This is weird, there’s a JURASSIC PARK sequel that came out 2 1/2 months ago and I didn’t get around to seeing it until this weekend, when it’s down to two showings a day. I think I saw all the other ones opening day or weekend. But maybe it was a smart move on this one because it benefits from the lowered expectations of everyone telling me it was trash.
In JURASSIC WORLD, you remember, they reopened the dinosaur park and the dinosaurs reattacked the new park and there was a new guy named Owen Grady (Chris Pratt, WEINERS) who was real macho and always trying to show off the size of his forearms. And he trains raptors and has a contentious bickery love with an uptight lady who works at the park named Claire Dearing (Bryce Dallas Howard, TERMINATOR SALVATION).
In FALLEN KINGDOM, the dinos are still loose on abandoned Isla Nubar, where a volcano is about to erupt. Claire is now a dinosaur rights activist trying to convince the government to act to save these endangered dinosaurs. She’s contacted by Eli Mills (Rafe Spall, GREEN STREET HOOLIGANS), who runs the estate of John Hammond’s dying partner Lockwood (James Cromwell, SPECIES II; also played Howard’s father in SPIDER-MAN 3) and wants to fund the rescue mission. But he especially wants to find Blue, the most intelligent raptor, and knows that Owen is the only person who could track her. (read the rest of this shit…)
THE MANGLER (1995) is a potent mix of silly Stephen King short story premise and unhinged Tobe Hooper fever dream. That means it has killer inanimate objects, but with the late Texas horror master’s sweaty, depraved lunatic tormenters stirred in like a salted caramel swirl.
Yes, this is a movie about a possessed industrial laundry press that seems to fold more people than it does sheets. You got a problem with that? I sure did in the ’90s when I saw this on VHS and thought it was the dumbest shit I ever saw. This time I was not so closed-minded. In today’s world we need to have more empathy for everyone, including murderous haunted laundry machines.
You may be wondering how the hell this Mangler (actual tagline: “It has a crush on you!”) manages to rack up a body count since it’s not exactly Christine rolling around town listening to George Thorogood, it’s a big-ass metal machine at least the size of a half-length bus and looking three times the weight, with no wheels. Well, I’m happy to report that there’s a part where (SPOILER) the heroes are hauling ass down a mysterious subterranean staircase squealing “We’re fucked!” as the Mangler chases and snaps at them like an angry pitbull. (read the rest of this shit…)
a survey of summer movies that just didn’t catch on
Big Willie Weekend, 1999
Two summers after their hit film MEN IN BLACK, director Barry Sonnenfeld (d.p. of BLOOD SIMPLE) and star Will Smith (SUICIDE SQUAD) tried to bring a similar comedy/special-effects/adventure mix to the old west. It’s like a western in that there are cowboy hats, guns, railroads and occasional horses, but also not really because it’s about two top agents for the president going undercover and then having a big battle against a giant mechanical spider that’s on a rampage and headed for the White House. Not a type of story I’ve seen done with John Wayne or Clint or anybody.
The basis is The Wild Wild West, a western-meets-spies TV show that lasted four seasons, ending thirty years prior to the movie. It was actually cancelled not due to a lack of popularity, but controversy over violence on television, and did have two followup TV movies. But the last of those was in 1980, and nineteen years later it was at best a cult show, and not yet available on DVD. So this is another expensive blockbuster based on characters that most of its intended youthful audience had never seen, or in this case even heard of.
But they didn’t have to know it was based on anything. Waning interest in westerns may have been a bigger problem, but that could’ve been overcome by the popularity of Smith, or the fun gimmick of the gadgets and steampunk type robotics, or the energetic style and cartoonish humor of the director of the ADDAMS FAMILY movies.
That’s funny, back in 2001 Paul Walker seemed like a pretty boy teen star, a jock from VARSITY BLUES, so even though I always kinda liked him (and defended him from the savage hatred of the Ain’t It Cool talkbacks) he was probly the reason I didn’t take JOY RIDE entirely seriously, didn’t give it proper credit as a really solid thriller. I would’ve told you the movie was good, but I would’ve thrown a “ha ha, it’s actually” on front of that. Now I’m not as self conscious, and now Walker is the specific reason I’m giving it a long overdue re-watch. With his last movie coming out on Friday I thought it would be a good time to take a look at a few of his other roles in tribute.
See, he was a pretty boy, and he never did turn into an actor of great range. But here, in the same year he graduated to cop roles in THE FAST AND FURIOUS (which he probly got because Rob Cohen had directed him in THE SKULLS, and which came out about 3 months before this), he could also still play a youth. He turns his air of nice guy innocence toward a leading man role, which in this case is mostly about fear and problem-solving. How do we get the fuck out of here? How do we get this guy to leave us alone? Problems like that.
This is a road movie stalker like DUEL, ROAD GAMES or THE HITCHER, but for the SCREAM floating-head-poster era. Walker plays Lewis, a hopelessly smitten college kid driving cross country to get home during a break. Along the way he will pick up his high school friend/long distance crush Venna (THE WICKER MAN‘s Leelee Sobieski). But then he gets word that his fuckup older brother Fuller (Steve Zahn, A PERFECT GETAWAY) is in jail and nobody else feels sorry enough for him to get him out, so Lewis goes 500 miles out of his way to post bail. Don’t ever do that, the movie will soon teach us. (read the rest of this shit…)
I meant to do this back when I reviewed POINT BLANK (Mickey Rourke vs. mall terrorists version), but I forgot, so here’s another Mickey Rourke picture to kick things off on a new thing I’ll try called COUNTDOWN TO THE EXPENDABLES. Not sure if I got enough time before the movie comes out next month, but I’m gonna try to go down the list of all the main EXPENDABLES cast members and review one of their movies that I haven’t seen before. (See, it’s a good thing Seagal turned the movie down, because there’s not anything by him that I haven’t seen. Maybe I’d have to review the cameo on the episode of Roseanne that I didn’t find out about until after Seagalogy went to print.)
Whether or not Stallone’s movie ends up being any good I think we can all agree that he did a good job of casting a wide range of tough guys from different movements, generations and disciplines. So through this journey I think we will all learn a few things and expand our knowledge of the Badass Arts in its many forms. I know I’ve already seen one unexpected gem in preparation for this series, so this could be a great time.
From the director of THE HITCHER, the writer of SHOWGIRLS and the stars of BLOODSPORT, DESPERATELY SEEKING SUSAN and IGBY GOES DOWN comes this mysterious drifter vs. greedy developers action drama. Co-story credit goes to the guy who directed RETURN OF THE JEDI.
Somehow I never got around to this Van Damme vehicle before, but it kept coming up in IMDb searches: first when I saw THE HITCHER and looked up director Robert Harmon, then when Geoffreyjar emailed me about Joe Eszterhas. It’s a little light on action compared to some Van Damme pictures, but the story (generic as it is) is executed well enough to make up for it. (read the rest of this shit…)
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Recent commentary and jibber-jabber
PetrosMT on The Woman King: “Really good movie, good pacing good action and you were invested in the characters. The whole time I was watching…” Jan 28, 06:25
PetrosMT on Avatar: The Way of Water: “Was VERY fortunate to be on a US tour when this opened, AND had a trip to London after that.…” Jan 28, 05:28
Kaplan on Bound: “Joey Pants is the tits in this. There’s long stretches of the movie where he’s essentially the protagonist and his…” Jan 28, 00:41
JTS on Emily the Criminal: “Nah, that was a silly storyline in a long procession of them. It’s an interesting story in theory and concept…” Jan 27, 23:37
CJ Holden on Emily the Criminal: “Honestly, I liked that plot in SOA. Sure, we as viewers were all “Come on, Juice, you know your buddies,…” Jan 27, 22:34
JTS on Emily the Criminal: “It was a big plot point of Sons of Anarchy (though it shouldn’t have been, it was silly that it…” Jan 27, 20:51
burningambulance on Emily the Criminal: “This is definitely a good one. Small-scale (but not low-stakes) crime movie that takes you inside a world you already…” Jan 27, 13:20
rainman on Blade of the 47 Ronin: “DOOM: ANNIHILATION was awful. Like, Asylum-level bad.” Jan 27, 02:23
Franchise Fred on Emily the Criminal: “Bill. I had the same read. It’s like I’ll try to play by the rules and work my way up…” Jan 27, 01:57
Felix on RRR: “It looks like PATHAAN is doing incredibly well at the box office so far.” Jan 26, 21:35
KayKay on The Woman King: “I get where you’re coming from, Kaplan. The idea is that THE WOMAN KING deserves to be tarred with the…” Jan 26, 20:31
KayKay on RRR: “And BTW, the entire critical community going ga-ga over RRR, capped off with Jim Cameron telling SS Rajamouli he’s seen…” Jan 26, 20:12
KayKay on RRR: “Ok…will check it out. Shah Rukh Khan has never convinced me as a macho tough guy, his entire screen persona…” Jan 26, 20:11
KayKay on Everything Everywhere All At Once: “Ok…so gonna bask a little in some Malaysian pride…yayy! Although it’s the HK film industry who deserve most of the…” Jan 26, 20:06
Gepard on Everything Everywhere All At Once: ““Shame it came out in April because that mean the uniformly great performances by the elder members of the cast…” Jan 26, 17:37
VERN’S “I RECOMMEND THE SHIT OUT OF THIS PRODUCT” CORNER:
This is weird, there’s a JURASSIC PARK sequel that came out 2 1/2 months ago and I didn’t get around to seeing it until this weekend, when it’s down to two showings a day. I think I saw all the other ones opening day or weekend. But maybe it was a smart move on this one because it benefits from the lowered expectations of everyone telling me it was trash.
THE MANGLER (1995) is a potent mix of silly Stephen King short story premise and unhinged Tobe Hooper fever dream. That means it has killer inanimate objects, but with the late Texas horror master’s sweaty, depraved lunatic tormenters stirred in like a salted caramel swirl.
Big Willie Weekend, 1999
That’s funny, back in 2001 Paul Walker seemed like a pretty boy teen star, a jock from VARSITY BLUES, so even though I always kinda liked him (and defended him from the savage hatred of the Ain’t It Cool talkbacks) he was probly the reason I didn’t take JOY RIDE entirely seriously, didn’t give it proper credit as a really solid thriller. I would’ve told you the movie was good, but I would’ve thrown a “ha ha, it’s actually” on front of that. Now I’m not as self conscious, and now Walker is the specific reason I’m giving it a long overdue re-watch. With his last movie coming out on Friday I thought it would be a good time to take a look at a few of his other roles in tribute.
I meant to do this back when I reviewed 
From the director of THE HITCHER, the writer of SHOWGIRLS and the stars of BLOODSPORT, DESPERATELY SEEKING SUSAN and IGBY GOES DOWN comes this mysterious drifter vs. greedy developers action drama. Co-story credit goes to the guy who directed RETURN OF THE JEDI.
