This is weird, there’s a JURASSIC PARK sequel that came out 2 1/2 months ago and I didn’t get around to seeing it until this weekend, when it’s down to two showings a day. I think I saw all the other ones opening day or weekend. But maybe it was a smart move on this one because it benefits from the lowered expectations of everyone telling me it was trash.
In JURASSIC WORLD, you remember, they reopened the dinosaur park and the dinosaurs reattacked the new park and there was a new guy named Owen Grady (Chris Pratt, WEINERS) who was real macho and always trying to show off the size of his forearms. And he trains raptors and has a contentious bickery love with an uptight lady who works at the park named Claire Dearing (Bryce Dallas Howard, TERMINATOR SALVATION).
In FALLEN KINGDOM, the dinos are still loose on abandoned Isla Nubar, where a volcano is about to erupt. Claire is now a dinosaur rights activist trying to convince the government to act to save these endangered dinosaurs. She’s contacted by Eli Mills (Rafe Spall, GREEN STREET HOOLIGANS), who runs the estate of John Hammond’s dying partner Lockwood (James Cromwell, SPECIES II; also played Howard’s father in SPIDER-MAN 3) and wants to fund the rescue mission. But he especially wants to find Blue, the most intelligent raptor, and knows that Owen is the only person who could track her. (read the rest of this shit…)
THE MANGLER (1995) is a potent mix of silly Stephen King short story premise and unhinged Tobe Hooper fever dream. That means it has killer inanimate objects, but with the late Texas horror master’s sweaty, depraved lunatic tormenters stirred in like a salted caramel swirl.
Yes, this is a movie about a possessed industrial laundry press that seems to fold more people than it does sheets. You got a problem with that? I sure did in the ’90s when I saw this on VHS and thought it was the dumbest shit I ever saw. This time I was not so closed-minded. In today’s world we need to have more empathy for everyone, including murderous haunted laundry machines.
You may be wondering how the hell this Mangler (actual tagline: “It has a crush on you!”) manages to rack up a body count since it’s not exactly Christine rolling around town listening to George Thorogood, it’s a big-ass metal machine at least the size of a half-length bus and looking three times the weight, with no wheels. Well, I’m happy to report that there’s a part where (SPOILER) the heroes are hauling ass down a mysterious subterranean staircase squealing “We’re fucked!” as the Mangler chases and snaps at them like an angry pitbull. (read the rest of this shit…)
a survey of summer movies that just didn’t catch on
Big Willie Weekend, 1999
Two summers after their hit film MEN IN BLACK, director Barry Sonnenfeld (d.p. of BLOOD SIMPLE) and star Will Smith (SUICIDE SQUAD) tried to bring a similar comedy/special-effects/adventure mix to the old west. It’s like a western in that there are cowboy hats, guns, railroads and occasional horses, but also not really because it’s about two top agents for the president going undercover and then having a big battle against a giant mechanical spider that’s on a rampage and headed for the White House. Not a type of story I’ve seen done with John Wayne or Clint or anybody.
The basis is The Wild Wild West, a western-meets-spies TV show that lasted four seasons, ending thirty years prior to the movie. It was actually cancelled not due to a lack of popularity, but controversy over violence on television, and did have two followup TV movies. But the last of those was in 1980, and nineteen years later it was at best a cult show, and not yet available on DVD. So this is another expensive blockbuster based on characters that most of its intended youthful audience had never seen, or in this case even heard of.
But they didn’t have to know it was based on anything. Waning interest in westerns may have been a bigger problem, but that could’ve been overcome by the popularity of Smith, or the fun gimmick of the gadgets and steampunk type robotics, or the energetic style and cartoonish humor of the director of the ADDAMS FAMILY movies.
That’s funny, back in 2001 Paul Walker seemed like a pretty boy teen star, a jock from VARSITY BLUES, so even though I always kinda liked him (and defended him from the savage hatred of the Ain’t It Cool talkbacks) he was probly the reason I didn’t take JOY RIDE entirely seriously, didn’t give it proper credit as a really solid thriller. I would’ve told you the movie was good, but I would’ve thrown a “ha ha, it’s actually” on front of that. Now I’m not as self conscious, and now Walker is the specific reason I’m giving it a long overdue re-watch. With his last movie coming out on Friday I thought it would be a good time to take a look at a few of his other roles in tribute.
See, he was a pretty boy, and he never did turn into an actor of great range. But here, in the same year he graduated to cop roles in THE FAST AND FURIOUS (which he probly got because Rob Cohen had directed him in THE SKULLS, and which came out about 3 months before this), he could also still play a youth. He turns his air of nice guy innocence toward a leading man role, which in this case is mostly about fear and problem-solving. How do we get the fuck out of here? How do we get this guy to leave us alone? Problems like that.
This is a road movie stalker like DUEL, ROAD GAMES or THE HITCHER, but for the SCREAM floating-head-poster era. Walker plays Lewis, a hopelessly smitten college kid driving cross country to get home during a break. Along the way he will pick up his high school friend/long distance crush Venna (THE WICKER MAN‘s Leelee Sobieski). But then he gets word that his fuckup older brother Fuller (Steve Zahn, A PERFECT GETAWAY) is in jail and nobody else feels sorry enough for him to get him out, so Lewis goes 500 miles out of his way to post bail. Don’t ever do that, the movie will soon teach us. (read the rest of this shit…)
I meant to do this back when I reviewed POINT BLANK (Mickey Rourke vs. mall terrorists version), but I forgot, so here’s another Mickey Rourke picture to kick things off on a new thing I’ll try called COUNTDOWN TO THE EXPENDABLES. Not sure if I got enough time before the movie comes out next month, but I’m gonna try to go down the list of all the main EXPENDABLES cast members and review one of their movies that I haven’t seen before. (See, it’s a good thing Seagal turned the movie down, because there’s not anything by him that I haven’t seen. Maybe I’d have to review the cameo on the episode of Roseanne that I didn’t find out about until after Seagalogy went to print.)
Whether or not Stallone’s movie ends up being any good I think we can all agree that he did a good job of casting a wide range of tough guys from different movements, generations and disciplines. So through this journey I think we will all learn a few things and expand our knowledge of the Badass Arts in its many forms. I know I’ve already seen one unexpected gem in preparation for this series, so this could be a great time.
From the director of THE HITCHER, the writer of SHOWGIRLS and the stars of BLOODSPORT, DESPERATELY SEEKING SUSAN and IGBY GOES DOWN comes this mysterious drifter vs. greedy developers action drama. Co-story credit goes to the guy who directed RETURN OF THE JEDI.
Somehow I never got around to this Van Damme vehicle before, but it kept coming up in IMDb searches: first when I saw THE HITCHER and looked up director Robert Harmon, then when Geoffreyjar emailed me about Joe Eszterhas. It’s a little light on action compared to some Van Damme pictures, but the story (generic as it is) is executed well enough to make up for it. (read the rest of this shit…)
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Recent commentary and jibber-jabber
Pacman2.0 on The Man From U.N.C.L.E.: “R.I.P. to the second or possibly third (after Emma Peel) biggest spy of the 60s.” Sep 26, 01:32
Pacman2.0 on Expend4bles: “Hey, hey, hey, that’s completely unfair! We are not the ones objecting to sex scenes!” Sep 26, 01:21
pegsman on Expend4bles: “In many ways we are the new generation of old geezers who whine about the state of the action genre.…” Sep 26, 00:13
Miles on Guy Ritchie’s The Covenant: “Glad to see you enjoyed this one. I absolutely loved it. It really caught me off guard; it’s one of…” Sep 25, 22:44
VERN on Expend4bles: “I saw PLANE with a full theater but for this there was literally one other guy in the back. And…” Sep 25, 20:34
KayKay on Expend4bles: ““It’s hard enough to see an actual action film in the theater” The irony is Gerard Butler’s been putting out…” Sep 25, 16:16
Franchise Fred on Expend4bles: “These movies were always about the foreign anyway but it is remarkably Hollywood for them To think with diminishing box…” Sep 25, 16:03
Pacman2.0 on Expend4bles: “I don’t know if there’s that many millions in Basic Cable these days. Equally I don’t know that there’s not.…” Sep 25, 13:37
Glaive Robber on Expend4bles: “Also, you have to remember, movies like this might flop theatrically, but basic cable eats up anything with action and…” Sep 25, 13:03
Skani on Expend4bles: “On the plus side, this film series did give us one good and utterly random Mickey Rourke extended cameo. Also,…” Sep 25, 11:52
Pacman2.0 on Expend4bles: “EXPENDABLES 3 flopped in the US, but overall doubled its budget internationally, so probably turned a profit eventually in the…” Sep 25, 11:42
Glaive Robber on Expend4bles: “I really can’t get over the “joke” that good ol’ Jumbo Shrimp was murdered by the hero for excelling at…” Sep 25, 11:39
RBatty024 on Expend4bles: “It’s kind of crazy that this series, which started as a promise to fans to bring back “real action” for…” Sep 25, 11:08
Dan Prestwich on Expend4bles: “Hopefully Keanu is keeping his schedule clear so he can play the mysterious villain Eteon Director in HOBBS AND REYES.…” Sep 25, 10:36
Muh on Expend4bles: “I think the concept sounded great, it’s just that these movies are incredibly lazy. They think the idea of the…” Sep 25, 10:11
VERN’S “I RECOMMEND THE SHIT OUT OF THIS PRODUCT” CORNER:
This is weird, there’s a JURASSIC PARK sequel that came out 2 1/2 months ago and I didn’t get around to seeing it until this weekend, when it’s down to two showings a day. I think I saw all the other ones opening day or weekend. But maybe it was a smart move on this one because it benefits from the lowered expectations of everyone telling me it was trash.
THE MANGLER (1995) is a potent mix of silly Stephen King short story premise and unhinged Tobe Hooper fever dream. That means it has killer inanimate objects, but with the late Texas horror master’s sweaty, depraved lunatic tormenters stirred in like a salted caramel swirl.
Big Willie Weekend, 1999
That’s funny, back in 2001 Paul Walker seemed like a pretty boy teen star, a jock from VARSITY BLUES, so even though I always kinda liked him (and defended him from the savage hatred of the Ain’t It Cool talkbacks) he was probly the reason I didn’t take JOY RIDE entirely seriously, didn’t give it proper credit as a really solid thriller. I would’ve told you the movie was good, but I would’ve thrown a “ha ha, it’s actually” on front of that. Now I’m not as self conscious, and now Walker is the specific reason I’m giving it a long overdue re-watch. With his last movie coming out on Friday I thought it would be a good time to take a look at a few of his other roles in tribute.
I meant to do this back when I reviewed 
From the director of THE HITCHER, the writer of SHOWGIRLS and the stars of BLOODSPORT, DESPERATELY SEEKING SUSAN and IGBY GOES DOWN comes this mysterious drifter vs. greedy developers action drama. Co-story credit goes to the guy who directed RETURN OF THE JEDI.
