Posts Tagged ‘hitman’

Leon (aka The Professional)

Tuesday, March 1st, 2011

tn_leonThese days Luc Besson is mostly thought of as a producer of action movies (DISTRICT B13, TAKEN, THE TRANSPORTER, UNLEASHED). But man, there was a time there a while back when his heart was in being a writer/director, and LEON aka THE PROFESSIONAL is a hell of a good action movie he did.

The year was 1994 and American crime movies were having sort of a resurgence. Young men with movie cameras were reading the Psalms of John Woo and rediscovering the joys of onscreen bullet discharge. It was the year of KILLING ZOE, THE LAST SEDUCTION, FRESH, the Alec Baldwin version of THE GETAWAY and of course DEATH WISH V: THE FACE OF DEATH.
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Exiled

Tuesday, February 22nd, 2011

tn_exiledAfter VENGEANCE heroically bloodshedded me in the face it was obviously time to check out some of these Johnnie To movies that I’ve been ignoring even though everybody and their blood brother has been recommending them to me over the years. It’s nice to see that while Hong Kong action cinema has lost the worldwide attention it had in the ’90s there’s still been some people keeping it alive. Mr. To definitely has a modern take on the types of emotions and style we love from that era. So here’s another one of his more recent ones, 2006’s EXILED.
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Vengeance

Monday, February 7th, 2011

tn_vengeanceIf a revenge movie is just called VENGEANCE, somebody might assume it’s gonna be obvious and unimaginative. In the case of Johnnie To’s VENGEANCE they’d be wrong – it’s elegant and poetically simple is what it is. Like a haiku with exit wounds. At this time I would like to ask that hypothetical somebody to admit that they would’ve been wrong.

In the opening scene a family is gunned down by three hitmen. Only the mother survives, and just barely. Her father, just known as Costello (Johnny Hallyday), comes to the hospital, vows to avenge her and gets minor details about the attackers by having her point at words in a newspaper. (more…)

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Le Samourai

Sunday, February 6th, 2011

tn_samouraiLE SAMOURAI is a movie I’ve meant to see for years. It just comes up so often when you’re into the shit I’m into. It was a big inspiration for THE KILLER and GHOST DOG, and probly THE AMERICAN, and since it’s both a crime movie and an instigator of that French wave that was new at the time it appeals to a broad range of movie buffs. People who wouldn’t normally watch too many French movies from the ’60s might watch it because it’s about a hitman, and vice versa. (’Vice versa’ is Latin by the way, not French.)

So after hearing about it all these years it’s kind of a surprise still, ’cause it turns out I got the wrong impression. The way people talk about it I thought it was gonna be way more arty, way more slow and difficult, way more pretentious. But it’s a pretty straightforward crime movie in my opinion. It’s not fast-paced by modern standards, but it doesn’t have much fat on it either. Just alot of quiet. And a bird chirping.
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The Mechanic (2011 remake)

Friday, January 28th, 2011

tn_mechanicI got mixed feelings about some sucker remaking a Charles Bronson movie. On one hand it’s obviously foolish, because no man has ever been discovered who could stand toe-to-toe with Bronson in badass presence. It doesn’t matter who you get to star, unless maybe Lee Marvin is alive again, or Clint is interested in remaking old Michael Winner movies. Barring that, anybody’s gonna pale in comparison.

On the other hand, alot of Bronson’s movies are (by design) pretty formulaic, they’re all about taking the type of basic situations you’d want to see Charles Bronson in and then putting Charles Bronson in them. Therefore if you do have a new action icon to star in some movies, these are the types of movies you might want to try to put him in. And Jason Statham isn’t a bad candidate, in my opinion. (more…)

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Blast of Silence

Tuesday, December 21st, 2010

tn_blastofsilenceHere’s a movie I never heard of until Criterion released it a couple years ago. It’s a real raw, pulpy, hard boiled crime deal, low budget, filmed independently and released in 1961. It’s about a hitman from Cleveland coming into New York, staking out his target. Because it’s black and white and full of hard-nosed tough guy narration it makes you think of old noir movies, but because it was made in the ’60s it’s a more modern, realistic approach to dialogue and acting, all done in real locations, on real city streets, not always with permits.

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