Cindy Sherman is an artist known for her photographic self portraits. A bio on the Museum of Modern Art websight calls her “among the most significant artists of the Picture Generation, who came of age in the 1970s and responded to the mass media landscape surrounding them with both humor and criticism.” Madonna sponsored (whatever that means) MoMA’s 1997 exhibition of Sherman’s most famous series, Untitled Film Stills. It’s comprised of 69 black and white photos shot between 1977 and 1980, in which she’s posed playing various characters in fictional movies from the ‘50s and ’60s. That same year she also made her one actual movie, OFFICE KILLER.
This time Sherman pointed her camera at someone else: Carol Kane (THE PALLBEARER) as Dorine Douglas, sort of the Milton-from-OFFICE-SPACE of the Constant Consumer Magazine staff. Her late father (briefly seen as Eric Bogosian in flashbacks – a huge get since he’d already done UNDER SIEGE 2: DARK TERRITORY and BEAVIS AND BUTTHEAD DO AMERICA) was one of the founders, but she’s kind of an under-appreciated misfit in the office, tucked away in a cluttered corner doing her copy editing. (read the rest of this shit…)
I don’t feel like I quite understand its intentions. But that’s okay. Whatever they were going for, they came up with something unique.
UNCUT GEMS is the latest and highest profile movie from writer/director brothers Josh and Benny Safdie. I recently caught up with their previous movie 
I know the internet reminds us that every day is the 20th anniversary of something or other, and that’s not always a good thing. There is too much nostalgia, and too many factoids. We need to learn how to live in the present, otherwise what the hell anniversary are we gonna celebrate 20 years from today? But today, my friends, is an important one: July 14th, 1995 was the day the world was gifted UNDER SIEGE 2: DARK TERRITORY.
