"KEEP BUSTIN'."

Posts Tagged ‘Frank Langella’

True Identity

Monday, August 30th, 2021

August 23, 1991

As we’ve discussed earlier in this series, the summer of ’91 was pivotal for the emerging Black film movement of the era. BOYZ N THE HOOD was the seismic event, but we also had Bill Duke directing his first theatrical feature, a new one from Spike Lee, and a heavily hyped drama made by a 19-year-old director in a Brooklyn housing project with some credit cards. So it’s only fitting that one of the last movies of the summer was a studio film from the Black director of an acclaimed indie.

Charles Lane had written, directed, and starred in a 1989 film called SIDEWALK STORIES, about a homeless artist in Greenwich Village who takes care of a little girl (played by his daughter) after her father is murdered. Partly an homage to Charlie Chaplin’s THE KID, it’s silent except for the last scene. Roger Ebert loved it, it was nominated for Independent Spirit Awards for best director, first feature and male lead, and according to Wikipedia it won the audience prize at Cannes, though I haven’t been able to verify this. The point is, it was respected.

So here we are three years later and Lane is directing a major Touchstone Pictures comedy with the very mainstream premise “What if a Black guy had to pretend to be a white guy?” It stars the British comedian Lenny Henry (BERNARD AND THE GENIE) and is written by Andy Breckman, a (white) Late Night With David Letterman and SNL writer who had scripted MOVING, ARTHUR 2: ON THE ROCKS and HOT TO TROT. (read the rest of this shit…)

Cutthroat Island

Wednesday, September 18th, 2019

It took me nearly a quarter of a century to get around to giving CUTTHROAT ISLAND (1995) a shot. Certified by the Guinness Book as the biggest financial bomb of all time, it got poor reviews, bankrupted Carolco Pictures (FIRST BLOOD, T2) before it even came out, diverted director Renny Harlin (following DIE HARD 2 and CLIFFHANGER) from the A-list and failed to create momentum for its revolutionary notion of giving a woman the lead role and top billing on a big budget summer adventure.

But I had reason to be suspicious of its reputation. Many of Harlin’s ‘90s movies, particularly his also-starring-Geena-Davis followup THE LONG KISS GOODNIGHT, deserve more credit than they got at the time. And there’s definitely precedent for mob mentality panning of movies that have been heavily covered as over budget, out of control productions. This had the additional gossip-bait of the star and director being married to each other, causing mean-spirited speculation that one was only hired because of the other one’s clout. (For example, an informative 1996 Independent article about what went wrong manages to refer to them as “Renny Harlin and his demanding wife.”) On top of all that, you know how it is with what I call the Old Timey Adventure genre. They almost always lose money, even when they’re great. That’s just how it is. (read the rest of this shit…)

Small Soldiers

Thursday, July 26th, 2018

July 10, 1998

SMALL SOLDIERS is an effects-driven, Spielberg-produced, released-on-July-10th sci-fi movie. But it’s about killer toys (or at least potentially killer toys?) and the hero is a kid and it’s not a CHILD’S PLAY movie (it’s rated PG-13) so I’m not sure it was really seen as a movie for adults. To me and surely many others who saw it the exciting thing was that it was directed by Joe Dante, who hadn’t had a film since MATINEE five years earlier. And with him and Spielberg doing a movie about a young man fighting out of control small things raising a ruckus in a small town, obviously everybody had visions of Gremlins chomping on their heads.

Alan (Gregory Smith, HOBO WITH A SHOTGUN) is a maybe 14 year old kid who works at his dad (Kevin Dunn, MARKED FOR DEATH, also in GODZILLA, ALMOST HEROES and SNAKE EYES that summer)’s toy store, one of those ones that only sells wooden blocks and airplanes and shit, nothing based on cartoons or movies (so there’s not an anti-GODZILLA in-joke here). His dad actually has a specific “no war toys” policy. But one day his friend the delivery driver (Dick Miller, of course) has another store’s shipment of new high tech talking action figures called the Commando Elite. Alan thinks they would sell better than Lincoln Logs or whatever and convinces him to let him take a set. (read the rest of this shit…)

Brainscan

Monday, November 3rd, 2014

tn_brainscan“Don’t you see? Senseless violence is not entertainment.”
“What is it then?”

I think I saw BRAINSCAN a long time ago and thought it was stupid. And I was right. But watching it again I think I give it a little more credit than I did back then. It’s definitely not of the quality one would hope for from the director of ROLLING THUNDER and the writer of SEVEN. But even in its dated technology (it’s about an evil interactive CD-ROM) it’s kind of ahead of its time, and it has a very ominous tone to it, darker and more unsavory than the NIGHTMARE ON ELM STREET sequels it was aping.

Like, in the opening scene Michael (Edward “and if you want to shine them on it’s ‘Hasta la vista, baby”” Furlong) is talking to his best bud for life Kyle (Jamie Marsh) on the phone while watching his neighbor Kimberly (Amy Hargreaves from BLUE RUIN) change her shirt. When he comes away from the window he turns on the TV… but then we see that he’s watching her on the TV from a camera he set up. Then he makes a hang up call and watches the footage of her answering in slow motion. At least he’s not jerking off as far as we can see, but jesus. This is our protagonist?

Michael is not that bad a prediction of what life is like for a big chunk of society now. He’s a kid who spends most of his time in his bedroom with his technology. He has a voice activated animated “Igor” on his TV screen that he tells to dial numbers for him or hold his calls or other things. It’s unclear how intelligent it is. He talks on speaker phone and the TV screen shows photo montages of his friends. He’s ahead of his time.

Where he gets this technology is not really spelled out, but his only parental interaction during the movie is a voicemail from his dad telling him he loves him and that “Business is going well here. I wish you were here with me to see all the new equipment.” His mom died in front of him when he was a kid. It still haunts him, and is implied as maybe the reason he’s so attracted to the morbid shit. (read the rest of this shit…)

Masters of the Universe

Friday, March 8th, 2013

tn_mastersoftheuniverseMASTERS OF THE UNIVERSE is a Golan and Globus production starring Dolph Lundgren, but it’s a little more mainstream than that implies because it’s for the children, it’s based on action figures and on a cartoon based on action figures. I was looking for that same authorial voice and unique perspective we saw represented in the TRANSFORMERSes and GI JOE, but it turns out that’s Hasbro, this one is based on the works of Mattel. That’s like mixing up H.P. Lovecraft and Edgar Allan Poe. I feel like an idiot.

I guess Cannon was trying to make their version of a STAR WARS type fantasy sci-fi-deal. You can tell that when a character says “You got us here, you Thumerian wurbat, now get us home,” but it was already clear from the opening credits over a starfield and the STAR WARSy themes by Bill Conti. Then the credits explode into a shower of sparks. How could this not be exciting? (read the rest of this shit…)

The Box

Wednesday, February 24th, 2010

tn_theboxPUSH – BASED ON THE SHORT STORY BUTTON, BUTTON BY RICHARD MATHESON

Late in THE BOX somebody asks, “Can I be forgiven?” The character is talking about a lapse in moral judgment that caused harm to others. But you kind of hope it’s also writer/director Richard Kelly talking about his last two movies, SOUTHLAND TALES and DOMINO. Both are more like drugged out brainstorming sessions than actual finished movies – a couple funny ideas wrapped in a thousand, uh… other ideas, then chewed up and spit onto the screen with no second thought given to concepts like planning, timing, restraint, coherence or entertainment value. To me those are two of the most tedious, headscratchingly ill-conceived disasters of modern film, and the motherfucker did them in a row. With only one pretty good movie under his belt to hang his hat on*.

No. Not if this is an era of accountability. You can’t be forgiven.

So it’s in the spirit of forgiveness and Christian redemption that I say I thought THE BOX was pretty good. His best, for what that’s worth. (read the rest of this shit…)

Frost/Nixon

Wednesday, April 22nd, 2009

tn_frostnixonFROST/NIXON also came out on DVD yesterday, so I figured I would dig out my unfinished review from when I saw it on the big screen and polish that up.

FROST/NIXON is the most highly anticipated battle since the first ALIEN VS. PREDATOR. But I gotta be honest, I only went to see it because it was the last “best picture” nominee I hadn’t seen. I mean it looked pretty interesting, but I’m not the biggest Ron Howard fan, so I probaly wouldn’t have bothered otherwise. The good news is I didn’t hate it like I did THE READER.

Frank Langella (MASTERS OF THE UNIVERSE) plays Richard Nixon, who was apparently some sort of president. Michael Sheen (UNDERWORLD, UNDERWORLD EVOLUTION, UNDERWORLD: RISE OF THE LYCANS, THE QUEEN) plays David Frost, who I guess interviewed Nixon one time. This is the story of them negotiating and then filming an interview over a couple days and a couple other conversations they had in between and afterward and what not. Explosive! (read the rest of this shit…)