"KEEP BUSTIN'."

Posts Tagged ‘James Vanderbilt’

Scream (2022)

Monday, January 17th, 2022

We interrupt this Sam Raimi series so I can have a semi-timely review of the new SCREAM movie.


I have some bad news. SCREAM – a teen horror movie that came out when I was older than a teen but I enjoyed it along with the younger people anyway – is 25 fucking years old! And you remember how it was a trilogy and we assumed that was it, but a little while back kind of out of the blue they made a way late part 4? Well, I’m sorry to say that even that happened eleven god damn years ago. How is that possible? It’s not. But it happened. We are old, my friends. Very, very old.

But some of us still like SCREAM and the i.p. gods or whoever decided that the time has come for another one in another era. Many things have changed since the last one. Obviously horror has changed, as it always does. But more importantly the director of the original four, Wes Craven, has passed away, and (in better news) the Weinstein Company has died and gone to Hell, so this is the first time the series has been continued by a new set of people. The rights were picked up by Spyglass Media Group, James Vanderbilt (THE RUNDOWN, ZODIAC) & Guy Busick (READY OR NOT, Castle Rock) wrote the script, and Matt Bettinelli-Olpin & Tyler Gillett (the team behind READY OR NOT) directed it, in the Craven spirit but not trying to be a throwback or anything. (There’s even a joke about overlit ‘90s movies.) Original writer Kevin Williamson did give his blessing and sign on as executive producer, and has given many interviews (such as on Mick Garris’ podcast Post-Mortem) verifying that he really was involved and is excited about the movie. (read the rest of this shit…)

Independence Day: Resurgence

Monday, July 11th, 2016

tn_idra.k.a. ID4-2:RSRG1of3

In case you skipped my INDEPENDENCE DAY review last week: For me, a connoisseur of the summer blockbuster, its release twenty years ago was a dark time. It was one of the earliest cases of the widespread “It’s not supposed to be Shakespeare!” defense in the internet age, and one of the first times I felt wildly out of step with the popular opinion on a movie like that. I already thought JURASSIC PARK was no JAWS but here people were forgetting that a blockbuster movie of that quality had come out just a few summers earlier. Apparently these expensive studio sci-fi romps could only be idiotic and painfully unfunny and if I couldn’t jump up and down hooting and hollering about any dumb bullshit that they decided to put on screens then I was the asshole.

20 years later I’m softer on it. I still think it sucks, but it’s a funny sucks. And I’ve been able to laugh through other equally terrible (though never as societally elevated) Roland Emmerich pictures including 2012. As long as we’re talking about him as a back-up Rob Cohen, not what we have now instead of James Cameron or George Lucas, I can appreciate him. (read the rest of this shit…)

White House Down

Sunday, June 30th, 2013

tn_whitehousedownYou know me, I can enjoy a good DIE HARD type movie. Or a bad one. I like SUDDEN DEATH. I love the UNDER SIEGES, of course. And 3 of the 4 official DIE HARD sequels. But this year is trying to knock me off the wagon. We’ve had three mediocre to bad DIE HARD type movies so far and while A GOOD DAY TO DIE HARD was obviously the one that was soul-crushingly disappointing, this is the one that I found most boring. I mean, I’m not gonna pretend Roland Emmerich is known for movies that are worth your time to actually watch, because that would be a bold faced lie. But I figured with this good of a cast and a classic template to follow he could make an enjoyably stupid movie. He mostly just got the second part. (read the rest of this shit…)