"KEEP BUSTIN'."

Posts Tagged ‘based on a TV show’

Widows

Tuesday, November 20th, 2018

When last we heard from director Steve McQueen U.K., his movie 12 YEARS A SLAVE had won best picture. Five years later he finally has a followup, and it’s a violent, artfully crafted heist movie. Now you’re earning that name, my friend.

It’s credited as “based on ‘Widows’ by Lynda La Plante,” which seems to refer to the 1983 ITV mini-series, though there’s also a book version that says “SOON TO BE A MAJOR MOTION PICTURE” on the cover, and I have found no definitive answer as to which La Plante wrote first. Anyway, McQueen adapted whatever it was he adapted with Gillian Flynn of GONE GIRL (both book and movie) fame.

Liam Neeson (THE DEAD POOL), Jon Bernthal (THE ACCOUNTANT), Manuel Garcia-Rulfo (SICARIO: DAY OF THE SOLDADO) and Coburn Goss (MAN OF STEEL) star as a Chicago-based crew of highly skilled, even highlier armed and armoured robber motherfuckers in the vein of HEAT or L.A. TAKEDOWN or DEN OF THIEVES or POINT BREAK or POINT BREAK REMAKE. And by “star” I mean for a couple minutes at the very beginning we see a tiny bit of their heist intercut with them saying goodbye to their wives beforehand and then they get blown up. You barely even see that last guy’s face. Because this is not about dudes like that. It’s about their loved ones who have to clean up their mess. (read the rest of this shit…)

The Avengers

Monday, September 10th, 2018

August 14, 1998

THE AVENGERS was a widely hated bomb and at the time I thought it wasn’t so bad. I kind of liked it. As is my way. Now, with the benefit of twenty years of hindsight, and not hurt by having preceded it with LOST IN SPACE, GODZILLA and ARMAGEDDON, I stand firmly by it not being that bad and me kind of liking it.

I must note as a disclaimer that I still haven’t watched the at-that-time-twenty-some-year-old British TV show it’s based on. I’m sure there are plenty of legit reasons for Avengers fans and our English friends to hate it that I don’t know about. But I like that it’s a quirky would-be blockbuster with weird gimmicks and humor, and unlike the ugly-as-shit LOST IN SPACE and GODZILLA it has dated well visually – the ’60s-inspired designs look as good or better now than they did in ’98. Also helpful in the timelessness department: the end credits have a James-Bond-theme-worthy song called “Storm” by Grace Jones. (I was gonna say it was 100% ska free, but the soundtrack listing notes a song by Suggs, lead singer of Madness, so I may be forgetting something.)

And it’s a fuckin action adventure starring Ralph Fiennes, cashing in on SCHINDLER’S LIST, I guess. You don’t see that every day. I guess maybe you could count STRANGE DAYS. (read the rest of this shit…)

The X-Files

Monday, July 9th, 2018

June 19, 1998

(or is it THE X FILES?)

(note: Some people call it X-FILES: FIGHT THE FUTURE, but I think “fight the future” is just the tag line, like “DIE HARDER.”)

Oh shit, man. The ’90s. The X-Files sure was a bigger deal in the ’90s, wasn’t it? And in some ways this movie spin-off of the show is the most era-representative of the ones I’ve watched in this series so far. Not in style, or in any kind of fun, nostalgic way – it doesn’t feel very dated – but just in its view of the world. It spoke to a type of pre-millennium paranoia that has uncool associations today, but at the time was fresh and edgy and hip.

See, the internet was pretty new, so it wasn’t common to know about every strange belief or kooky fringe group. If you wanted to find out about some weird creature somebody claimed to spot you had to read outdated cryptozoology books at the library. If you wanted to know about UFO cults you had to know their address and send them a self addressed stamped envelope and read their newsletter. I don’t know why, but that’s what I did at a certain age. One time I even went to a UFO cult’s presentation on a college campus. All I really remember was a woman with a shaved head who seemed very sincere about all this. A few years later when the mass suicide happened I dug out a handout I’d saved, and though it didn’t say “Heaven’s Gate” on it anywhere it described the same theology, following the teachings of someone called “The Two” or “Ti and Do.” And I always wondered if that lady got out in time. (read the rest of this shit…)

Lost in Space

Tuesday, May 8th, 2018

Every summer it hits me. The sun comes out and I start thinking about a certain type of movie: the summer blockbuster popcorn type movie. It doesn’t even matter if I’m excited for the ones coming out this summer or not. And I’m not, really – there’s a couple Marvels and a Star War, but I’m still high off the last ones, and don’t think these will match them. Otherwise MISSION: IMPOSSIBLE FALLOUT is the main event.

Still, I get the fever, I get nostalgic for the old ones, just the feeling of them being out there. The ones I love, the ones I didn’t, the ones I didn’t see. I love the time travel of watching them and writing about them and remembering the time. This summer I have chosen the summer of 1998 as my topic, my destination. It doesn’t seem like twenty fucking years ago. But then again it does.

This first movie was released on April 3rd, which obviously is not summer. But that’s just because they kept making “summer movie” release dates earlier, like Christmas decorations. It had action figures and fast food tie-ins and was designed to stick around for the season. It counts. (read the rest of this shit…)

Wild Wild West

Tuesday, July 18th, 2017
a survey of summer movies that just didn’t catch on

Big Willie Weekend, 1999

Two summers after their hit film MEN IN BLACK, director Barry Sonnenfeld (d.p. of BLOOD SIMPLE) and star Will Smith (SUICIDE SQUAD) tried to bring a similar comedy/special-effects/adventure mix to the old west. It’s like a western in that there are cowboy hats, guns, railroads and occasional horses, but also not really because it’s about two top agents for the president going undercover and then having a big battle against a giant mechanical spider that’s on a rampage and headed for the White House. Not a type of story I’ve seen done with John Wayne or Clint or anybody.

The basis is The Wild Wild West, a western-meets-spies TV show that lasted four seasons, ending thirty years prior to the movie. It was actually cancelled not due to a lack of popularity, but controversy over violence on television, and did have two followup TV movies. But the last of those was in 1980, and nineteen years later it was at best a cult show, and not yet available on DVD. So this is another expensive blockbuster based on characters that most of its intended youthful audience had never seen, or in this case even heard of.

But they didn’t have to know it was based on anything. Waning interest in westerns may have been a bigger problem, but that could’ve been overcome by the popularity of Smith, or the fun gimmick of the gadgets and steampunk type robotics, or the energetic style and cartoonish humor of the director of the ADDAMS FAMILY movies.

But that didn’t happen. (read the rest of this shit…)

The Man From U.N.C.L.E.

Wednesday, March 1st, 2017

The last Guy Ritchie movie I watched was the first SHERLOCK HOLMES. When it ended I realized first that I wasn’t sure what the mystery was that Sherlock Holmes had solved, and then that I was having a reaction from accidentally combining medication and alcohol. But some people told me they saw it undrugged and didn’t know what the mystery was either. At any rate, I had long since given up on Ritchie since the initial excitement of LOCK, STOCK AND TWO SMOKING BARRELS, which I have not revisited.

That’s why I took much too long getting to THE MAN FROM U.N.C.L.E., a fun, charming, stylish summer blockbuster Cold War spy thriller that represents Ritchie at the very top of his game. (read the rest of this shit…)

Star Trek Into Darkness

Tuesday, May 21st, 2013

tn_startrek2The genius of J.J. Abrams’ STAR TREK: NOT THE MOTION PICTURE BUT STAR TREK (2009) was not just that it had a good gimmick for recasting the original cast of characters and restarting their adventures without denying the existence of their old ones. It was also the way it worked for both Trekkos and regulars. I was able to see it with a girl that grew up watching Star Trek and she loved it, but I enjoyed it too even though, come on. We, as citizens of the world, were all able to share it and enjoy it together equally as brothers and sisters.

Party’s over, though. Trekkos want their shit back. (read the rest of this shit…)

Dark Shadows

Tuesday, May 22nd, 2012

tn_darkshadowsa.k.a. TIM BURTON’S WHITE BLACULA

I didn’t expect to write a review of this movie, but I think I liked it more than everybody else, so I figured I should stick up for it. I mean, I don’t necessarily plan to watch it again in my life, but it has an odd tone that I enjoyed and shows signs of life in ol’ Tim Burton. (read the rest of this shit…)

Mission: Impossible: Ghost Protocol

Wednesday, December 21st, 2011

tn_mi4This review, should you choose to read it, contains some spoilers.

Man, this is the most disappointing movie I’ve seen in a long time, because of the misleading title. Before you waste your money, please know that there are no ghosts in this movie at all. I hope that lady that tried to sue DRIVE for not being THE FAST AND THE FURIOUS will consider throwing some of her legal fund at this one too. It’s just shitty to take advantage of worldwide ghostamania like that. In all other aspects though I really enjoyed it.

(read the rest of this shit…)

The A-Team

Wednesday, June 16th, 2010

tn_ateamMore like THE C+/B- TEAM if you ask me! Nah, I’m sure somebody beat me to that one, and they probly graded lower. THE A-TEAM is semi-enjoyable but not nearly as good as I wish it was and truly believe it could’ve been even if it’s an adaptation of a stupid ’80s TV show where everybody fires guns and nobody ever gets their head blown off. Directed by Joe Carnahan in a toned down version of his SMOKIN’ ACES hyperactive style, using a script he took over from an individual responsible for THURSDAY, SWORDFISH, HITMAN and WOLVERINE, it’s a movie that only partially earns its swagger. I kind of went back and forth on my feelings about these characters constantly laughing as they pull off ridiculous digitized feats in jets and choppers. It’s kind of relatable and endearing, kind of frat boy and smarmy. It’s the only action movie I can think of where after multiple action beats the characters yell “THAT WAS AWESOME!” (read the rest of this shit…)