With part two releasing tomorrow, I have been spurned into action – I must complete my review of Zack Snyder’s REBEL MOON PART ONE: A CHILD OF FIRE. To summarize my Snyder history, I’m a fan. In the eras of SUCKER PUNCH, OWL 300 and MAN OF STEEL I seemed to like him more than the next guy, then I fell off as the true Zack Zealots and ZAnons began their ascent. But I still enjoy all of his movies on some level, and love some of them.
REBEL MOON PART ONE: A CHILD OF FIRE is, uh… the short version of the first half of his long-awaited take on the space opera genre. Squirted onto Netflix with extreme fanfare and modest response, it’s unclear when the promised director’s cut will ever be released. But even in this abbreviated form it manages to have plenty of the self indulgence that defines a Zack Snyder film – it’s what powers his rockets, and also what gets him too close to the sun. On first viewing I felt this leaned closer to the latter, that it was one of his worst, but that I still got a kick out of it. Then I watched it a second time yesterday and it was better than I remembered. I cannot tell a lie. I kinda dig it. Not every “new Star Wars” has to really be the new Star Wars. There’s room in my heart for a new CHRONICLES OF RIDDICK. This is way more fun to watch than SPACE RAIDERS or KRULL or METALSTORM: THE DESTRUCTION OF JARED-SYN or even SPACEHUNTER: ADVENTURES IN THE FORBIDDEN ZONE although that one’s kinda good.
(read the rest of this shit…)
TRUE VENGEANCE is a 1997 Daniel Bernhardt movie that I bought specifically because it was written by Kurt Johnstad. I think I was looking him up because he wrote 
Benhardt plays Griffin, who was a Navy SEAL and then a hired killer of some kind but after the death of his wife he quit the life to take care of his daughter Emily (Tessa Sugay, “Club Girl (uncredited),” 
Our Lady of the Swaddledog, Academy Award winner Charlize Theron, stars in her first post-Furiosa ass-kicking movie, and holy shit it’s from 
