THE CRAFT: LEGACY is, in my opinion, a remaquel. It technically takes place after the events of the 1996 film, with new characters, but the basic setup is intentionally a repeat, and the sequel part plays like it was meant to be a surprise at the very end. I believe that if they cut that scene and the subtitle then everyone would’ve accepted this as just a remake with some nice twists and changes in details.
Whatever you want to call it, it works best as a companion piece, a compare-and-contrast exercise, and there’s quite a bit that lines up. Once again we have a new girl moving to town with her single parent, she befriends the three outsider girls who are in need of a fourth person for their witch’s circle, they successfully cast some spells on their tormenters, including a mean jock boy who she causes to start following her around being nice to her. A small difference is that it’s not a Catholic school this time, so they get to be straight up goth without taking liberties with the school uniform. A bigger difference is that the newcomer’s family is central to the story. (read the rest of this shit…)
Hey friends, I don’t usually post on Fridays, but I thought I’d squeeze in one more Oscar nominee review before Sunday’s awards – a double feature of Best Actress nominees. I’m rooting for Demi Moore to win for 
The first part of ALIEN: ROMULUS, after the prologue and as we’re being introduced to the characters and their situation, is about as transportive as I can ever expect from a sci-fi movie. The look and sound are stunning, and the sense of being thrown into a world that actually exists somewhere is overwhelming. Rain (Cailee Spaeny, 
As a movie viewer and person interested in the topic of Elvis Presley, I feel spoiled that within a year and a half we’ve gotten two really good Elvis movies from two very distinct directors. Sofia Coppola’s PRISCILLA doesn’t feel at all redundant coming after Baz Luhrmann’s 
