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Posts Tagged ‘Adam Driver’

Marriage Story

Wednesday, February 5th, 2020

MARRIAGE STORY seems like kind of a cheeky name for a movie about a divorce. I first learned of writer-director Noah Baumbach by seeing his fourth movie as a director, THE SQUID AND THE WHALE. That was a movie clearly based on his childhood during his parents’ divorce, and here’s one clearly based on a divorce he himself had years after making that movie. The circle of life. Hakuna matata. Did you know he was a writer on MADAGASCAR 3?

The best-picture-nominated-straight-to-Netflix-but-it’s-coming-to-Criterion MARRIAGE STORY has all the dry humor, smart dialogue and outstanding, emotional performances his movies are known for (three of them also Oscar nominated), and the heartache and discomfort the topic demands, but somehow it feels kind of… warm for Baumbach? And even kind of romantic?

Part of that comes down to our Noah Baumbach character — I mean our male lead — not coming across as as much of a self-regarding dickbag as some of the others. Charlie (Adam Driver, one episode of Law & Order, WHILE WE’RE YOUNG) runs a small New York theater company, directing plays that often star his wife Nicole (Scarlett Johansson, THE SPIRIT), a former teen movie star. Charlie is entirely at fault for the dissolution of the marriage, he has the least excusable behavior and turns out to have serious emotional issues he’s left unaddressed. But he seems to be going at this divorce thing in good faith, trying to do it as amicably as possible, even trying to stay friends. (read the rest of this shit…)

Star Wars Episode IX: The Rise of Skywalker

Monday, December 23rd, 2019

STAR WARS: THE RISE OF SKYWALKER is the kind of thing that happens when a singular voice creates a revolutionary trilogy that changes movies forever and becomes a cultural phenomenon beloved by generations and then years later makes a trilogy of prequels to said movies that are also a cultural phenomenon and also change movies forever in a different way but are disdained by many and after a while he gets so sick of fuckin hearing about it that he sells off his entire life’s work for nearly five billion dollars and gives most of it to charity while a giant entertainment conglomerate treats his creation as an all-consuming brand centered around a third trilogy that ends the saga but is made by three different directors with no plan for where the fuck it’s going and the first guy does a good workmanlike job, then the second knocks it out of the park with a soulful and distinct followup that severely pisses off a small faction of people we only know about because of the internet and then the third guy gets fired so the first guy has to come back and figure out how the fuck to conclude a story he designed for some other poor sucker to have to deal with and also find an ending to the larger cultural phenomenon he’s been mimicking and for some reason he feels the need to alienate the people who like the movies by pandering to the people who didn’t.

So, you know, if you haven’t seen it yet, you surely can picture that type of movie, but also you shouldn’t read this review because it’s ALL SPOILERS and also you won’t know what the fuck I’m talking about. (read the rest of this shit…)

The Dead Don’t Die

Wednesday, July 3rd, 2019

Jim Jarmusch’s zombie comedy THE DEAD DON’T DIE is… I mean, it’s a zombie comedy by Jim Jarmusch. Which is unexpected. When the trailer came out I couldn’t tell if they were trying to mislead us or if Jarmusch had made something totally different from his other movies. The answer is in the middle, leaning toward the first one. It feels closer to normal Jarmusch than to, like, SHAUN OF THE DEAD. It’s high on oddness and quirk, low on concept, plot structure or traditional resolution. Compared to ZOMBIELAND or TUCKER AND DALE or something the humor is bone dry and the pace is molasses slow.

But by LIMITS OF CONTROL standards it’s an action packed thrill-o-rama. It has a whole bunch of zombies digging out of graves like Thriller or RETURN OF THE LIVING DEAD, pulling out people’s intestines for a snack, and getting their heads chopped or blown off. They’re respectable zombies, too – o.g. slow shambling style, some personality to them, one played by Iggy Pop (DEAD MAN, THE CROW: CITY OF ANGELS). There’s one pretty distinctive touch in that they emit puffs of dust from their wounds. I imagine Jarmusch worked with more FX people on this than on all his other movies combined. (read the rest of this shit…)

BlacKkKlansman

Wednesday, August 22nd, 2018

BLACKkKLANSMAN is the new Spike Lee joint, and it seems like it’s getting way more attention than at least the last decade of his jointography. I don’t remember half this much interest in CHI-RAQ, OLDBOY, RED HOOK SUMMER or MIRACLE AT ST. ANNA, and even I haven’t gotten around to DA SWEET BLOOD OF JESUS yet.

I believe there are a couple reasons for the commotion on this one:

1) It’s produced by GET OUT‘s Jordan Peele

2) and also Blumhouse, who know how to market a low budget movie

3) it’s based on the true story of a black cop who infiltrated the Ku Klux Klan, which is a good hook

and most importantly (read the rest of this shit…)

Star Wars: The Last Jedi

Monday, December 18th, 2017

This is an ALL SPOILER review, written assuming that everybody has seen THE LAST JEDI before reading.

* * *

If you’re not familiar with my take on the Star Wars, I’m a devout follower, but a heretic. I’m out of step with the mainstream because I hold George Lucas in high regard and I prefer the innovation, ideas and idiosyncrasies of his prequels to Disney’s more polished and socially acceptable continuations (though I like those too).

I’ve also been pretty alone in my skepticism about director Rian Johnson. That might be overstating it – I thought BRICK was very well made and I did like LOOPER – but some of the ideas are a little corny to me, and I never related to the effusive praise from my friends and colleagues. So I wasn’t over-the-forest-moon about him doing a Star War.

After THE LAST JEDI, though, I’m sold. And worried about him not doing the next one. In his capacity as the first sole-writer-and-director on a Star War since Lucas, Johnson succeeds in so much more than I could’ve hoped: continuing and deepening the characters from THE FORCE AWAKENS, bringing back Luke Skywalker for a powerful completion to his arc, thrillingly upending some of our expectations, putting a personal mark on the world of Star Wars, and saying new things about the meaning of the saga as a whole and its application to the world. Also there are some weird new creatures, and Luke milks one of them. (read the rest of this shit…)

Logan Lucky

Wednesday, August 23rd, 2017

The prodigal son has returned. Four years ago, Steven Soderbergh (OUT OF SIGHT) had gotten burnt out on directing and decided to retire. After the 2013 doubleheader of SIDE EFFECTS and BEHIND THE CANDELABRA he hung it all up, and in the interim he’s done nothing but kick back, lay low, recharge his batteries, start his own brand of Bolivian muscat brandy called Singani 63, do an edit of HER for Spike Jonze, create his own alternate cuts of PSYCHO, HEAVEN’S GATE, RAIDERS OF THE LOST ARK and 2001: A SPACY ODYSSEY for fun, shoot and edit MAGIC MIKE XXL, direct, produce, shoot and edit 20 one-hour episodes of The Knick, and relax. And now, finally, he’s back to work!

I guess that makes BEHIND THE CANDELABRA his Black Album and LOGAN LUCKY his Kingdom Come. But fortunately without a duet with Coldplay at the end.

If it was anybody besides Soderbergh it would seem weird that it was this one that pulled him back in – arguably as close to hack-work as he’s ever done. It’s sort of a redo of his three OCEAN’S movies but with hick characters and locations. But even a weak Soderbergh movie has always been worth seeing, and one of his talents is finding the compelling in the routine. It’s a bouncy, far-fetched caper story, but he seems completely invested in the lead character and the time he spends with his precocious little daughter (Farrah Mackenzie, DOLLY PARTON’S COAT OF MANY COLORS), and gives those scenes weight that really anchors the movie. (read the rest of this shit…)

Star Wars: The Force Awakens

Monday, December 21st, 2015

tn_forceawakensstarwarsminuslucasWARNING: This is all spoilers, why would you read it without seeing the movie?

Previously on Disney’s Star Wars™: When it was announced that George Lucas had sold Lucasfilm to Disney and other people were gonna make new Star Wars movies, the world celebrated like the end of RETURN OF THE JEDI special edition but with the song from the original end of RETURN OF THE JEDI. I wasn’t so sure. I thought Lucas was a one-of-a-kind visionary whose works couldn’t be duplicated without his oversight, and I would rather see a flawed idiosyncratic Star War like his prequels than the potential mediocre one made by somebody else. But on the other hand as a huge Star Wars trekkie to the bone I couldn’t help but be excited to see Luke, Leia, Han, Sebulba and Chewbacca on the big screen again, something I never expected to happen. So when the trailers came out I was as down as anyone. (read the rest of this shit…)