but when I try to pinpoint what truly hooked me on my twin obsessions of horror and action, it seems like the main culprits are A NIGHTMARE ON ELM STREET 3: DREAM WARRIORS and DIE HARD. So their sequels, both directed by Harlin, were huge for me at the time.
I understand why A NIGHTMARE ON ELM STREET 4: THE DREAM MASTER doesn’t get the same love as DREAM WARRIORS, but for me it was monumental because it was my first Freddy movie in the theater. When it came out on tape I watched it (and its making-of tape) over and over again. That’s how I knew there was this hot up-and-coming director named Renny Harlin, a long-haired Finnish dude who showed such promise with the 1987 horror movie PRISON that he did Freddy 4 and DIE HARD 2 – followups to two of pop culture’s biggest things going. I think some article I read in Newsweek or somewhere called Harlin “The Sequel Master.”
I rented PRISON, of course, and I’ve seen it since then, and it’s pretty good, and stars Viggo Mortensen before he was classy. But until recently I never really paid attention to the fact that Harlin made one movie before that, a Finnish production, but about Americans, and more in the action vein. (read the rest of this shit…)
Tags: Albert Salmi, Cold War, Finland, Mike Norris, Renny Harlin, Stack Pierce, Thalmus Rasulala
Posted in Action, Reviews | 16 Comments »
Monday, February 1st, 2021
CUT THROAT CITY may be the capital of CUTTHROAT ISLAND, I’m not sure, but the one I’m here to write about is the crime film set in New Orleans shortly after Hurricane Katrina, and it’s the latest directorial effort of The RZA.
As you may know I’m a fan of RZA’s music (Wu-Tang Clan, GHOST DOG score), acting (THE PROTECTOR 2, BRICK MANSIONS, THE DEAD DON’T DIE) and film scholarship (the commentary track on THE 36TH CHAMBER OF SHAOLIN, his 36films.com livestreams). I’m also a big fan of his first film as a director (and writer and star and composer), THE MAN WITH THE IRON FISTS. I have some issues with the way he shot the fights, but I absolutely love the old school kung fu fantasy world he created and the many characters, clans and weapons within it. So I take him seriously as a filmmaker. (read the rest of this shit…)
Tags: Demetrius Shipp Jr., Denzel Whitaker, Eiza Gonzalez, Ethan Hawke, Hurricane Katrina, Isaiah Washington, Joel David Moore, Kat Graham, Keean Johnson, New Orleans, P.G. Cuschieri, RZA, Shameik Moore, T.I., Terrence Howard, Wesley Snipes
Posted in Crime, Reviews | 2 Comments »
Thursday, January 28th, 2021
I don’t normally review Batman cartoons (I think the only time I have before is the Suicide Squad one, ASSAULT ON ARKHAM), but I think you will agree that this one falls into my jurisdiction. In fact, it’s so weirdly specific to my particular areas of interest that during the ‘70s-inspired opening credits montage with funky theme song, after seeing the names Mark Dacascos and Michael Jai White, Mrs. Vern turned to me in disbelief and said, “Did they make this only for you?”
Yeah, actually, it seems they did, so thanks, guys!
No joke, this is an animated movie set in the 1970s, based in the DC Comics universe but taking most of its template from kung fu movies. Its spy movie opening and funky, wah-wah heavy score are clearly homaging ENTER THE DRAGON, and there’s definitely some Jim Kelly/Blaxploitation influence in there, but its flashback structure mostly splits between an old school kung fu training movie and a getting-the-band-back-together type story. Two of my favorite plot structures in one. (read the rest of this shit…)
Tags: Bruce, David Giuntoli, DC Comics, James Hong, Jamie Chung, Jeremy Adams, Joachim Horsley, Josh Keaton, Mark Dacascos, Michael Jai White, Sam Liu
Posted in Cartoons and Shit, Comic strips/Super heroes, Martial Arts, Reviews | 11 Comments »
Wednesday, January 27th, 2021
I love being able to tip off my readers to a high quality, newish martial arts movie they might not have seen or heard of. Especially one that feels like an instant classic to me, like when I saw SPL 2/KILL ZONE 2 in 2015, and I just knew I had to do what I could to get the word out that it was something special.
But that’s not exactly what we’ve gathered for today. This is a different thread that I’ve been following since KILL ZONE 2. One of the highlights of that movie was Jin Zhang, now known here as Max Zhang, who played the lead henchman – a dapper, suit-wearing psycho with kicks like scalpels. He had such an entirely different vibe as the broody handsome rival in IP MAN 3 that I didn’t even notice it was the same actor. So now I pay more attention to him. His most recent release INVINCIBLE DRAGON (original title: 九龍不敗 [KOWLOON UNBEATEN]) is not in the same ballpark as his very good starring vehicle MASTER Z: THE IP MAN LEGACY (2018), and it’s sloppier and stupider than THE BRINK (2017). But I enjoyed the hell out of it because it has some of that precious Hong Kong action craftsmanship and production value, infused with the “are you kidding me right now?” lunacy of a really off-the-rails DTV movie, while managing to showcase some of the qualities that make Zhang stand out from other action stars. (read the rest of this shit…)
Tags: Anderson Silva, Annie Liu, Fruit Chan, Jack Wong Wai-Leung, Juju Chan, Lam Kee-To, Lam Suet, Max Zhang, Stephy Tang
Posted in Action, Martial Arts, Reviews | 6 Comments »
Tuesday, January 26th, 2021
You know I go into pretty much any movie hoping it will be good, but I admit I was surprised by the straight up legit-ness of this movie where Megan Fox plays an ex-special-ops badass who gets stranded in an area where a lion keeps eating people. Fox is good in it, the characters in it are fun and have a good chemistry, it’s well made, it genuinely works. I had hopes, but not necessarily expectations. I’m happy to report that this is a good one.
(As is my policy these days, I will note that it’s another movie reveling in the power of modern military gear, and it’s mostly white heroes rescuing white people from Jihadist rebels in Africa. But, you know, accepting that we still make movies like that, it’s an entertaining and distinct one.) (read the rest of this shit…)
Tags: Adam Deacon, Brandon Auret, Greg Kriek, Isabel Bassett, Jessica Sutton, Kenneth Fok, lion, M.J. Bassett, Megan Fox, Philip Winchester, Sisanda Henna
Posted in Action, Reviews | 9 Comments »
Monday, January 25th, 2021
There’s something about samurai movies that I find really comforting and grounding. People walking around slowly, just trying to enjoy some baths or poetry or something, but their codes and their swords come into conflict. I don’t know, there are different reasons why different ones appeal to me so much, but seeing a good one is always invigorating, so I figured it would be good to see one early in this new year to get things started on the right foot.
I chose SAMURAI MARATHON, officially a 2019 release, though it came to VOD and disc during quarantine time in 2020. It’s a Japanese language film, based on a Japanese novel (The Marathon Samurai: Five Tales of Japan’s First Marathon by Akihiro Dobashi), with a screenplay co-written by Hiroshi Saito (SAMURAI FICTION) and Kikumi Yamagishi (HARA-KIRI: DEATH OF A SAMURAI), but it’s directed and co-written by Mr. Bernard Rose of London, England. Obviously a samurai movie by the director of CANDYMAN is gonna catch my eye. And I’m sure glad it did because, my friends, I loved this movie. (read the rest of this shit…)
Tags: Akihiro Dobashi, Bernard Rose, Etsushi Toyokawa, Hiroki Hasegawa, Hiroshi Saito, Kikumi Yamagishi, Mirai Moriyama, Nana Komatsu, Naoto Takenaka, Ruka Wakabayashi, Ryu Kohata, samurai, Shota Sometani, Takeru Satoh
Posted in Action, Reviews, Sport | 8 Comments »
Thursday, January 21st, 2021
“In the second film the wardrobe people wanted to go glamorous. And they wanted to make Los Angeles look beautiful – that’s why all the colors are bright and friendly. Los Angeles is not like that – they made BREAKIN’ 2 as some kind of a WIZARD OF OZ of dance. And you know what? For a kid that never had anything, not even the money in the family to go to Disneyland – suddenly people were screaming, and cheering, dancing and being happy on the screen. That’s the fantasy. Maybe Los Angeles will never be that way, but Los Angeles was beautiful for one day when people watched BREAKIN’ 2. I think that’s nice.” -Michael “Boogaloo Shrimp” Chambers to Marco Siedelmann in the book Stories From the Trenches: Adventures in Making High Octane Hollywood Movies With Cannon Veteran Sam Firstenberg
BREAKIN’ was a huge hit for Cannon. It opened at #1 even though it was going head-to-head with Universal’s SIXTEEN CANDLES, and on almost 200 fewer screens. It ended up making $38 million, which was more than twice BEAT STREET’s total, and put it at #17 in the 1984 box office rankings, above such films as BACHELOR PARTY, RED DAWN, THE TERMINATOR and Cannon’s own MISSING IN ACTION. And if you scan down that list, way down to #102, you’ll find BREAKIN’ 2: ELECTRIC BOOGALOO.
That sounds more disastrous than it is, because only its first ten days of release were in 1984; its eventual total would’ve put it around #59. More notable than the sequel’s lower box office take is the fact that they got it into theaters less than 8 months later. But it wasn’t just a continuation – they put together a new team of filmmakers, headed by director Sam Firstenberg, who had just directed Dickey in NINJA III: THE DOMINATION (also released in ’84!), and they gave it a goofier, less reality-bound tone and style with more neon and rainbow colors in the clothes and graffiti. (read the rest of this shit…)
Tags: Boogaloo Shrimp, breakdancing, Cannon Films, dancing, Harry Caesar, Herb Mitchell, hip hop, Ice-T, Lela Rochon, Martika, Nicholas Segal, Peter MacLean, Sam Firstenberg, Shabba Doo
Posted in Reviews, Musical | 28 Comments »
Wednesday, January 20th, 2021
I’ve written about a bunch of these corny 21st century dance movies, and I always seem to be comparing them to the BREAKIN’ movies, but I’ve never actually reviewed the BREAKIN’ movies. That ends now. I’m reviewing the BREAKIN’ movies. The world could use more focus on the BREAKIN’ movies right now.
In a certain way, BREAKIN’ changed the whole world for me. I’m pretty sure it was BREAKIN’ and/or the cultural conversation around BREAKIN’ that first opened my eyes to this movement of music, art and dancing that older, cooler kids in far away New York had been building for several years. If you weren’t alive then I’m not sure you can imagine what a phenomenon it was. I remember a music teacher giving us diagrams of moves, trying to teach us (what she said was) the moonwalk, talking about Michael Jackson being inspired by breakdancers and breakdancers being inspired by James Brown. It was the music part of hip hop culture that would become important to me, and (as I said in my review of the companion movie RAPPIN’), at that time I don’t think I even knew the word “rap.” I called it “breakdancing music.” (And, though I kind of like this soundtrack, I don’t associate it much with the type of rap I soon fell in love with.) (read the rest of this shit…)
Tags: Ben Lokey, Boogaloo Shrimp, breakdancing, Cannon Films, Christopher McDonald, dancing, hip hop, Ice-T, JCVD, Joel Silberg, Lucinda Dickey, Michel Qissi, Shabba Doo, Teresa Laughlin, Venice Beach
Posted in Drama, Music, Reviews | 9 Comments »
Tuesday, January 19th, 2021
TRAIN TO BUSAN PRESENTS PENINSULA is, of course, director Yeon Sang-ho’s sequel to his excellent zombie hit TRAIN TO BUSAN (itself a live action sequel to his less-widely-known animated movie SEOUL STATION). Although PENINSULA is officially a TRAIN TO BUSAN presentation according to the American title, these are sequels in sort of the George Romero tradition: same world, different sets of characters. Different things that happen to people in South Korea trying to survive a fast-zombie outbreak. So, although I recommend all of them, you could watch them in any order.
This one starts maybe a little bit after the other two movies. Jung-Seok (Gang Dong-won, ILLANG: THE WOLF BRIGADE) uses his station as a captain in the Marines to get his sister and her family a spot on an evacuation ship. But of course a guy on the boat starts twitching weird and next thing you know there’s running and screaming and biting. This is just a pre-credits sequence but, like TRAIN TO BUSAN, it captures a deep sense of loss as Jung-Seok and his brother-in-law Chul-min (Kim Do-yoon, THE WAILING) see their loved ones turn into monsters. (read the rest of this shit…)
Tags: fast zombies, Gang Dong-won, Kim Do-yoon, Korean cinema, Yeon Sang-ho, zombies
Posted in Horror, Reviews | 3 Comments »
Monday, January 18th, 2021
I have very little familiarity with Alexandre Dumas’s The Three Musketeers, or even any of its many famous film adaptations. I think I mainly know the characters from the cartoons on The Banana Splits. So this review is not coming from the perspective of a true Muskie or Musketmaniac. Instead, I come to THE MUSKETEER (2001) as a fan of two movements in ‘90s/2000s cinema that improbably collided in this movie. Those movements are:
1) The Old Timey Adventure movie – contemporary filmmaking based on old (arguably even obsolete) characters, attempting to evoke a nostalgic movie serial type tone
see also: THE MASK OF ZORRO, THE PHANTOM, THE LONE RANGER
2) Hong Kong Outreach Cinema – that wave of films where geniuses of Hong Kong action cinema were recruited to spruce up Hollywood movies
see also: THE BIG HIT, LETHAL WEAPON 4, THE MATRIX, INVINCIBLE, BRIDE OF CHUCKY (read the rest of this shit…)
Tags: Bill Treacher, Catherine Deneuve, David Arnold, Jean-Pierre Cataldi, Justin Chambers, Michael Byrne, Moshe Diamant, Nick Moran, old timey adventure, Peter Hyams, Qiao Tan, Stephen Rea, Steve Speirs, The Three Musketeers, Xiong Xin Xin
Posted in Action, Reviews | 46 Comments »
