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Archive for the ‘Action’ Category

Lady Bloodfight

Monday, December 4th, 2017

“There’s no ancient Chinese secret that’s gonna heal broken bones in a single… night!? Impossible!”

My friends, I have been derelict in my duty of making sure the world knows about LADY BLOODFIGHT. Yeah, I know, it sounds like LADYBLOOD FIGHT, or like an all-female reboot of the obscure Bolo Yeung movie BLOODFIGHT, but think of it as WOMEN’S BLOODSPORT. It’s a great DTV fighting tournament movie starring Black Widow stunt double and future action superstar Amy Johnston. I watched it a few months ago, having been put onto it by my readers (shout out to Felix and whoever else mentioned it in the comments) but the write-up got away from me until I watched it again today and I loved it even more.

Johnston is the daughter of a world kickboxing champion, and has studied martial arts since the age of 6. She mostly works as a stuntwoman, but has roles in RAZE and Scott Adkins’ upcoming ACCIDENT MAN, and she starred in one with Dolph called FEMALE FIGHT SQUAD that I’ve heard isn’t as good. But after LADY BLOODFIGHT we better be seeing more of her. (read the rest of this shit…)

The Accountant

Thursday, November 30th, 2017

Bear with me here, but Christian Wolff, a.k.a. The Accountant (Ben Affleck, REINDEER GAMES) has kind of alot in common with Blade. He’s an anti-hero vigilante who works mysteriously in the underground, a good guy but scary and at odds with the law. He’s mostly a loner, but has a few trusted accomplices. He’s very aloof, not good at talking, expressing emotion, connecting. He has traumatic parental issues and a condition that he tries to keep under control with special treatments. He has a well-established operation with a secret headquarters and armory that we sort of learn about piece-by-piece as the movie goes on. He’s nomadic, setting up base in different parts of the world, always prepared to dump everything and move on if he gets burnt.

This time he knowingly breaks protocol to protect a young woman (Anna Kendrick, SCOTT PILGRIM VS. THE WORLD) who gets mixed up in his fight, and he shocks her by giving a glimpse into his crazy world.

One pretty big difference: instead of a half man/half vampire daywalker, this guy is autistic. That’s what causes his social awkwardness. If he were to walk around in broad daylight with a sword on his back it would be understandable.

(read the rest of this shit…)

24 Hours to Live

Wednesday, November 29th, 2017

24 HOURS TO LIVE is a new VOD movie (theatrical in L.A. and New York starting December 1) that could be described as Ethan Hawke’s JOHN WICK. Not that it’s a very similar story, or a martial arts movie, but it has action beyond the modern standards, takes place in a world of elite killers, and has some un-self-conscious absurdity in its basic premise that’s grounded in very effective, heartfelt emotions. I guess this means they don’t consider Hawke and Rutger Hauer big enough names to sell an action movie in wide release these days, but it doesn’t at all feel like DTV. Both quality and production value-wise it’s completely legit, and I liked it better than many of the Jason Statham, Gerard Butler and Liam Neeson pictures I’ve paid to see on the big screen.

In classic international co-production fashion it begins with an Interpol agent, Lin (Xu Qing, FLASH POINT), under attack by militants in South Africa while transporting a whistleblower (Tyrone Keogh, BLAST, STARSHIP TROOPERS 3) to testify to the U.N. It’s meat and potatoes machine-guns-rocket-launchers-and-jeeps type action that immediately shows you the movie means business. Heads are popping, bodies are bouncing off windshields and rolling under tires. (read the rest of this shit…)

Acts of Vengeance

Tuesday, November 28th, 2017

Instead of thinking of ACTS OF VENGEANCE as the new one from DTV action master Isaac Florentine, I recommend viwing it as the new Antonio Banderas, and oh shit Isaac Florentine directed this! Held to the standards of Florentine’s amazing UNDISPUTED 2, 3 and 4, NINJA 1 and 2 or other Scott Adkins vehicles it can’t really compete. But for a non-martial artist Banderas has some good fights, and it has a nice, weird revenge story for him to sink his actor teeth into.

He plays Frank Valera, a successful defense attorney who, like all workaholic dads in movies, promises to be at his daughter (Lillian Blankenship, SECURITY)’s talent show where she’s singing a song specifically for him but he stays at work too long and gets there after it’s over and feels like a piece of shit and emotionally watches the cell phone video of her singing and tries to call to apologize to his wife (Cristina Serafini, DAY OF THE DEAD: BLOODLINE) but man did he fuck up, this guy.

(For what it’s worth, most of the delay was caused by gridlock, and he was honking his horn alot. It was mostly out of his control.) (read the rest of this shit…)

Puncture Wounds

Monday, November 27th, 2017

a.k.a. A CERTAIN JUSTICE

Lately I’ve been talking up Cung Le, the Vietnamese-American MMA legend turned movie martial artist who has had really impressive supporting roles in FIGHTING, BODYGUARDS AND ASSASSINS, THE MAN WITH THE IRON FISTS, THE GRANDMASTER, SAVAGE DOG and recently SECURITY. I love his stoic performances, unique sledge hammer fighting style and unusually compact body type, and I don’t think he’s gotten enough credit for his work.

So far there are a couple of Le starring vehicles, and if you’re only going to watch one, for God’s sake choose John Hyams’ DRAGON EYES (2012), a sort of loose contemporization of YOJIMBO with Jean-Claude Van Damme in a supporting role. But if you, like me, are also willing to watch a not as good Cung Le vehicle, I offer you PUNCTURE WOUNDS from 2014. (read the rest of this shit…)

Birth of the Dragon

Wednesday, November 22nd, 2017

BIRTH OF THE DRAGON is now on video. A very fictionalized riff on the legendary challenge fight between two early ’60s Bay Area martial artists named Wong Jack Man and Bruce Lee, it was not exactly welcomed to screens with open arms. Shannon Lee and the Bruce Lee estate (who are currently developing an official Lee movie) did not approve, white director George Nolfi (THE ADJUSTMENT BUREAU) was viewed by most with an understandable raised eyebrow, and an early trailer showing not-in-the-finished-movie first person narration by a white character caused widespread derision (including by me).

But look, I’m fascinated by Bruce Lee, the man and the myth, and by this event in particular. If there’s gonna be a movie about it, no matter how possibly misguided, but especially if produced by the prestigious WWE Films and Blumhouse (whuh?), of course I’m gonna watch it. So I did. (read the rest of this shit…)

Check Point

Thursday, November 16th, 2017

I don’t think any of you would disagree that I’ve been neglectful of DTV action lately. I’ll always try to see the new Scott Adkins and what not but I don’t get down in the dirt like I used to. I mean I’m proud of the other stuff I write about, but I do have some concerns about the state of my mojo. And to be honest I’ve been feeling a little down worrying that too many of my proudest moments are now associated with skeezy people. It’s like, I mention the guy I wrote a book about, the websight I started out at, the place where I did my first public appearance, I gotta distance myself from three different sexual harassment scandals. And as I’m about to post this I just found out about allegations against an iconic hero for most of us around here, and it’s absolutely crushing me.

I’m gonna have to start hiring detectives to do background checks on these people before I start writing books on them. Pretty soon the fictional characters in my novel are gonna turn out to have secrets. I’m gonna have to write strictly about inanimate objects, because people always turn out to be creeps.

I know it’s more important to expose scumbags than to make sure I feel good about my legacy, but it’s kind of a bummer. So while I process all this I’ve decided to put more effort toward seeing probly-gonna-be-shitty-but-hopefully-not DTV/VOD type action movies like I used to, to see if it brings me back to full strength.

So far the results are inconclusive. I started with CHECK POINT, a film from this year, directed by Thomas J. Churchill (LAZARUS: APOCALYPSE). I chose it based on the following signs of b-action legitimacy in the cast: professional wrestler (Bill Goldberg), horror star (Kane Hodder), professional wrestler turned horror star (Tyler Mane), blaxploitation icon (Fred Williamson) and great character actor (William Forsythe). The lead turns out to be Kenny Johnson, who I assumed was also a wrestler because in close-up he looks kinda like present day Mickey Rourke, but in fact he’s an actor who I would’ve recognized if I watched The Shield or Sons of Anarchy. (read the rest of this shit…)

Wind River

Wednesday, November 15th, 2017

WIND RIVER, new on video this week, is a thriller written and directed by Taylor Sheridan, who’s on the radar now because he wrote SICARIO and HELL OR HIGH WATER. Jeremy Renner (Catwoman: The Game) plays Cory Lambert, a hunter for the Fish and Wildlife Service in Wyoming. When he drives out to the Wind River Indian Reservation to find what wild animal killed some livestock and spend some time with his son Casey (Teo Briones) he finds a dead woman in the snow. He knows her, her name is Natalie (Kelsey Asbille, THE AMAZING SPIDER-MAN). She’s a good friend’s daughter. When they ask him to help show around FBI Agent Jane Banner (Elizabeth Olsen, OLDBOY) he ends up unofficially joining the investigation with her and tribal sheriff Ben (Graham Greene, DIE HARD WITH A VENGEANCE).

It’s a quiet, broody modern western type of a movie with matter-of-fact badassness in the dialogue and bursts of violence, tonally comparable to the aforementioned Sheridan joints, THE THREE BURIALS OF MELQUIADAS ESTRADA, NO COUNTRY FOR OLD MEN, stuff like that. But unlike any of those the wide-open landscapes are covered in snow. It’s not sweaty, it’s frost-bitten. (read the rest of this shit…)

Legendary Assassin

Tuesday, November 7th, 2017

After seeing WOLF-WARRIOR-II-mania sweep the globe (especially in the China part of it) I thought I should pay a little more attention to Wu Jing as an up and coming Badass Laureate (director/asskicker), so I went back to LEGENDARY ASSASSIN, his directational debut (co-directed with KILL ZONE 2 action director Chung Chi “Nicky” Li, who also choreographed).

Though there will later be lulls, it’s clear the movie is worth our time within the first 22 minutes or so, because by that time we’ve already experienced two excellent fights and the unveiling of a nice, elegant premise (the screenplay is by Fung Chi-Keung, who wrote SHAOLIN SOCCER and THE MERMAID). Wu plays “Bo,” the assassin of the title, so presumably he’s legendary, although this is not really covered in the movie. He fearlessly walks in to face Chairman Ma (Kou Zhan Wen, TAI CHI II), an evil crime boss who comes at him Shaw Brothers style with a big bladed staff. Bo does lots of leaning and dodging and running up things and defeats him unarmed.

In the morning we see Bo walking up to a dock to make his exit… just as a police officer is turning people away. All boats are cancelled due to an approaching typhoon. And the last boat in unloads a troupe of gangsters looking for the killer of Chairman Ma.

Whoops. This could get messy. (read the rest of this shit…)

Security

Monday, November 6th, 2017

SECURITY is solid, entertaining old school action in the post-DIE HARD mold. The score by FM Le Sieur even had me thinking of the UNDER SIEGE movies during the watch-as-a-well-orchestrated-plot-by-heavily-armed-criminals-unfolds section about the ambush of a convoy of U.S. Marshals transporting an important witness for a mob trial.

Admittedly this is a Nu-Image production and it doesn’t feel as big and cinematic as those ’90s studio action classics. The supporting cast on the good guy side have a bit of a TV feel, and the shopping mall that it takes place in has got to be some set they keep in a Bulgarian studio to use in various movies. The stores and merchandise are blandly generic – there’s a store called “Gift Shop”! – so it never has that feeling of being filmed in a real location, though the layout works well for action staging.

Everything else is refreshingly on-point. Antonio Banderas stars as discharged Marine Captain Eddie Deacon, temporarily separated from his wife and daughter to deal with psychological issues, struggling to find work, having to beg for a special favor from an agency worker just to be set up with a minimum wage job doing security at a mall. Of course he starts the same night and in the same area as the attack on the US Marshals (actually their uniforms say “USA Marshals,” which is weird) and the witness the attackers are after, a little girl named Jamie (Katherine Mary de la Rocha), escapes to the mall. So Eddie has to play ASSAULT ON PRECINCT 13 with a crew of young doofuses on his team. (read the rest of this shit…)