The first part of ALIEN: ROMULUS, after the prologue and as we’re being introduced to the characters and their situation, is about as transportive as I can ever expect from a sci-fi movie. The look and sound are stunning, and the sense of being thrown into a world that actually exists somewhere is overwhelming. Rain (Cailee Spaeny, PRISCILLA) and her brother Andy (David Jonsson) live on the mining colony Jackson’s Star. It’s a place that gets literally no sunlight, it’s crowded and dirty, and many of the workers (including their parents) die from some futuristic equivalent of black lung.
Today’s a big day, though – the day she thinks she can get a travel pass to sunny Yvago. Well, sorry, they tell her. The quotas have changed, she owes Weyland-Yutani more hours, another 5-6 years, approximately. Tough luck, kid. That’s Jackson’s Star for you. (read the rest of this shit…)
As a movie viewer and person interested in the topic of Elvis Presley, I feel spoiled that within a year and a half we’ve gotten two really good Elvis movies from two very distinct directors. Sofia Coppola’s PRISCILLA doesn’t feel at all redundant coming after Baz Luhrmann’s 
