"KEEP BUSTIN'."

Posts Tagged ‘Viola Davis’

Black Adam

Monday, June 19th, 2023

Call it super hero fatigue, call it The Rock mistrust, call it what you want, but for some reason I, a guy who has seen most comic book movies, including ones everybody says are terrible, did not bother with BLACK ADAM. Until now. I don’t know, I was trying to figure out something to watch, I knew I’d be seeing that THE FLASH movie soon, and I kinda wanted to catch up beforehand, just for the sake of completism, I guess. So I put it on.

There was a point early on when I honestly wondered, “Am I gonna be the guy who likes this movie?,” ’cause the set up kinda had me going. But it pretty quickly shifted to that feeling you get at the climax of a big wannabe blockbuster you’re not into. A bunch of loud noises and bullshit. Oh well. I will have some nice things to say about it. (read the rest of this shit…)

The Woman King

Thursday, January 19th, 2023

THE WOMAN KING has an irresistible hook that made it a hit: Did you know there was an all-female military regiment in 1800s West Africa, “THE MOST EXCEPTIONAL FEMALE WARRIORS TO EVER LIVE”? Now that you do, wouldn’t you like to see them kicking ass on screen, fighting off the invading “Europeens,” with Academy Award winner Viola Davis as their badass leader?

For me the answers to those questions were no, I don’t think I did, and yes, of course I would. I meant to see it in theaters, but I missed it. Reviews were mostly positive, but I remember them seeming a little subdued. Maybe I misread them, or maybe they wanted it to seem more like a Very Important awards season type movie to really get behind it. I think it has plenty of substance to it, but director Gina Prince-Bythewood (THE OLD GUARD) doesn’t treat that like the main attraction, and she shouldn’t have to. There’s a precedent for crowd-pleasing historical action dramas winning best picture, but BRAVEHEART and GLADIATOR could pass for highfalutin without having to address any issues, you know? They just had to make a rousing speech about bravery and killing a motherfucker, nobody expected them to say something deep about the world’s problems. (read the rest of this shit…)

The Suicide Squad

Wednesday, August 11th, 2021

THE SUICIDE SQUAD, from writer/director James Gunn (SLITHER, SUPER, writer of TROMEO & JULIET and DAWN OF THE DEAD) is kind of miraculous as far as these big ol’ corporate franchise movies go. Imagine the odds against a director starting out as a writer at Troma, making some well-liked-but-not-super-successful hard-R comedies, then going mainstream with two beloved Marvel hits, then being temporarily fired by Disney due to right wing trolls feigning offense at his old tweets, and spending his time off going over to a different comic book universe to make a super gory and death-filled but heartfelt sequel to someone else’s widely-hated part 1, building off of his horror comedy past, the skills he built on his GUARDIANS OF THE GALAXY movies, and what was fun about that first SUICIDE SQUAD movie, to make something really special?

Though I didn’t hate David Ayer’s 2016 SUICIDE SQUAD the way most seem to have, I had many complaints. I suspect he had a more sensible version before the studio literally hired the trailer company to re-edit it, but even in its present form I think the movie deserves praise for establishing a rowdy, cartoony take on the DC Universe that BIRDS OF PREY and now this were able to riff on and use as a jumping off point. And of course even bigger than that is its casting of Margot Robbie (THE LEGEND OF TARZAN) as Harley Quinn, as close to a universally beloved character and portrayal as has ever come out of such a widely hated movie. (read the rest of this shit…)

Widows

Tuesday, November 20th, 2018

When last we heard from director Steve McQueen U.K., his movie 12 YEARS A SLAVE had won best picture. Five years later he finally has a followup, and it’s a violent, artfully crafted heist movie. Now you’re earning that name, my friend.

It’s credited as “based on ‘Widows’ by Lynda La Plante,” which seems to refer to the 1983 ITV mini-series, though there’s also a book version that says “SOON TO BE A MAJOR MOTION PICTURE” on the cover, and I have found no definitive answer as to which La Plante wrote first. Anyway, McQueen adapted whatever it was he adapted with Gillian Flynn of GONE GIRL (both book and movie) fame.

Liam Neeson (THE DEAD POOL), Jon Bernthal (THE ACCOUNTANT), Manuel Garcia-Rulfo (SICARIO: DAY OF THE SOLDADO) and Coburn Goss (MAN OF STEEL) star as a Chicago-based crew of highly skilled, even highlier armed and armoured robber motherfuckers in the vein of HEAT or L.A. TAKEDOWN or DEN OF THIEVES or POINT BREAK or POINT BREAK REMAKE. And by “star” I mean for a couple minutes at the very beginning we see a tiny bit of their heist intercut with them saying goodbye to their wives beforehand and then they get blown up. You barely even see that last guy’s face. Because this is not about dudes like that. It’s about their loved ones who have to clean up their mess. (read the rest of this shit…)

Out of Sight

Wednesday, July 18th, 2018

June 26, 1998

OUT OF SIGHT pretty much struts onto the screen, David Holmes’ funky organ already jamming on “It’s Your Thing” as the Universal logo spins, George Clooney as Jack Foley storming out of a situation that we’ll only understand later, his frustrations underlined by freeze frames, when he spots a bank across the street. And he goes over unarmed, alone, winging it, and robs the place.

Clooney had already become a superstar on ER and proven himself big-screen-worthy in FROM DUSK TILL DAWN, but it was Steven Soderbergh who taught him to cut down on his trademark head-bobbing and become a real movie star. Wearing a suit I thought I heard somewhere was inspired by Cary Grant’s from NORTH BY NORTHWEST, he manages to charm his poor bank teller victim enough that when he tells her to have a nice day as he’s leaving with the money she reflexively says “You too.”

It’s a small, funny moment, but it’s also important. We have to believe this guy is so damn charismatic that the federal marshal who witnesses him digging out of Lompoc and gets thrown in the trunk of a car with him will fall for him. And Clooney pulls it off. (read the rest of this shit…)

Oscar shit 2017

Friday, February 24th, 2017

I’m a little less excited than usual for the Oscars this year. Maybe it’s because there’s nothing I’m passionately rooting for, like MAD MAX: FURY ROAD last time. Or maybe it’s because shit is so bad it’s harder for me to care about the small stuff at the moment. But I still like the tradition and as usual I made sure to watch all of the best picture nominees, so here are a few thoughts on that.

Yes, you are correct, there is no way to scientifically measure or rank the artistic success of movies, and there is politics involved and my very favorite movie of a given year never wins. But I think this year is a real good example of how you can look at what got nominated and get a good idea what our country, or at least our film industry, cares about at this moment in time.

Take HELL OR HIGH WATER. Personally I thought the political subtext was the clumsiest aspect of the movie, but I’m sure it’s what got it nominated. Not just a cops and robbers procedural, it’s about farmers and war vets tired of their people being screwed over by the banks. And beneath that it’s a reminder of the history of our country and who it was stolen from. I should watch it again because I bet it wouldn’t seem as heavy-handed as the first time. (read the rest of this shit…)

Fences

Thursday, February 9th, 2017

FENCES is a wonderful new Pixar movie about the secret world of fences. What happens when the barriers that keep people out decide it’s time to start letting them in? But it’s also the famous play by August Wilson (1945-2005) that Denzel Washington (VIRTUOSITY) has turned into a film as star and director.

There’s no mistaking that this was a play. It’s all talk talk talk, mostly by Denzel. Lots of telling stories. And it mostly takes place in his small backyard, kitchen and living room. He plays Troy Maxson, a bitter garbage man in racially discriminating 1958 Pittsburgh. Ten years before NIGHT OF THE LIVING DEAD. He thinks he might get fired because he recently took a stand and asked why only white men get to drive the trucks. He likes to come home from work, shoot the shit and pass around a bottle of gin with wife Rose (Viola Davis from the Jesse Stone movies) and his co-worker Bono (Stephen Henderson, RED HOOK SUMMER, MANCHESTER BY THE SEA). (read the rest of this shit…)

Lila & Eve

Monday, January 25th, 2016

tn_lilaandeveI had to give LILA & EVE a shot because of my love of different types of vigilante revenge movies. In this one the titleational duo are two women (Viola Davis [from the JESSE STONE movies] as Lila, Jennifer Lopez as Eve) who meet in a support group for mothers of murdered children and decide to ignore the group’s core principle of learning to accept what you can’t change.

Like Neil Jordan’s THE BRAVE ONE with Jodie Foster, this tries to lean harder on the respectable drama side than the satisfying DEATH WISH one. Lila’s son was killed in a drive-by shooting, most likely not meant for him. When she waits around all day to talk to the detective in charge (Shea Whigham, FAST & FURIOUS) he doesn’t even recognize her. They discuss the lack of progress in front of a picture of a dead white cheerleader who has her own task force.

But Eve won’t have it. She pushes Lila to go out to the block where it happened, find the criminals that work there, question them, work their way up the ladder until they find who did it. During their first parking lot confrontation the guy pulls a gun and Eve shoots him. Now they’re killers. She takes his phone and uses what she finds on it for further detective work. (read the rest of this shit…)

Blackhat

Monday, February 2nd, 2015

tn_blackhatI didn’t think it would happen in this generation, but they’ve produced a manly movie star. They had to borrow him from Australia, of course, but so what? Arnold and Van Damme and Mel Gibson and a bunch of those guys were imports too.

Chris Hemsworth has the kind of rugged persona and charisma that makes a man feel inadequate – he’s 2014’s People Magazine Sexiest Man Alive, and last week’s Man Who Makes Me Feel Like I Better Do More Push-ups – but you respect him for it, you don’t resent him. I don’t know if he’ll maintain all the muscles when he stops being an Avenger, but I bet he’ll stay pleasantly macho. He’ll slick back his hair and look good in an undershirt and sunglasses and he’ll put his protective arms around tiny women but also respect their intelligence.

It’s nice that one of the few manly marquee names of the modern age has now had the chance to become Mannly. In Michael Mann’s BLACKHAT Hemsworth plays Mann’s idea of a being more godly than Thor. He’s a convict who splits his time between reading Focault paperbacks and doing handstand pushups. He’s done time both for assault and for hacking. He knows how to use guns and build makeshift armor and beat up multiple attackers using restaurant furniture, but also how to write computer programs. He’s hypersmart enough to glance at a screen full of code and instantly identify clues to its purpose and author, but also worldly enough to travel through multiple Asian countries and break into places looking for a mystery man. He can be counted on to sit with a laptop or phone and breach a highly secure database, but also can wing a plan to explode a truck on the roof of a building as a distraction to sneak in and physically steal a hard drive. (read the rest of this shit…)

Get On Up

Tuesday, January 6th, 2015

tn_getonupFor several years Spike Lee talked about doing a James Brown biopic starring Wesley Snipes. This was fairly recently, like while Wesley was locked up. Man, I couldn’t quite picture what that would be like, and I really wanted to find out. But I figured even if Wesley could pull off the role I wasn’t sure a movie about James Brown could ever work. Would a movie really be able to show his incredible genius without toning down what a horrible person he was?

When I heard somebody besides Lee was doing the James Brown biopic, and that it was the guy that did the fucking HELP, I was not happy. And who do they have playing The Godfather? Chadwick Boseman, same guy who already played Jackie Robinson in that other movie that that other white director did before Spike Lee could. I bet this Boseman guy has nightmares about getting stomped by Air Jordans.

And the trailers didn’t help. With quick clips of Boseman in a wig lip synching James Brown, you couldn’t really tell if he looked that much like him, same with the dialogue. And there was a version with interviews of rappers and Mick Jagger and stuff talking about how important James Brown is. What the fuck is this approach? Who is this demographic of fucking weirdos who have no idea who James Brown is but will see a movie about him if Mick Jagger recommends it? What, did they already see a video of Taylor Swift or Macklemore or somebody explaining how important Mick Jagger is? (read the rest of this shit…)