Archive for the ‘Science Fiction and Space Shit’ Category
Monday, July 9th, 2018
June 19, 1998
(or is it THE X FILES?)
(note: Some people call it X-FILES: FIGHT THE FUTURE, but I think “fight the future” is just the tag line, like “DIE HARDER.”)
Oh shit, man. The ’90s. The X-Files sure was a bigger deal in the ’90s, wasn’t it? And in some ways this movie spin-off of the show is the most era-representative of the ones I’ve watched in this series so far. Not in style, or in any kind of fun, nostalgic way – it doesn’t feel very dated – but just in its view of the world. It spoke to a type of pre-millennium paranoia that has uncool associations today, but at the time was fresh and edgy and hip.
See, the internet was pretty new, so it wasn’t common to know about every strange belief or kooky fringe group. If you wanted to find out about some weird creature somebody claimed to spot you had to read outdated cryptozoology books at the library. If you wanted to know about UFO cults you had to know their address and send them a self addressed stamped envelope and read their newsletter. I don’t know why, but that’s what I did at a certain age. One time I even went to a UFO cult’s presentation on a college campus. All I really remember was a woman with a shaved head who seemed very sincere about all this. A few years later when the mass suicide happened I dug out a handout I’d saved, and though it didn’t say “Heaven’s Gate” on it anywhere it described the same theology, following the teachings of someone called “The Two” or “Ti and Do.” And I always wondered if that lady got out in time. (read the rest of this shit…)
Tags: aliens, based on a TV show, Chris Carter, David Duchovny, Frank Spotnitz, Gillian Anderson, John Neville, Lucas Black, Martin Landau, Rob Bowman, Summer of '98, Terry O'Quinn, William B. Davis
Posted in Reviews, Science Fiction and Space Shit | 28 Comments »
Wednesday, June 6th, 2018
Until now, Leigh Whannell has seemed like James Wan’s sidekick. I guess technically he’s the creator of SAW, because he wrote the short film, but he’s mainly known for co-writing the first three SAWs, DEAD SILENCE and all the INSIDIOUSes. And then he directed INSIDIOUS: THE LAST KEY CHAPTER THREE. But did you know he had it in him to go off on his own and write and direct a ferocious low budget cyberpunk action thriller? Man, why didn’t you tell me?
Logan Marshall-Green (from THE INVITATION and Quarry, but I’ll always think of him as “I just want answers, baby” from PROMETHEUS) stars as Grey Trace, a simple mechanic who loves listening to Howlin’ Wolf records in the garage and working on his Firebird even though he lives in a near future with self-driving cars and cyber implants and shit. (Yeah, I know. But at least they don’t say out loud that he’s an analog man in a digital world. They just show you visually and then move on.)
Then one night mysterious criminals shoot him and his wife (Melanie Vallejo, the Blue Ranger on Power Rangers Mystic Force), leaving him paralyzed and her dead. Though his house is set up with some pretty sweet robot arms that can prepare food for him, he’s miserable and suicidal without his wife or the ability to work with his hands. (read the rest of this shit…)
Tags: Betty Gabriel, cyberpunk, Harrison Gilbertson, Leigh Whannell, Logan Marshall-Green, Melanie Vallejo, Simon Maiden
Posted in Action, Reviews, Science Fiction and Space Shit | 31 Comments »
Friday, May 25th, 2018
Note: I believe I’ve seen the Mario Van Peebles version, but I don’t remember it at all, so I won’t be able to make a comparison.
SOLO: A STAR WARS STORY is the movie about Han Solo when he was a little younger than in STAR WARS. This is a generalization, but I’m gonna go ahead and say that no one in their right mind wanted to see a movie about young Han Solo. The only exception is George Lucas, who actually had Lawrence Kasdan writing this before he sold everything to Disney. I’m guessing it was his idea of what the fans who hated his prequels wanted to see.
The trouble is that if there was one Star Wars character who would be the MOST difficult to recast, it would definitely be Han Solo. This is a character that’s all about the specific charisma of Harrison Ford. If Kurt Russell or somebody had gotten the part then it might’ve still been a cool character, but it would not be the same. And you can’t re-create that. You can’t reverse engineer it.
So, with that in mind Alden Ehrenreich (the funny cowboy actor from HAIL, CAESAR!) has done as good a job as one could hope in an impossible task. He only looks a little like him and only sounds a little like him, but he gets some of his mannerisms, some of his attitude, some of his charm without ever seeming like he’s doing an impersonation. (If there’s one area in which it’s an uncanny reproduction I’d say it’s in his gun poses, which always look ready for a promotional poster.) (read the rest of this shit…)
Tags: Alden Ehrenreich, Chris Miller, Donald Glover, Emilia Clark, Jon Favreau, Jonathan Kasdan, Lawrence Kasdan, Linda Hunt, Paul Bettany, Phil Lord, Phoebe Waller-Bridge, Ron Howard, Thandie Newton, Woody Harrelson
Posted in Reviews, Science Fiction and Space Shit | 113 Comments »
Wednesday, May 16th, 2018
May 8, 1998
For many, the 1998 summer movie season will always be remembered as the comet vs. the asteroid (or the dueling asteroid movies, if they forget that one was a comet). DEEP IMPACT is the first released, the less popular, and the more grown up of the two movies. It’s way less stupid, less hectic, less hateful, and more forgotten by society. But that’s not necessarily undeserved. It’s not all that exciting.
The story begins with high school lovebirds Leo Biederman (Elijah Wood, THE TRUST) and Sarah Hotchner (Leelee Sobieski, THE WICKER MAN) enjoying some amateur astronomy when Leo discovers a comet headed for the earth. His teacher sends the evidence to a pro (Charles Martin Smith, MORE AMERICAN GRAFFITI) who verifies it but is immediately killed in a car accident.
(Summer of ’98 note: Like BLACK DOG it’s a sleepy-truck-driver accident that sets everything up.)
I don’t understand that turn of events. It skips over a year, so for a second I assumed the accident prevented them from finding out about the comet in time, but no. Actually the government found his information and named the comet after him and Leo. What’s the story purpose of killing him off? Not wanting to keep checking back in on a guy that knows about stars and shit? I’m not sure. (read the rest of this shit…)
Tags: Blair Underwood, Bruce Joel Rubin, Charles Martin Smith, comet, disaster, Elijah Wood, James Cromwell, James Horner, Jolt Cola, Jon Favreau, Leelee Sobieski, Michael Tolkin, Mimi Leder, Morgan Freeman, MSNBC, Robert Duvall, Ron Eldard, Summer of '98, Tea Leoni
Posted in Reviews, Science Fiction and Space Shit | 22 Comments »
Tuesday, May 8th, 2018
Every summer it hits me. The sun comes out and I start thinking about a certain type of movie: the summer blockbuster popcorn type movie. It doesn’t even matter if I’m excited for the ones coming out this summer or not. And I’m not, really – there’s a couple Marvels and a Star War, but I’m still high off the last ones, and don’t think these will match them. Otherwise MISSION: IMPOSSIBLE FALLOUT is the main event.
Still, I get the fever, I get nostalgic for the old ones, just the feeling of them being out there. The ones I love, the ones I didn’t, the ones I didn’t see. I love the time travel of watching them and writing about them and remembering the time. This summer I have chosen the summer of 1998 as my topic, my destination. It doesn’t seem like twenty fucking years ago. But then again it does.
This first movie was released on April 3rd, which obviously is not summer. But that’s just because they kept making “summer movie” release dates earlier, like Christmas decorations. It had action figures and fast food tie-ins and was designed to stick around for the season. It counts. (read the rest of this shit…)
Tags: Akiva Goldsman, based on a TV show, Gary Oldman, Jared Harris, Jim Henson Creature Workshop, Lacey Chabert, Matt LeBlanc, Mimi Rogers, Stephen Hopkins, Summer of '98, William Hurt
Posted in Reviews, Science Fiction and Space Shit | 51 Comments »
Thursday, April 12th, 2018
Steven Spielberg’s shiny, digitally new movie READY PLAYER ONE is about a virtual reality treasure hunt for people who are obsessed with ’80s and ’90s pop culture references even though it’s the year 2045. Which is not as far-fetched as it sounds at first. The hero of the story drives the car from BACK TO THE FUTURE, the #1 hit movie of sixty years prior, so it’s just the same as the teens you see now who model their lives on SOUTH PACIFIC.
Wade Watts (Tye Sheridan, THE TREE OF LIFE, MUD, X-MEN: APOCALYPSE) is a nice young man and first person narrator living in a futuristic trailer park, and I guess poverty ain’t that bad because everyone spends their days playing around in this virtual reality video game called OASIS.
Wade is part of a subculture called “gunters” who know about old Atari 2600 games and Robert Zemeckis and everything because they study the journals of the late Oasis inventor Halliday (Mark Rylance, BLITZ), and he was obsessed with that shit. The gunters need to understand all that to win the puzzle contest he left behind as a sort of a last-willy-wonka-and-testament to award his majority share of the company to some random nerd he never met who can solve some riddles. Also they gotta be good at video games, because the first challenge involves a giant car race. Wade drives the DeLorean, his friend Aech (pronounced ‘H’) (spoiler – it’s not a boy, it’s Lena Waithe from Master of None) drives Bigfoot, a famous girl he has a crush on and just met named Artemis (Olivia Cooke, OUIJA) drives the red motorcycle from AKIRA (weirdly the only reference the characters feel they have to explain to the audience). (read the rest of this shit…)
Tags: '80s nostalgia, Alan Silvestri, Ben Mendelsohn, Ernest Cline, Lena Waithe, Mark Rylance, Olivia Cooke, Steven Spielberg, the Nerdening of America, Tye Sheridan, virtual reality, Zak Penn
Posted in Reviews, Science Fiction and Space Shit | 52 Comments »
Monday, April 9th, 2018
Here’s a new sci-fi/kung fu hybrid that’s honestly not up to my standards of martial arts movie quality – to be fair it was made for cable and a streaming service in China – but it’s such a joyfully ludicrous storyline that I can’t help but sort of recommend it if you’re ever in a b-movie mood. It stars Tiger Chen (from Keanu Reeves’ excellent MAN OF TAI CHI and Jesse V. Johnson’s upcoming TRIPLE THREAT) and it can best be described as a cross between a TERMINATOR movie and a period kung fu movie like, say, FEARLESS starring Jet Li.
It opens in a future where aliens have conquered much of the earth. Chen plays a general in a military force that’s fighting back. He and his partner (Wang Zhi, DRUG WAR) are out in the field battling some aliens when he’s able to defeat one of them using kung fu.
This is the craziest part of the movie, reminding me of BEYOND SKYLINE, where the RAID guys fought against tall alien monster guys. There they got to use animatronic suit effects, here it’s digital, looking like a very ambitious SyFy Channel premiere. But, I mean, I can’t not enjoy shit like this:
He also has a robot arm that goes over one of his regular arms.
(read the rest of this shit…)
Tags: 87Eleven, aliens, robots, Shu Jian, Tiger Hu Chen, time travel, Wang Zhi, Xian Feng
Posted in Action, Martial Arts, Reviews, Science Fiction and Space Shit | 4 Comments »
Monday, March 12th, 2018
In ANNIHILATION, the sophomore directorial work of Alex Garland (EX_MACHINA, also author of The Beach and screenwriter of 28 DAYS LATER, SUNSHINE, NEVER LET ME GO and DREDD), Natalie Portman (LEON THE PROFESSIONAL) takes a journey into the heart of weirdness. Her character Lena is a cell-loving ex-Army biology professor at Johns Hopkins University (also the alma mater of Gil Scott-Heron, Wes Craven and Wolf Blitzer) whose presumed-K.I.A. husband Kane (Oscar Isaac, SUCKER PUNCH, THE NATIVITY STORY) suddenly shows up alive and odd and unable to explain anything. Sort of like the also mourning Amy Adams character in the also brainy-adapted-from-an-acclaimed-novel-sci-fi-movie ARRIVAL, she’s taken to a site (Area X) where soldiers and scientists face an unexplained, unprecedented phenomenon. In this case it’s not a spaceship but a sort of slowly expanding spectral bubble they call “The Shimmer” that surrounds a chunk of land and no one who has entered it has ever come back out. Until Kane. (read the rest of this shit…)
Tags: Alex Garland, Gina Rodriguez, Jennifer Jason Leigh, Natalie Portman, Oscar Isaac, Tessa Thompson, Tuva Novotny
Posted in Reviews, Science Fiction and Space Shit | 34 Comments »
Wednesday, March 7th, 2018
DEADLY WEAPON is another randomly-stumbled-across VHS rental. This one got my attention with a faded lenticular cover and warranted further investigation when I saw that it was written and directed by Michael Miner, the less-discussed co-writer of ROBOCOP, and stars a bonafide Dream Warrior, Rodney Eastman, aka Joey from A NIGHTMARE ON ELM STREET 3 and 4.
Caveat: It’s produced by Charles Band.
The opening text of this 1989 low budget teen angst sci-fi tale explains that it takes place “in the mind of a fifteen year old boy.” I guess that explains its cartoonishly broad idea of how people and relationships work. Eastman plays Zeke, a lonely teen who narrates in the third person, referring to himself as “The Visitor” because he’s “a visitor from another galaxy.” (Not really. That’s his fantasy.) He lives in dusty King Bee, Arizona (Population 4,852) with an abusive alcoholic stepfather and is anxious to grow up and move out, so he says he “watched the skies waiting for a sign, some signal that everything was gonna be alright.” (read the rest of this shit…)
Tags: Charles Band, Digital Native Dance, Kim Walker, Michael Horse, Michael Miner, Rodney Eastman
Posted in Reviews, Science Fiction and Space Shit | 36 Comments »
Wednesday, January 24th, 2018
In my view Scarlett Johansson can do no wrong. But the live action manga and/or anime adaptation GHOST IN THE SHELL probly did itself a fatal wrong by casting her as the human-brained robot cop Major, a role that probly should’ve showcased an exciting up and coming Japanese-American actress.
I was skeptical about the controversy at first, because the animated version of the character looks white to my American eyes, and I mean she’s a robot she can look any way they want her to look, plus the story takes place in a very international future, and anyway it’s an American remake of a foreign film so by definition it’s gonna be changed for American culture, and additionally the director of the anime Momoru Oshii said that Johansson was perfect for the part, and it’s true that her roles in UNDER THE SKIN and LUCY prove that she’s uniquely qualified to play an ass-kicking almost-naked robot lady, and furthermore it’s not like it’s easy for her to get a lead role like this either, and anyway a couple years ago all the clamor was for Hollywood to make more big genre movies based around women, and back then nobody specified “white women don’t count.” So I feel bad for her.
But… I think the criticisms were legitimate. (read the rest of this shit…)
Tags: cyberpunk, cyborg, Ehren Kruger, Guy Norris, Jamie Moss, Juliette Binoche, live action anime, Michael Pitt, Michael Wincott, Pilou Asbaek, robots, Ruper Sanders, Scarlett Johansson, Takeshi Kitano
Posted in Action, Reviews, Science Fiction and Space Shit | 37 Comments »
