"KEEP BUSTIN'."

Posts Tagged ‘LaKeith Stanfield’

Knives Out

Monday, December 2nd, 2019

I was a Rian Johnson skeptic for years. I can’t deny it. I recognized BRICK as original and well directed, but couldn’t swallow its stylized world of teen noir (“in my day a dude walking around with a duck cane was in for a serious ass beating, he would not be running a drug empire,” I wrote), skipped the second one because I thought it was gonna be bootleg Wes Anderson, liked LOOPER but recoiled at people talking like it was the Second Coming (“I feel a little out of step here. I mean I like it, but I don’t want to fuck it”), and this may be out of line but I have always thought his credits should read “Written and directed by Rian [sic] Johnson.”

Then STAR WARS: THE LAST JEDI came along – a movie I didn’t think he was qualified to direct, but it turned out to be so much better than I expected, and so reinvigorating to a trilogy I thought was going in an emptier, more obvious direction. All the sudden I wanted to hear everything the guy had to say, listened to interviews, started spelling “Ryan Coogler” as “Rian Coogler,” and even considered maybe seeing THE BROTHERS BLOOM some day.

So I was much more open-minded for his new laughdunit mysteryblast KNIVES OUT, which sure enough is a fun time for all without anything that felt too corny, forced or self conscious for me. Only in the last shot did I think “oh, this is kind of Wes Andersony.” And by then it wasn’t gonna bother me much. (read the rest of this shit…)

The Girl in the Spider’s Web

Thursday, February 14th, 2019

It’s fair to say that earlier in the century The Girl With the Dragon Tattoo was a pop culture phenomenon. Stieg Larsson’s three novels, posthumously published starting in 2005, were worldwide hits. I enjoyed the stories through their 2009 Swedish movie adaptations (THE GIRL WITH THE DRAGON TATTOO, THE GIRL WHO PLAYED WITH FIRE, THE GIRL WHO KICKED THE HORNET’S NEST) which launched their star Noomi Rapace (PROMETHEUS, PASSION, DEAD MAN DOWN, THE DROP, CLOSE) into international movie stardom, and their leading man Michael Nyqvist into spending his last years playing bad guys in Hollywood movies including ABDUCTION, MISSION: IMPOSSIBLE – GHOST PROTOCOL and JOHN WICK (where he delivers the best syllable: “Oh.”). David Fincher’s 2011 English language take on the first book was pretty great and even got Rooney Mara an unlikely but well-deserved Oscar nomination.

But it wasn’t a big enough hit to justify a sequel budgeted for Fincher, Mara and Daniel Craig, so after years of haggling they went with plan B: a lower budget sequel with new director and cast, based not on the next in the trilogy but a continuation written by new author David Lagercrantz. And nobody really seemed to be waiting for that.

Except me! Selling point #1: director Fede Alvarez, who really impressed me with EVIL DEAD and DON’T BREATHE. Selling point #2: less grim and rapey, more fun and actiony. You still got the trademark fucked up and fetishy shit of the snow-bitten Larssonverse, but in this one our heroine is never sexually assaulted, but does have high speed chases on multiple vehicle types. Hot move: ditching police cars by jumping your motorcycle onto a frozen lake. (read the rest of this shit…)

Sorry To Bother You

Monday, July 23rd, 2018

SORRY TO BOTHER YOU is an absurd, inventive new comedy that’s so playful and funny that its acidic satire of soul-crushing capitalism comes across a little more like an inspirational rallying cry than blind fury at a seemingly insurmountable wall of corporate greed and dehumanization. Though it’s that too.

If I was required by law to describe it in terms of movies that already exist, I’d say “low-wage OFFICE SPACE by way of Michel Gondry.” But fuck the law, because it feels like something very new, distinctive and of the moment, from the cast headed by Lakeith Stanfield and Tessa Thompson to the soundtrack to even the cool fonts and logos by children’s book illustrator J. Otto Seibold. Stanfield plays Cassius Green (yes, it’s a pun), who lives in his uncle (Terry Crews, STREET KINGS)’s garage until he finds his calling (oh shit, another pun) at a new telemarketing job. I mean, the place is a hellhole on the verge of a strike led by Squeeze (Steven Yeun, formerly of The Walking Dead), but he turns out to be really good at it after co-worker Langston (Danny Glover, PREDATOR 2) teaches him the secret of the “white voice.” It’s not mere code-switching, but a near supernatural channeling of a voice with no worries that he manifests by being dubbed by David Cross (ALVIN AND THE CHIPMUNKS). It’s a broad and hacky joke made almost profound by its layers of subtext and power to creep out his friends and loved ones. (read the rest of this shit…)

Get Out

Tuesday, February 28th, 2017

GET OUT is a crazy, racially themed horror-thriller written and directed by Jordan Peele of the comedy duo Key & Peele. And you know how sensitive I am about this, so I’ll just say right here that I consider this a horror movie that’s funny, not a horror-comedy. That’s how I prefer it. There are some big laughs, but they come out of the characters and situations, not at the expense of taking them seriously.

Chris (Daniel Kaluuya, SICARIO) is a young photographer who’s going on a trip with Rose (Allison Williams from Girls), his girlfriend of five months, to meet her parents. One thing he’s nervous about: she hasn’t told them he’s black. She swears it won’t be a big deal. Swears it. (read the rest of this shit…)