Archive for the ‘Reviews’ Category
Monday, July 19th, 2021
PIG is an unusual new Nicolas Cage joint that I was happy to have as my second post-vaccination theatrical experience. But this one is about as different from an F9 type spectacle as can be achieved by science. When you see the trailer or hear the premise (somebody steals Nic Cage’s truffle pig and he goes to the city to get it back) you might think about TOM YUM GOONG/THE PROTECTOR (where somebody steals Tony Jaa’s baby elephant and he goes to the city to get it back) or maybe JOHN WICK (where somebody kills Keanu’s dog and he goes on a rampage to get back at them). The truth is that it only shares the emotional center of those ideas (people form bonds with and assign meaning to their animal companions) – it’s decidedly not an action movie or even a revenge thriller. It’s a slow burn character piece and parable that doesn’t even have much violence, and will probly be pretty boring to some people, especially if they came in with the wrong idea. But it was just what I wanted.
Cage’s character Rob is a loner who lives in a cabin in the woods somewhere outside of Portland, Oregon. He seems very enamored of his nameless pig, who comes when he whistles and helps him dig up truffles in the forest. When he makes himself a “rustic mushroom tart” for dinner he shares it with her. The rest of the truffles he puts in a cooler to sell to the young hot shot Amir (Alex Wolff, HEREDITARY), who drives in every Thursday in his bitchin’ yellow Camaro. It feels like a drug transaction. Amir tries to make conversation, but Rob doesn’t so much as grunt. (read the rest of this shit…)
Tags: Adam Arkin, Alex Wolff, cooking, David Knell, Michael Sarnoski, Nicolas Cage
Posted in Drama, Reviews | 58 Comments »
Friday, July 16th, 2021
July 5, 1991
ALLIGATOR II: THE MUTATION is a surprisingly decent sequel – especially considering it was made for TV! It didn’t register as that when I was watching it (and there does seem to have been some sort of limited theatrical release), but an article that I found in my Fangoria collection while researching T2 quotes director Jon Hess (THE LAWLESS LAND, WATCHERS) as saying “more or less, it was made for ABC-TV.” Fangoria’s David Szulkin speculates that may be because “despite its nonperformance at the boxoffice, ALLIGATOR placed in the top 20 for network airings of theatrical films the year it first aired, outdoing such broadcast premieres as CLOSE ENCOUNTERS OF THE THIRD KIND.” But Hess maintained that returning producer Brandon Chase (THE SWORD AND THE SORCERER) was “a really strong independent producer, so ABC wasn’t looking over our shoulder, examining all the dailes. We shot on a very tight schedule with a feature sensibility, but at the same time, we knew we were going to hand the film in to ABC.”
Now that I think about it there’s not as much gore or especially sex as you would normally get in a ‘90s horror sequel, but like SOMETIMES THEY COME BACK earlier in the summer it has enough severed limbs to throw you off the TV movie scent. More importantly it has a real Larry Cohen sort of indie horror feel to the type of actors and characters that show up, giving it a personality that’s at least in the spirit of the original. (read the rest of this shit…)
Tags: Alexi Smirnoff, Bill Daily, Brock Peters, Carmen Filpi, Curt Allen, Dee Wallace, giant alligators, Holly Gagnier, Jon Hess, Joseph Bologna, Julian Reyes, Kane Hodder, made-for-TV-sequels, Professor Toru Tanaka, Richard Lynch, Steve Railsback, Summer of 1991, Trevor Eyster, TV movies, Woody Brown
Posted in Reviews, Horror, Monster | 5 Comments »
Thursday, July 15th, 2021
ALLIGATOR (1980) may not have knocked the world on its ass the way THE TERMINATOR did, but it’s another genre movie made by Roger Corman veterans in the ‘80s that holds up today. People often credit that to an allegedly satirical screenplay by John Sayles, who had already written the Corman classics PIRANHA and BATTLE BEYOND THE STARS and begun his indie auteur career with RETURN OF THE SEACAUCUS SEVEN. (He completely rewrote an earlier script by Frank Ray Perilli [THE DOBERMAN GANG, DRACULA’S DOG, LASERBLAST], who gets a story credit). But let’s not overlook the serious skills of director Lewis Teague. His NYU classmate Martin Scorsese had reportedly recommended him for the job at New World Pictures, where he’d edited COCKFIGHTER and done some second unit and editing on DEATH RACE 2000 and AVALANCHE. ALLIGATOR was his third time directing a feature, after DIRTY O’NEIL and THE LADY IN RED. He was also directing second unit for Sam Fuller’s THE BIG RED ONE around this same time, but I’m not sure if that was right before or right after the gator picture, so I can’t speculate how one gig might’ve informed the other.
ALLIGATOR opens with a teenage girl (Leslie Brown) on a family vacation to Florida watching a guy get mauled at a gator wrestling show. Despite this potentially traumatizing experience she buys a baby gator from the farm and names it Ramon. But when she’s back at home somewhere in Missouri her drunk dad flushes the poor thing down the toilet. Then we cut to 12 years later when Ramon is still alive in the sewer system, and has grown to unusual size and hunger from munching on the clandestinely dumped victims of illegal animal experiments, and is destined to bump heads with police detective David Madison (Robert Forster in his follow up to THE BLACK HOLE).
I would like to note that a news report on the radio places the toilet flushing during the ’68 Democratic National Convention, i.e. the time and place when in real life Forster was filming MEDIUM COOL. (read the rest of this shit…)
Tags: Dean Jagger, giant alligators, Henry Silva, John Lisbon Wood, John Sayles, Lewis Teague, Perry Lang, Robert Forster, Robin Riker, Sydney Lassick
Posted in Horror, Monster, Reviews | 15 Comments »
Wednesday, July 14th, 2021
THOSE WHO WISH ME DEAD is a movie I was highly anticipating ever since I first read it was in the works. When it finally came out as one of these pandemic same-day-on-HBO-Max releases and it turned out it wasn’t quite the A+ movie I was hoping for, it kind of entered and left my consciousness without much incident. But I did think it was a cool movie taken on its own terms, and worthy of documentation with a review. And then it started to seem better the more I wrote about it.
Reasons I had high hopes:
1. It’s directed and co-written by Taylor Sheridan, who previously directed WIND RIVER and wrote SICARIO, HELL OR HIGH WATER and WITHOUT REMORSE. I just really like his style of quasi-realistic, contemporary-western-ish crime/action with tough, broody characters and a heightened atmosphere of doom.
2. It stars Angelina Jolie, who we don’t see in too many movies these days, but who I believe has an advanced understanding of badass screen presence. I base this partly on WANTED, a ridiculous movie I don’t necessarily love, but that she really stood out in. I always remember reading that she took the script and crossed out a bunch of her dialogue that she didn’t feel she needed, and said that Clint Eastwood taught her to do that. That really seemed to work for her there.
3. Also because I read the cool-sounding premise: a national park fire fighter on lookout duty helps a kid escape from assassins during a forest fire. Is this gonna be pretentious FIRESTORM? Starring an Oscar-winning actress instead of an NFL player? I can dig that! (read the rest of this shit…)
Tags: Aidan Gillen, Angelina Jolie, Finn Little, forest fire, Jake Weber, Jon Bernthal, Medina Senghore, Nicholas Hoult, Tory Kittles, Tyler Perry, Tyler Sheridan
Posted in Action, Crime, Reviews, Thriller | 42 Comments »
Monday, July 12th, 2021
July 12, 1991
Hot on the heels of James Cameron’s TERMINATOR 2: JUDGMENT DAY came the other most important action movie of summer ’91, Kathryn Bigelow’s POINT BREAK. Cameron was famously married to Bigelow at the time, and is credited as executive producer, and the film has parallels to his in its technical perfection and intensity of action. The pair had reworked an original script called JOHNNY UTAH by W. Peter Iliff (PRAYER OF THE ROLLERBOYS), co-story credit to Rick King (director of PRAYER OF THE ROLLERBOYS), with Cameron doing a last minute pass to improve the action scenes before immediately shifting to T2. “She basically is 100% responsible for the final film from that point on,” Cameron reportedly said at a convention in ’91. And clearly it’s Bigelow’s combination of impeccable craft and counterintuitive artistic choices that made POINT BREAK a hit, then a cult favorite, then an enduring classic.
The choice that seemed crazy at the time, and prophetic now, was her insistence on casting Keanu Reeves as the college football legend turned overachieving FBI rookie Johnny Utah. By all accounts Bigelow had to fight for Reeves, because producers wanted someone else. That’s understandable – he’d been in the dark indie thriller RIVER’S EDGE and the period piece DANGEROUS LIAISONS, but was best known to the world as Ted from BILL & TED’S EXCELLENT ADVENTURE, with whom he inescapably shared a lovable stoner airhead sounding voice. On the other hand, when the movie was almost made by Ridley Scott a few years earlier he’d had Matthew Broderick in the role. You’re telling me that made more sense!? (read the rest of this shit…)
Tags: Anthony Kiedis, Christopher Pettiet, Daniel Beer, Donald Peterman, Gary Busey, Howard E. Smith, James Cameron, John C. McGinley, Julian Reyes, Julie Michaels, Kathryn Bigelow, Keanu Reeves, Lee Tergesen, Lori Petty, Patrick Swayze, Rick King, Summer of 1991, Tom Sizemore, Vincent Klyn, W. Peter Iliff
Posted in Reviews, Action, Crime | 31 Comments »
Thursday, July 1st, 2021
July 3, 1991
There are a few interesting summer of ’91 movies – STONE COLD, THE ROCKETEER, HARLEY DAVIDSON & THE MARLBORO MAN – that I skipped in this series because I’d already reviewed them in a form I felt satisfied with. If I had more time I would’ve like to revisit them for completism, but you know how it is.
TERMINATOR 2: JUDGMENT DAY is one I wrote about in 2007 (with a pretty good comparison to E.T.) and more definitively in 2017 on the occasion of its 3D re-release. But when I decided to do a summer of ’91 series I knew it was the summer of T2 and it had to be included. So this is meant as a supplemental review about its place in 1991, but I think I’ve come up with some pretty meaty stuff to discuss (in addition to silly stuff about toys and video games and crap if you’re more interested in that).
(read the rest of this shit…)
Tags: Arnold Schwarzenegger, Brad Fiedel, Edward Furlong, James Cameron, Jenette Goldstein, Linda Hamilton, Robert Patrick, Summer of 1991, William Wisher, Xander Berkeley
Posted in Reviews, Action, Science Fiction and Space Shit | 32 Comments »
Wednesday, June 30th, 2021
[Joy Division joke not provided]
Let it be known that I am a critic who can find a reason to review SCANNERS II: THE NEW ORDER twice. I didn’t know this about myself until I was doing this Summer of ’91 retrospective and realizing how important part 2s were to the season. This came out direct-to-video on June 28, 1991. So here we are.
(I first reviewed it in 2010, in a series where I also looked at SCANNERS, SCANNERS III: THE TAKEOVER, SCANNER COP and SCANNERS: THE SHOWDOWN. In those days the sequels were only on VHS.)
Of the sequels we’ve looked at so far I suppose the sequelization approach of SCANNERS II is closest to HOWLING VI: THE FREAKS – a story about a new set of characters set in the same world, where people are secretly telepathic rather than lycanthropic. But it’s different in that two of the characters are eventually revealed to be the children of part I’s protagonist. (Unlike MANNEQUIN: ON THE MOVE we have no returning actors.) (read the rest of this shit…)
Tags: B.J. Nelson, Christian Duguay, David Hewlett, Deborah Raffin, Dorothee Berryman, Isabelle Mejias, Michael McGill, Mike Smithson, Pierre David, Raoul Trujillo, Summer of 1991, Yvan Ponton
Posted in Reviews, Science Fiction and Space Shit | 11 Comments »
Tuesday, June 29th, 2021
F9: THE FAST SAGA, a.k.a. FAST 9, actual onscreen title: FF: F9, is not the Platonic ideal of a FAST AND FURIOUS movie. That would be FURIOUS 6 or FAST FIVE. But if Plato is anything like me he would’ve appreciated this one for what it is. I don’t know how much of a grump he was.
(lots of spoilers here of course)
This is the first FAST movie since 2003’s 2 FAST 2 FURIOUS that’s not written by Chris Morgan, instead being credited to Daniel Casey (KIN) & director Justin Lin (HOLLYWOOD ADVENTURES) with a story by those two & Alfredo Botello (uncredited revisions on TOKYO DRIFT). They’ve come up with a patchwork that certainly shows the dangers of a movie series going on for twenty years with at least half that time spent trying to top itself in size and ridiculousness each time out. But for me it has a much better balance of preposterous action and sincere melodrama than, at the very least, HOBBS & SHAW and FATE OF THE FURIOUS. It has more and better spectacle than your average movie, but also requires that you like the characters and themes of the series to enjoy it. In fact, in between a car somehow Tarzan-swinging across cliffs on a rope and another one being (as you’ve surely heard) launched into space, you’re gonna spend a surprising amount of time in 1989 when Dominic Toretto’s dad (J.D. Pardo, THE TWILIGHT SAGA: BREAKING DAWN PART 2, SNITCH) was killed in a racing accident and Dom went to prison for beating another driver (Jim Parrack, FURY) with a wrench. (read the rest of this shit…)
Tags: Alfredo Botello, Bow Wow, Charlize Theron, Daniel Casey, J.D. Pardo, Jason Tobin, Jim Parrack, John Cena, Jordana Brewster, Justin Lin, Kurt Russell, Lucas Black, Martyn Ford, Michelle Rodriguez, Nathalie Emmanuel, Screen Actor's Guild Award Winner Chris "Ludacris" Bridges, Shea Whigham, Sung Kang, Thue Ersted Rasmussen, Tyrese, Vin Diesel, Vinnie Bennett
Posted in Action, Reviews | 122 Comments »
Monday, June 28th, 2021
You see, because it’s the second one, but they put a 1/2 on there so it doesn’t make sense. Because why would it be 1/2 unless it was a DVD release with added scenes but they didn’t have DVDs back then. That’s why it’s funny.
June 28, 1991
The Summer of 1991 was a big time for sequels, especially part 2s, so now I will attempt to write something about THE NAKED GUN 2 1/2: THE SMELL OF FEAR. The first sequel to 1988’s smash hit TV-spinoff-from-the-makers-of-AIRPLANE! NAKED GUN: FROM THE FILES OF POLICE SQUAD! is another irreverent overload of tongue-in-cheek cop drama silliness where there’s no reason to take anything about the plot (police try to foil a scheme by big oil to replace a scientist pushing a solar energy plan) seriously, and nobody wants to read me just listing some of the jokes that are funny (I like when Jane [Priscilla Presley, THE ADVENTURES OF FORD FAIRLANE] is singing “The Way We Were” to herself in the shower and the assassin creeping up on her [Anthony James, HIGH PLAINS DRIFTER] is moved to tears and starts to sing along). But maybe for this retrospective we can look at it as a time capsule of some of the things that were thought of and joked about at that period in time. (read the rest of this shit…)
Tags: Anthony James, Jerry Zucker, O.J. Simpson, parody, Richard Griffiths, spoof, Summer of 1991
Posted in Reviews, Comedy/Laffs | 62 Comments »
Thursday, June 24th, 2021
“Your world is pretty terrifying.”
Summer of ’91 origins: THE TERMINATOR
The only review I’ve written of the original THE TERMINATOR was in 2007 – so out of date it was combined into a review of the “trilogy” and framed as a response to THE TRANSFORMERS. There are some good observations and funny lines in that review, but I’m a smarter person now and I think there’s way more to say about the movie. So I thought I should take another crack at it before we get to its sequel in this Summer of ’91 retrospective.
In the fall of 1984, director/co-writer James Cameron exploded into filmgoer-consciousness with a stylish and imaginative little sci-fi chase movie called THE TERMINATOR. Made on about a fifth of the budget of the recent hit GHOSTBUSTERS and released by outsiders Hemdale (VICE SQUAD, TURKEY SHOOT) and Orion Pictures (MAD MAX, THE HAND, ROCK & RULE), it nevertheless immediately announces itself as a force to be reckoned with. The quiet, world-establishing text, the nightmarish glimpses of futuristic combat between man and machine, the absolute all-timer of a theme by Brad Fiedel (JUST BEFORE DAWN) and the slow reveal of the logo (title design by Ernest D. Farino, who later did GODZILLA 1985, CRITTERS, NIGHT OF THE CREEPS, ALIEN NATION, THE ABYSS and NEMESIS) all set the mood for a genre movie of unusual ferocity. Not bad for a guy who had only directed PIRANHA II: THE SPAWNING. (read the rest of this shit…)
Tags: Arnold Schwarzenegger, Bess Motta, Bill Paxton, Brad Fiedel, Brian Thompson, Earl Boen, Gale Anne Hurd, James Cameron, Lance Henriksen, Linda Hamilton, Michael Biehn, Orion Pictures, Paul Winfield, Rick Rossovich, Sneaky Pete Kleinow, Stan Winston
Posted in Action, Reviews, Science Fiction and Space Shit | 27 Comments »
