So once again we have survived.

Posts Tagged ‘Gal Gadot’

Triple 9

Tuesday, August 16th, 2016

tn_triple9TRIPLE 9 – being from John Hillcoat, the director of THE PROPOSITION, THE ROAD and LAWLESS – is a cops ‘n robbers movie where the dirty details of the setting, the eccentric character and actor moments, and the suffocating cloud of near-hopelessness in mood and content are given a little more energy than narrative. Even so, it is fairly effective as a heist/suspense thriller and is handily pushed over the finish line by its A+ cast who all came excited to play in this heightened world of crooked Atlanta cops and mercenaries forced by Russian-Jewish gangsters to try to steal from the Department of Homeland Security. The specifics are all odd enough to make police corruption stories seem fresh.

The movie opens with a carload of sweaty, dangerous men discussing and then launching into a credits-sequence daylight bank robbery. It’s only after their messy escape (which includes a van driving fast through traffic while filled with red dye pack smoke and machine guns fired on gridlocked civilians) that we see the badges come out and realize that most of these guys are cops. (Others, we hear later, are “special ops guys” turned private security contractors.) They actually change out of their stained clothes and go straight to work. That’s a long day! I bet they smell pretty ripe, too. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Criminal

Thursday, July 28th, 2016

tn_criminalCRIMINAL is way too generic a title for this distinctive Kevin Costner action thriller, another enjoyable under-the-radar, higher-minded-than-advertised b-movie to put on the shelf next to 3 DAYS TO KILL. Costner would be the criminal of the title, a gruff, uneducated death row inmate with the strong action movie name of Jericho Stewart. He’s said to have some kind of condition that leaves him no capacity for empathy, like that creepy kid in MALEVOLENCE and BEREAVEMENT, so he experiences what the internet calls “the feels” for the first time when he’s the subject of an experimental surgery that implants another man’s memories into his brain.

I couldn’t help but think of FACE/OFF. Not that it has any of John Woo’s heightened filmatism or outlandish action – the tone, grounded world and love of intelligence agency war rooms are closer to a BOURNE movie – but that’s the only other movie I can think of that uses a sci-fi gimmick in a non-futuristic world and then puts an emphasis on exploring its emotional consequences.

The story starts with Bill Pope, not the cinematographer of THE MATRIX, but a CIA agent on the run in London, played by an uncredited Ryan Reynolds (BLADE TRINITY). He’s in the middle of a mission gone south – something about Spanish anarchists and a hacker and a buy, and people chasing him around town trying to trap him. When he ends up dead, CIA director Quaker Wells (Gary Oldman sporting another action movie name that’s not messing around) is desperate to find out what Pope was working on, because he was the only one getting close to a hacker (blackhat?) who may be able to remotely control military weapons. So Wells – actually, can I call him Quaker? – Quaker turns to this guy Dr. Franks (Tommy Lee Jones, UNDER SIEGE) who has been developing this memory-implanting theory for years. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.