Posts Tagged ‘Jino Kang’

Weapon of Choice

Thursday, September 7th, 2017

The box says FIST 2 FIST 2: WEAPON OF CHOICE, but it should just be WEAPON OF CHOICE. The distributor retitled it for some reason, but in FIST 2 FIST, writer/director/star Jino Kang played Ken, a former criminal turned martial arts instructor. In WEAPON OF CHOICE he plays Jack Lee, a former criminal who wears martial arts clothing but is not specified to be an instructor. Different guy, in my opinion.

The title refers to his method of showing up at a place – say a private club or warehouse – unarmed, fighting with his hands and feet and the guns and knives and what not he takes away from his opponents. This way he’s not leaving any evidence behind but still manages to get in a big sword duel.

Jack is introduced using this technique to massacre a room full of people at a gangster’s birthday dinner, leaving only one terrified witness to give his boss the message that “my part of the deal is done.” Then we find him six years later living as an ordinary dude with an unnamed regular job, living with his teenage niece Jaime (Kelly Lou Dennis) who he’s raised as his daughter since the death of her real father. But one day the boss finds out this was a scam – ol’ brother-in-law faked his death to escape a debt. So masked men burst in and try to kill Jack and they kidnap Jaime and just for good measure they intend to traffic her. So… they’re bad guys. (read the rest of this shit…)

Fist 2 Fist

Wednesday, January 18th, 2017

Writer/director/actor/martial artist Jino Kang’s first film BLADE WARRIOR had a bit of an EL MARIACHI passionate-no-budget-debut energy to it. It was shot over a few years and bridged the independent film world’s switch from film to digital. (I like the grainy film look better, but of course we’re not gonna see much of that anymore.)

His second film FIST 2 FIST (the distributor changed it from his preferred title HAND 2 HAND, which was meant to have a double meaning) was released a decade later, in 2011. It looks a little more slick and professional and normal, but he still feels like an underdog filmmaker, and with age he’s become an even more interesting leading man.

There’s little flash or ego to Kang’s persona playing Ken, a former criminal turned martial arts instructor for at risk youth. He’s the serious, responsible, grownup badass, the positive role model of asskicking. (read the rest of this shit…)

Blade Warrior

Wednesday, August 17th, 2016

tn_bladewarrior“When I was a kid our neighborhood was our universe. A universe of friendship and laughter. But something changed along the way. Gang violence took the place of family values.”

There’s a certain type of movie I like where an accomplished martial artist thinks it would be fun to star in a movie, and they put together a low budget production based around their school. An example would be Andre Lima’s “true story” BEYOND THE RING. It’s all based in cliches, and doesn’t quite have what you would call a visual style, but it has a certain amateur charm.

BLADE WARRIOR is another such movie, but it’s infused with a more impressive kind of DEADBEAT AT DAWN type energy, where they don’t really know what they’re doing but they’re dying to make a cool movie any way they can. It’s obvious that they’ve got friends and relatives, or maybe community theater people at best, in the cast, and storage rooms made up to look like a police station and stuff like that. And they’re not always convincing as a guy who wears a trenchcoat or talks like a tough guy. But it has enough of a home-made feel that some of the small things they pull off – like having legit martial artistry – seem really impressive.

Writer/director/producer Jino Kang plays Jack Lee, a cop who also practices Hapkido and runs his dad’s mini-mart. In the opening scene he combines all three by fighting and arresting a colorful gang of thugs who come in looking for protection money. (read the rest of this shit…)

Self indulgent THE GOOD THE TOUGH AND THE DEADLY journal

Monday, June 27th, 2016

tn_gdtBwarning: I had to write this down as a time capsule of my book signing experience. Read at own risk.


Today, like the mighty sasquatch, I live as a recluse somewhere in the Pacific Northwest. Yesterday, in the name of transparency, I was out in the open in Burbank, California, joining lower-cased author david j. moore as one of the many guests signing his gigantic coffee table book THE GOOD, THE TOUGH AND THE DEADLY: ACTION MOVIES & STARS 1960s-PRESENT.

“It’s about action stars, not action movies,” david kept telling people as he signed their books. He’d wanted a different subtitle that made that more clear. Rather than trying to catalog everything that could technically qualify as an action movie – which could end up being half super heroes and transformerses and shit – he chose to zero in on the dying art of the action star vehicle. I remember him calling me for counsel on this issue a few years ago. I don’t think I was much help, but I agreed with his eventual decision to limit it to actors who primarily or exclusively do action, and (with a few exceptions) started as martial artists or athletes. That means no to my boys Bruce and Clint, sorry to say, but yes to JCVD, Cynthia Rothrock, Jerry Trimble, Michael Dudikoff, Olivier Gruner, ex-diver Jason Statham, and plenty of people I’m not even familiar with. People who never had books about them before, who you never thought would have books about them. (He does include Bronson, Stallone and Schwarzenegger, if you’re worried.)
(read the rest of this shit…)