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Posts Tagged ‘Ben Foster’

Pandorum

Tuesday, December 1st, 2020

I remember the sci-fi/horror movie PANDORUM coming out – I thought it was more recent than 2009, but that’s how it goes – and I don’t think I heard anything good about it. It was not something that was on my list to see until I found out Cung Le was in it, and then it still took me years to get to it. But now I can report that, though certainly not perfect, this is a very interesting space movie with lots of cool ideas. It’s in English with a decent budget and stars Ben Foster and Dennis Quaid, but director Christian Alvart is the German guy who did the serial killer movie ANTIBODIES. So it’s gonna be a little more off-kilter than most movies produced by Paul W.S.Anderson.

It has some overlap with what I call the Space Loneliness movies, because it’s about some people waking up from hypersleep during a 123 year interstellar trip. It’s different, though, because they’re not just the small crew of one ship like DARK STAR, ALIEN, BLOOD MACHINES, etc. The Elysium is built to carry much of the earth’s population to a new home on the planet Tanis, so it’s enormous, and when they run into other people they’ve never met them before. (read the rest of this shit…)

Hostiles

Wednesday, February 13th, 2019

Scott Cooper is an actor-turned-writer/director who seems slightly under the radar to me. He made a splash with CRAZY HEART ten years ago, a movie that somehow seems overshadowed by Jeff Bridge’s Oscar-winning performance in it (and that I thought of a few times watching A STAR IS BORN). His followup, the gloomy crime drama OUT OF THE FURNACE (2013), teamed him with Christian Bale (POCAHONTAS) for the first time, and I have to admit that I have not seen his poorly reviewed BLACK MASS (2015). But he didn’t write that one. I only watch the ones he directs and writes, obviously.

2017’s HOSTILES (based on a manuscript written by Donald E. Stewart [JACKSON COUNTY JAIL, DEATHSPORT, THE HUNT FOR RED OCTOBER, PATRIOT GAMES, CLEAR AND PRESENT DANGER] in the ’80s) reteamed him with Bale for what might be categorized as a Real Serious Western – the kind where the director is hesitant to call it a western (“I don’t think in terms of genre… If anything it’s a psychological western in the vein of Anthony Mann…I don’t think it’s a western, it has more in common with Joseph Conrad or Larry McMurtry or Louis L’Amour” he told Moviemaker) and you want to grab them and tell them “all right cool it buddy, just admit you made a really good western.” (See also THE REVENANT.)

But I guess I sort of get it. A completely traditional western is not very marketable in this day and age. Most people don’t really want the genre without a little bit of a new spin on it, and HOSTILES has one. (read the rest of this shit…)

Hell or High Water

Thursday, September 8th, 2016

tn_hellorhighwaterHELL OR HIGH WATER is one of these contemporary westerns, sort of a NO COUNTRY FOR OLD MEN fan film about two brothers robbing banks and two old Texas Rangers trying to catch them. It starts from the perspective of Toby (Chris Pine, SMOKIN’ ACES) and Tanner (Ben Foster, X-MEN 3) driving through barren stretches of country highway robbing banks in tiny, impoverished towns from Texas to Oklahoma, in between being brothers, annoying each other, talking around painful shit from their pasts, etc.

They did not cast against type. Tanner is the Mr. Blonde, yelling at and pistol whipping bank employees, causing scenes, screwing a hooker in the same hotel room while his poor brother lays wincing and facing the wall. I think this guy’s gonna be trouble. And Toby is the thief with a heart of gold, or at least the one who looks humanely through his ski mask with big blue sympathetic eyes and isn’t a jerk when a waitress (Katy Mixon from East Bound and Down) has a nice talk with him. (read the rest of this shit…)

Warcraft

Monday, June 13th, 2016

tn_warcraftThe opening of WARCRAFT seems promising. A booted foot steps over a skull. The camera arcs up dramatically to show an elaborately armored warrior picking up a shield and sword, stepping into a clearing for a duel. And then we see the guy he’s fighting. He is an orc. That means he’s a motion capture or animated type monster character who is like 8 or 9 feet tall with saber teeth, giant muscles, fists as big as your head, fingers that even seem too big for him, even though he’s a giant. A voice is narrating about the war between the humans and the orcs, but it’s a deep, distorted voice, because it’s not the human talking to us, it’s the orc.

In the next scene, the orc is laying next to his very pregnant wife, talking about their plans, what they will name the baby. She teases him about him having a big head. They laugh at each other. This is a fantasy adventure movie and minutes in we have a monster couple being intimate and loving! It’s like CLASH OF THE TITANS meets the end of FARGO when Marge and Norm are in bed talking about the painting he’s doing for the stamp.

This is why I came to this. A fantasy movie but from a monster perspective. This is beautiful! So as the metal letters of the logo float at me in 3D I am as excited as the nerds who cheered when the trailers started and one guy yelled “FOR THE HORDE!,” and went on to surprise me by gasping and clapping for the I-thought-unimpressive ASSASSIN’S CREED trailer.

Then the next scene is about some humans, standard issue guys in armor standing in castles talking about shit, and they are not as interesting as those orcs. But it continues to be about them for a while. And a while longer. And eventually you realize that the movie is gonna mostly about them. It’s like one of those movies about the civil rights movement or apartheid or something but they have a white guy as the main character. They don’t think non-orc audiences can relate to an orc protagonist. (read the rest of this shit…)

3:10 to Yuma (2007)

Tuesday, May 24th, 2011

tn_310-07The remake of 3:10 TO YUMA is a pretty good modern western, but it dilutes the simple power of the original by overcomplicating it. Delmer Daves and friends took this very short story mostly about two men in a hotel room (don’t take that the wrong way please) and expanded it to movie length, but I thought they made it work beautifully. Now they take that expanded version of the simple idea and they go expand on that. Give the hero more of a backstory, involve his son in the action, have the outlaw escape and get captured by other people, etc. The only thing they simplify is the number of guys in Ben Wade (Russell Crowe)’s gang, so you lose that menacing scene of them all lined up at the bar with one defenseless woman pouring them all shots.
(read the rest of this shit…)

The Mechanic (2011 remake)

Friday, January 28th, 2011

tn_mechanicI got mixed feelings about some sucker remaking a Charles Bronson movie. On one hand it’s obviously foolish, because no man has ever been discovered who could stand toe-to-toe with Bronson in badass presence. It doesn’t matter who you get to star, unless maybe Lee Marvin is alive again, or Clint is interested in remaking old Michael Winner movies. Barring that, anybody’s gonna pale in comparison.

On the other hand, alot of Bronson’s movies are (by design) pretty formulaic, they’re all about taking the type of basic situations you’d want to see Charles Bronson in and then putting Charles Bronson in them. Therefore if you do have a new action icon to star in some movies, these are the types of movies you might want to try to put him in. And Jason Statham isn’t a bad candidate, in my opinion. (read the rest of this shit…)

Hostage

Monday, March 14th, 2005

Legend has it that the times we’re in create the movies we watch. Sometimes on purpose, sometimes subconsciously. I mean who the fuck knows how it happens but the fears and the turbulence and the shittiness of troubled times somehow soaks into the celluloid and poisons the screen. So Vietnam and racial unrest soaked into the PLANET OF THE APES pictures, for example. The atomic age bred giant crabs, Hiroshima gave birth to Godzilla, Ronald Reagan caused ROCKY 4 and RED DAWN, AIDS made THE FLY.

Well, HOSTAGE is not a political movie but it is a Bruce Willis action thriller for the fucked up age we are currently being sat on by. In the DIE HARD pictures he fought terrorists, so now that terrorism is more of a realistic threat, he’s going back to fighting criminals again. But because it’s the Bush era, this is a dark, ugly, sometimes gorey thriller. A story about a bunch of psychotic, sadistic, greedy assholes terrorizing each other, and all the rest of us who get caught in the middle. A movie that wears a mask and has your wife and daughter tied and gagged in the back of a van and forces you to break your moral code and risk your life to get what it wants. It’s a real intense, well made thriller but what I’m saying is, this is 2005. Don’t expect to get blown through the back wall of the theater and have a good time and all that. (read the rest of this shit…)