The box says FIST 2 FIST 2: WEAPON OF CHOICE, but it should just be WEAPON OF CHOICE. The distributor retitled it for some reason, but in FIST 2 FIST, writer/director/star Jino Kang played Ken, a former criminal turned martial arts instructor. In WEAPON OF CHOICE he plays Jack Lee, a former criminal who wears martial arts clothing but is not specified to be an instructor. Different guy, in my opinion.
The title refers to his method of showing up at a place – say a private club or warehouse – unarmed, fighting with his hands and feet and the guns and knives and what not he takes away from his opponents. This way he’s not leaving any evidence behind but still manages to get in a big sword duel.
Jack is introduced using this technique to massacre a room full of people at a gangster’s birthday dinner, leaving only one terrified witness to give his boss the message that “my part of the deal is done.” Then we find him six years later living as an ordinary dude with an unnamed regular job, living with his teenage niece Jaime (Kelly Lou Dennis) who he’s raised as his daughter since the death of her real father. But one day the boss finds out this was a scam – ol’ brother-in-law faked his death to escape a debt. So masked men burst in and try to kill Jack and they kidnap Jaime and just for good measure they intend to traffic her. So… they’re bad guys. (read the rest of this shit…)
In the part of my brain dedicated to Favorite Movies, James Cameron’s TERMINATOR 2: JUDGMENT DAY sits on the top shelf with all the best and strongest. It was the definition of knock-you-through-the-back-of-the-theater summer blockbuster when it arrived in 1991, and my love for it has only deepened in the intervening quarter century.
Some big budget FX movies arguably get by on technological gimmicks that lose power as years pass, but not this one. It matters nothing that the groundbreaking, reality melting digital effects of the liquid metal T-1000 (Robert Patrick, THE MARINE) no longer cause jaws to drop, because in fact T2 is more impressive as a document of the time before computer imagery largely replaced old school stunts and sets and locations. No matter how many times and ways people and vehicles and buildings and cities and countries and planets have been elaborately destroyed by computers in the summers since, the thrill of T2 is not gone. For example the semi vs. motorcycles, helicopter vs. truck and other attempts to quash the relentless pursuit of the T-1000 are still exhilarating.
Rewatching every few years doesn’t wear out T2’s spectacle. Instead it amplifies the themes that animate the movie’s soul. (read the rest of this shit…)
a survey of summer movies that just didn’t catch on
May 18, 2012
Let’s say you are a pretty decent commercial Hollywood filmmaker and you have accepted the conventional wisdom that you are now living in a “brand” and “i.p.” culture, a world where studios only want to make – and people only want to see – movies based on famous titles of TV shows and comic books and things that they remember from before. And let’s say that the toy company Hasbro has stumbled into running a movie production company after Michael Bay turned their Transformers toys into a gigantic movie franchise. And that now they are convinced they can do the same thing with the classic board game Battleship.
Well, that actually happened one time to Peter Berg (THE RUNDOWN), who had not directed a movie for a couple years after his not-brand-based Summer Fling HANCOCK floundered in 2008, and his response was “Why not?” Or maybe “I guess?” or perhaps “Okay. Fine.” Since the game is very simple, with no story or characters and I’d say less than five identifiable characteristics that would need to be used in an adaptation, he and screenwriters Jon and Erich Hoeber (RED 1 and 2) could just use it as a fake name to slap onto an expensive wannabe blockbuster than any sane person would know was gonna be broadly rejected only because of the board game name that they didn’t need to put on it. But that’s life.
a survey of summer movies that just didn’t catch on
It was kinda risky to do a whole series of unpopular or forgotten summer movies, because I could very well have been forcing myself to watch an all star lineup of all the suckiest failures from across a couple decades. A dirty dozen of squirming and boredom. Luckily, many of the movies I chose have been better than their reputations, or even misunderstood gems, and when they’re not it’s still kind of nice, because I’m seeing them from a better position than the people who saw them their respective summers. I don’t go in with high expectations. I don’t hope for the next great summer movie. Just maybe something that’s more interesting than people said at the time.
In this case I also knew not to hope for an M. Night Shyamalan comeback after THE VILLAGE, LADY IN THE WATER and THE HAPPENING, or a good live action version of the popular cartoon Avatar: The Last Airbender, which I haven’t seen anyway. Knowing nothing about the cartoon I was able to appreciate the cool concepts they borrowed from it without knowing they apparently did it all wrong. So I have a higher chance of being pleasantly surprised and a lower chance of feeling like I didn’t get my money’s worth. (read the rest of this shit…)
Some time in the last year or two I saw WOLF WARRIOR, the 2015 sophomore directing vehicle of martial arts star Wu Jing (KILL ZONE 1 and 2, FATAL CONTACT), but I barely remember it. Scott Adkins was the mercenary villain, and I remember it was cool to see him play a bad guy in a Hong Kong movie again, and that their fights were pretty good. But otherwise the movie made such little impression that I didn’t even feel like I had enough thoughts about it to write a review.
But now there’s a WOLF WARRIOR II and it’s such a big deal in China that it has already beaten THE MERMAID‘s record as their highest grossing film ever. And rather than making us wait for it to come over here later, they have it playing at the AMC theater downtown. Meanwhile, some people on Twitter were talking it up, and promised me that they enjoyed it without having seen the first one, so I decided to give it a shot. (read the rest of this shit…)
a survey of summer movies that just didn’t catch on
June 8, 2001
These next two Summer Flings will not be wannabe tentpole Happy Meal type movies with action figures, but adult-aimed studio action thrillers that arrived with a thud. SWORDFISH was heavily hyped as the movie where Halle Berry (THE CALL), not long before winning her Oscar for MONSTER’S BALL, appeared topless. But the star is her fellow X-Man Hugh Jackman (THE MISERABLES), suddenly a leading man after the world fell in love with his Wolverine in 2000. He plays Stanley Jobson, legendary hacker who is no longer allowed to touch a computer or visit his daughter Holly (Camryn Grimes, MAGIC MIKE). He’s leaner than we’re used to him now, with an earring and spiky, slightly frosted hair, like an early Tom Jane character. Unlike in REAL STEEL, where he reluctantly formed a relationship with his estranged son, this guy will do anything to get his kid back.
Though an ex-con, Stanley is 100% good guy. We find out, of course, that his big crime was a hacktivism/whistleblower type thing where he planted a virus in an intrusive FBI spying program. (In my opinion Julian Assange and Edward Snowden both fantasize about being Stanley Jobson and this movie is their SCARFACE.) He’s trying to be a good boy now, and is introduced wearing only a towel and hitting golf balls off of his trailer in an oil field in Midland, Texas. A mysterious stranger named Ginger (Berry) shows up knowing everything about him and sexily harasses him into flying to L.A. to meet her boss, Gabriel Shear (John Travolta, BROKEN ARROW). (read the rest of this shit…)
SAVAGE DOG is an impressively weird new Scott Adkins joint written and directed by Jesse V. Johnson, the veteran stuntman and director of PIT FIGHTER, GREEN STREET HOOLIGANS 2, THE BUTCHER, THE PACKAGE and the upcoming TRIPLE THREAT and ACCIDENT MAN. This one is a period piece, taking place in Indochina circa 1959, portrayed as sort of a CASABLANCA-esque scoundrel zone, or “a melting pot of post-war villainy,” as the titles put it. And some of this villainy will piss off Adkins, setting off a straight up bloodbath.
Adkins plays Martin Tillman, who enters the film in mythical fashion, climbing out of a muddy grave during a lightning storm as narration from the great Keith David (THEY LIVE) promises us a story about the time he “faced down an army and spilled a river of blood.” David will show up on camera later as a bar owner named Valentine, but since the man has more narrating credits to his name than Morgan Freeman they must’ve followed the Morgan Freeman rule with him: if he’s in your movie, get him to narrate. (read the rest of this shit…)
Our Lady of the Swaddledog, Academy Award winner Charlize Theron, stars in her first post-Furiosa ass-kicking movie, and holy shit it’s from JOHN WICK co-director David Leitch and the 87Eleven action team. ATOMIC BLONDE, based on a 2012 graphic novel called The Coldest City, is a twisty Cold War spy thriller set in Berlin right before the wall came down. Theron plays Elaine Broughton, a beaten and bruised MI6 agent recounting a disastrous mission to obtain “The List,” a document listing all the spies active in the Soviet Union (similar to the NOC List in MISSION: IMPOSSIBLE), and to kill whoever stole it.
Broughton has the qualities we look for in a larger-than-life movie spy: three steps ahead, improvisational when necessary, hyper-fashionable, sexy. When less experienced French agent Delphine Lasalle (THE MUMMY herself, Sofia Boutella) follows her, Broughton immediately makes her and beds her. The movie could get away with treating this like a conquest, but instead they start helping each other – spies with benefits – and you get to like Delphine.
The same cannot be said for David Percival (James McAvoy, THE POOL), the goofy, shifty contact who shows her around but might be the Russian double agent known as Satchel. (read the rest of this shit…)
Note: the Blu-Ray cover calls it BOYKA: UNDISPUTED 4, but you know the rules – I go by what it says onscreen in the actual movie, which is simply BOYKA: UNDISPUTED.
Fuck prison fighting circuits. Time for some undisputedness on the outside – doing a flying spinning double kick while breathing the fresh air of freedom, or at least freedomishness. International martial arts superstar Scott Adkins returns to his signature role of Yuri Boyka, defeated villain of UNDISPUTED II who won an international prison fighting tournament in part III and got away at the end. Remember? The first time we ever saw him smile or laugh.
Now we find that new Boyka, the one who has experienced smiling before, in the Ukraine, openly fighting in an underground MMA outfit. The filthy prisoners chanting his name have been replaced by gambler bros in leather jackets. I don’t think it matters to him, because in the now noticeably bigger ring he is alive. I don’t know what kind of new camera/lens/rig they’re using, but it shows him better than ever, putting you in the ring, floating around him, under him, gliding over you like a supernatural force.
When he’s not grouchy he’s broody, because he doesn’t consider the slate clean. He’s still very religious, and feels a duty to donate most of his earnings to his church. The father disapproves of his “violence” and questions whether he can seek salvation while still fighting. But Boyka says “I think God gave me this gift. And I think it would be a sin to waste it.” (read the rest of this shit…)
Well, unlike my first reviews of UNDISPUTED and UNDISPUTED II: LAST MAN STANDING, I’m perfectly happy with what I wrote when UNDISPUTED III: REDEMPTION was first released. So you can follow that link for what the movie’s about and why it’s great, plus my attempt to sell circa 2010 Ain’t It Cool News readers on the works of Scott Adkins and Isaac Florentine, and the concept of DTV action in general. Still, on the occasion of part 4 coming to American video tomorrow I wanted to revisit part III for further analysis and appreciation.
I’d never watched it back-to-back with part II before. That really emphasizes the differences. Though I praised the J.J. Perry fight choreography in II, Larnell Stovall’s work here is something to behold. More fights, longer takes with more consecutive moves, different styles (more throws and groundwork, and capoeira courtesy of Lateef Crowder). As much as I love and don’t want to take away from the classics like KICKBOXER and BLOODSPORT that inspired movies like the UNDISPUTEDs, I think it’s fair to say that the choreography and filming of martial arts sequences has gotten far more sophisticated since those days. (read the rest of this shit…)
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The box says FIST 2 FIST 2: WEAPON OF CHOICE, but it should just be WEAPON OF CHOICE. The distributor retitled it for some reason, but in FIST 2 FIST, writer/director/star Jino Kang played Ken, a former criminal turned martial arts instructor. In WEAPON OF CHOICE he plays Jack Lee, a former criminal who wears martial arts clothing but is not specified to be an instructor. Different guy, in my opinion.
In the part of my brain dedicated to Favorite Movies, James Cameron’s TERMINATOR 2: JUDGMENT DAY sits on the top shelf with all the best and strongest. It was the definition of knock-you-through-the-back-of-the-theater summer blockbuster when it arrived in 1991, and my love for it has only deepened in the intervening quarter century.
(also being called WOLF WARRIORS II)
SAVAGE DOG is an impressively weird new Scott Adkins joint written and directed by Jesse V. Johnson, the veteran stuntman and director of 
Our Lady of the Swaddledog, Academy Award winner Charlize Theron, stars in her first post-Furiosa ass-kicking movie, and holy shit it’s from 
Note:
Well, unlike my first reviews of UNDISPUTED and UNDISPUTED II: LAST MAN STANDING, I’m perfectly happy with what I wrote when 
