"If victory favors me, I will protect your child with my life."

"I ask you not to worry about that possibility. Because my son and I live on the Demon Way in Hell, we're prepared to descend into Hell through the Six Realms and Four Lives."

Posts Tagged ‘Michael Kamen’

Highlander

Wednesday, May 22nd, 2019

HIGHLANDER is the 1986 cult classic about immortal warriors of different nationalities waging a battle across centuries, and its opening is a clash in its own right. It starts with Sean Connery narrating flowery fantasy movie text, cuts to credits rhythmically cut to a rockin Queen theme song, and before we know it the gorgeously grainy cinematography of Gerry Fisher (WISE BLOOD, THE NINTH CONFIGURATION, DEAD BANG) and the orchestra of Michael Kamen (DEAD ZONE, BRAZIL) are lavishing cinematic glory on a super-powered sword fight between trenchcoated acquaintances in the Madison Square Garden parking garage during a professional wrestling match. The stadium rock band influenced by opera butts up against the rock arranger turned classical score composer for a sword-and-sorcery meets urban-action cage match. And somehow this all feels perfectly natural.

The production itself is a battle royale of nationalities: British and American financiers, Australian director Russell Mulcahy, Frenchman Christopher Lambert playing Scottish, Scotsman Connery playing Egyptian-Spanish, carrying a katana. Classes, cultures and eras fit together in unexpected ways, forming a movie that feels a little closer to the neo-noir-and-loneliness cinematography-porn of BLADE RUNNER than to other action films of ’86 like THE DELTA FORCE, AVENGING FORCE, NO RETREAT NO SURRENDER, QUIET COOL, DANGEROUSLY CLOSE or NEVER TOO YOUNG TO DIE. And yet HIGHLANDER developed enough multi-generational populist appeal to be declared “best movie ever made” by Ricky Bobby in TALLADEGA NIGHTS. (read the rest of this shit…)

The Krays

Wednesday, March 9th, 2016

tn_kraysRonnie and Reggie Kray were identical twin gangsters who ran London’s East End in the ’50s and ’60s. They owned night clubs (part of the movie SPARROWS CAN’T SING with Roy Kinnear was filmed in one of their clubs) and hung out with celebrities including Judy Garland and Frank Sinatra. Ronnie was gay, and was involved in a political scandal, allegedly having sex with and supplying men for the conservative politician Lord Boothby. The brothers were crazy and vicious and in ’69 got twin life sentences for different murders.

I’m not sure when they did all those weird stop motion films with the creepy dolls and shit.

THE KRAYS is a 1990 movie about the Krays, directed by Peter Medak (THE RULING CLASS, SPECIES II) and written by Philip Ridley (writer/director of THE REFLECTING SKIN and THE PASSION OF DARKLY NOON). I guess that combination is why it’s not a traditional gangster movie. It gives the twins a creepy DEAD RINGERS kinda vibe and spends less time than you’d think on their criminal activities.

In fact, the first 20 minutes is about their childhood. We see their traumatic experiences during the war, and how much time they spent surrounded by women while the men were off fighting. They were protected by their mother Violet (Billie Whitelaw, TWISTED NERVE, THE OMEN, SLAYGROUND) and spoiled by their Aunt Rose (Susan Fleetwood, CLASH OF THE TITANS). (read the rest of this shit…)