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Archive for the ‘I don’t know’ Category

Samsara

Monday, September 3rd, 2012

You know how some of these prestige pictures, especially around Oscar season, you’re waiting for the release date and then you find out it’s “New York and L.A.,” and if you’re anywhere else you gotta wait another couple weeks or a month or something? Well, for its first week SAMSARA was only playing two theaters: the Landmark Sunshine in New York and the Cinerama in Seattle. TAKE THAT LOS ANGELES. YOU CHUMPS HAD TO WAIT A WEEK.

I thought Cinerama got the exclusive because they’re one of the few places that can project 70 mm, which is what this was filmed in (Panavision Super 70 if you want to know the name brand) but then it ended up being released only in digital computer file form anyway, by request of the filmatists. “SCREENED IN 4K” they call it. I would complain except it looked great, so I’m sure they knew what they were doing. (read the rest of this shit…)

Destricted: ‘Impaled’ by Larry Clark

Sunday, June 3rd, 2012

tn_destrictedWhen I was working on my DEMOLITION MAN review recently I noticed that one of Marco Brambilla’s few directing credits was on DESTRICTED, an anthology of experimental shorts that got some attention in 2006 when it played Cannes Critics Week and was an official selection at Sundance. The official websight describes it as “the first short film collection of its kind, bringing together sex and art in a series of films created by some of the world’s most visual and provocative artists and directors. They reveal the diverse attitudes by which we represent ourselves sexually.” The cover says “WARNING: Contains strong real sex and strobing effects.” (That last part is ’cause Gaspar Noe did one of the shorts.)

Anyway I always heard the Larry Clark part was good, and now that I knew Brambilla did one I could review it and say “from the creators of KEN PARK and DEMOLITION MAN.”
(read the rest of this shit…)

Enter the Void

Wednesday, January 26th, 2011

tn_enterthevoidLike the opening of BLACK CHRISTMAS, HALLOWEEN or THE FUNHOUSE, ENTER THE VOID starts out in a first-person-POV. You are Oscar, a young English speaking gwailo living in Tokyo. Oscar’s out on a balcony talking to this girl who’s wearing not much more than a t-shirt. Oscar’s doing it, so I’m doing it, I’m in his perspective. I see everything he looks at, I even see his blinks. He seems to blink alot, too.

I noticed the girl (turns out it’s Paz de la Huerta, the girl in the see-through raincoat in LIMITS OF CONTROL) was kinda cute. Then I figured out from the conversation that this is actually Oscar’s sister, which means she’s my sister. Our sister. Oh shit, sorry about that, Oscar. Shouldn’t have thought about that while I was seeing through your eyes. I made you into a sicko.

After she leaves he digs out his drug stash, shoots up and looks up at the ceiling and starts hallucinating. This is a movie with alot of psychedelic imagery interludes, sometimes going on as long as the light show in 2001. Moving, pulsing crystalline fractals that shift and melt and fold and swirl and bubble into the shape of veins and slime and cell tissue and then turn out to be a light fixture or something.

And we as Oscar go about our white man in Japan business and go to a club and, I’m sorry to say, we get shot and die. And we have an out of body experience. We float up into the air and just stare at our dead Oscar body laying there on the filthy restroom floor. (spoiler)

(read the rest of this shit…)

Vern Reviews MULHOLLAND DRIVE… But Which Cut’!

Friday, September 28th, 2001

Hey, everyone. “Moriarty” here with some Rumblings From The Lab.

Which version of this movie did he see? He mentions the lesbian sex that dominates the third act, as other reviewers have, but he doesn’t go on and on about how hot it is, as other reviewers have, so does that mean Vern is just a classy guy, or is it possible he saw the original TV pilot?

Either way, AICN’s favorite outlaw has come up with something worth your time, a peek at what David Lynch has been up to…

VERN SAW MULLHOLLAND DRIVE

(includes the spoilers)

First off let me say I feel like a grade-a asshole sitting here Writing a movie review when so many innocent people died here this month and so many more will be dying in other countries soon. But I guess somehow you gotta get back to your life at some point and I’m afraid reviewing movies is about the best I can muster for this world. I speak on behalf of myself only but, let’s face it, even the best film Writers are basically just wasting your time. or at least that’s what the talbackers say about me, and I’m one of the best film Writers in my opinion, so you do the math. (read the rest of this shit…)