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Posts Tagged ‘D’Urville Martin’

Disco 9000 (a.k.a. Fass Black)

Tuesday, September 14th, 2021

DISCO 9000 – or FASS BLACK as it’s called on the Xenon Entertainment VHS tape I rented – is a 1977 movie about a super big shot who runs a record label and dance club in the top of a 26 story building on the Sunset Strip. It’s the second of two movies directed by the actor D’Urville Martin (GUESS WHO’S COMING TO DINNER, ROSEMARY’S BABY, BLACK CAESAR) – the first one was DOLEMITE. So yes, he’s the guy Wesley Snipes played in DOLEMITE IS MY NAME.

Fass Black is the name of said big shot, played with distinct swagger by John Poole, whose only other role was as “Record Executive” in the Philip Michael Thomas movie DEATH DRUG (1978). He also has story and wardrobe credits on this. And wardrobe credit is big because that’s about half of the character. One notable thing about this movie is that he wears white-framed sunglasses more often than he doesn’t. It went long enough without showing his eyes at the beginning that I was convinced it was gonna be a DREDD thing where he never takes them off. (read the rest of this shit…)

Boss

Friday, December 21st, 2012

Don’t worry, this is the last of the pre-DJANGO slavery-themed reviews. I don’t want to ruin Christmas or anything, but I gotta finish the trilogy.

BOSS was originally called BOSS [word white people shouldn’t say], but it was easy to change to just BOSS and therefore it’s the only one of the Charley trilogy available on a legitimate DVD. In this one it’s still Fred Williamson as Charley, but he’s just called “Boss.” (Or maybe “Bas” like Bas Rutten?) And D’Urville Martin is still his sidekick but he’s called “Amos” instead of Toby. Maybe it’s an alias. At this point they’ve left behind their town in Mexico and are traveling bounty hunters. But it definitely is meant as a sequel because Williamson says so on a title card added to the DVD where he explains why he approves of the use of the n-word in the title, dialogue and theme song. (read the rest of this shit…)

The Soul of (hahem) Charley

Thursday, December 20th, 2012

The first sequel to THE LEGEND OF (cough cough) CHARLEY is the best of the series in my opinion. It takes place after the Civil War, so Charley is no longer a runaway slave, but he still has to deal with racists, including a former Confederate colonel who still leads his troop of assholes on violent rampages in black settlements.

Charley (still Fred Williamson) and Toby (still D’urville Martin) come across one of these towns right after everyone’s been massacred except for a little boy. By this time Charley is such a legend that the kid can’t believe he’s meeting him, it’s like he gets to hang out with Mohammad Ali. Or Fred Williamson.

(read the rest of this shit…)

The Legend of (word white people shouldn’t say) Charley

Wednesday, December 19th, 2012

I’ve been curious about this series of Fred Williamson slavery-era westerns, and with DJANGO UNCHAINED coming at the end of the month it seemed like a good time to finally get to them.

As the old white patriarch of a plantation is on his death bed he wants to free his favorite slave, who took good care of him. She says she’s too old to start a new life and asks him instead to free her son, Charley (Fred Williamson). Charley works as a blacksmith, which makes me think this was probly one of the inspirations for THE MAN WITH THE IRON FISTS. But unfortunately he never uses his ironworking skills as a free man, not even in the sequels.
(read the rest of this shit…)