Archive for the ‘Science Fiction and Space Shit’ Category
Thursday, October 3rd, 2024
At some point in the last decade or so the movie-discussers really latched onto the term “body horror.” They kinda act like if you can identify a movie as body horror that means it’s legit. But also when they say it they almost always mean one thing: it has some David Cronenberg-inspired New Flesh type stuff at some point. I kinda wonder how many of the people comparing any vaguely misshapen flesh to Cronenberg bothered to see his last movie, but I suppose that’s irrelevant.
THE SUBSTANCE definitely fits the category, and there are reasons to compare it to Cronenberg, but tonally, I gotta say, this is way more Frank Henenlotter and Brian Yuzna. Picture a movie that’s a descendent of SOCIETY and the BASKET CASE trilogy and makes you wonder what Screaming Mad George is up to these days, but that also boasts an acclaimed lead performance by Demi Moore, won Best Screenplay at Cannes and is distributed by MUBI. That’s what THE SUBSTANCE is.
For me it was a must-see because it’s movie #2 from Coralie Fargeat, writer/director of REVENGE (2017). It sucks that it took her 7 years to do another feature (with only the serial killer convention episode of The Sandman in between), but thankfully she struts into her delayed sophomore outing like she has diplomatic immunity. She brings along her stylish design, blood-smeared rich people homes and mythic battles between beautiful women with star-shaped earrings and awful men, but this time in a sci-fi vein and much broader, sillier and more indulgent. I’m not sure if I would’ve noticed it was 141 minutes if I didn’t know it going in, but I love Fargeat’s dedication to overdoing absolutely everything, beginning with its narratively redundant (but all the more beautiful for it) time lapse sequence about the lifespan of a star on the Hollywood Walk of Fame. (read the rest of this shit…)
Tags: body horror, Coralie Fargeat, Demi Moore, Dennis Quaid, Margaret Qualley
Posted in Reviews, Comedy/Laffs, Horror, Science Fiction and Space Shit | 39 Comments »
Monday, August 19th, 2024
The first part of ALIEN: ROMULUS, after the prologue and as we’re being introduced to the characters and their situation, is about as transportive as I can ever expect from a sci-fi movie. The look and sound are stunning, and the sense of being thrown into a world that actually exists somewhere is overwhelming. Rain (Cailee Spaeny, PRISCILLA) and her brother Andy (David Jonsson) live on the mining colony Jackson’s Star. It’s a place that gets literally no sunlight, it’s crowded and dirty, and many of the workers (including their parents) die from some futuristic equivalent of black lung.
Today’s a big day, though – the day she thinks she can get a travel pass to sunny Yvago. Well, sorry, they tell her. The quotas have changed, she owes Weyland-Yutani more hours, another 5-6 years, approximately. Tough luck, kid. That’s Jackson’s Star for you. (read the rest of this shit…)
Tags: Aileen Wu, Archie Renaux, Benjamin Wallfisch, Cailee Spaeny, Daniel Betts, David Jonsson, Fede Alvarez, Isabel Merced, Spike Fearn
Posted in Reviews, Horror, Science Fiction and Space Shit | 66 Comments »
Thursday, May 30th, 2024
Note: There aren’t exactly twists or anything to spoil in FURIOSA, but this is all spoilers. You really should see the movie first. This review is the discussion afterwards.
There are over one million things I’ve always loved about the MAD MAX movies, and one of them is that they’re separate tales. There’s no continuity, no narrative references to or consequences from a previous chapter, and other than Max Rockatansky and his Last of the V8 Interceptors there’s never been a returning character, location or faction. They don’t necessarily take place in any order, and they’re so separate that some people think Tom Hardy’s Max is a different character from Mel Gibson’s. I’ve always thought of them as more like the Man With No Name trilogy than, say, STAR WARS.
But FURIOSA: A MAD MAX SAGA isn’t a MAD MAX movie. Says it right there in the title – it’s a saga. And we knew it was the backstory of Furiosa, written in conjunction with MAD MAX: FURY ROAD, shown to Charlize Theron to help her performance, at one point supposedly considered to be shot back-to-back, at another to be done as an anime movie directed by Mahiro Maeda (director of the Second Renaissance episodes of THE ANIMATRIX and animator on NAUSICAA and KILL BILL VOL. 1). So FURIOSA is a traditional prequel in the sense that it depicts an earlier stage of the specific world and characters of FURY ROAD. (read the rest of this shit…)
Tags: Alyla Browne, Angus Sampson, Anya-Taylor Joy, Charlee Fraser, Chris Hemsworth, Dawn Klingberg, Elsa Pataky, George Miller, George Shevtsov, Goran Kleut, Guy Norris, John Howard, Lachy Hulme, Nathan Jones, Nico Lathouris, post-apocalyptic, Richard Norton, Tom Burke
Posted in Reviews, Action, Science Fiction and Space Shit | 127 Comments »
Friday, May 17th, 2024
I am a human, but I love those apes and that planet they got. I really have enjoyed the entire PLANET OF THE APES series except for the Tim Burton one. Even that has amazing Rick Baker makeup and a beautifully goofy ending (that everyone else hates). But the original and all its ‘70s sequels are fun in different ways, RISE OF THE PLANET OF THE APES reinvented it surprisingly well, then DAWN OF THE PLANET OF THE APES and WAR FOR THE PLANET OF THE APES pushed this incarnation into full on greatness.
This new one KINGDOM OF THE PLANET OF THE APES builds off of the previous trilogy, but somebody could start here if they wanted to. I was surprised by the prologue, showing the funeral for central character Caesar (with a cameo by Maurice!). But it tells you all you need to know: that a virus made apes smarter, killed most of the humans, and Caesar was the first leader of the apes, but now he’s dead. This story takes place “many generations later,” when apes have established different settlements with their own cultures and Caesar is revered as “the first elder.” (read the rest of this shit…)
Tags: Amanda Silver, Eka Darville, Freya Allen, Josh Friedman, Kaden Hartcher, Kevin Durand, Lydia Peckham, Neil Sandilands, Owen Teague, Peter Macon, Rick Jaffa, Sara Wiseman, Travis Jeffery, Wes Ball
Posted in Reviews, Fantasy/Swords, Science Fiction and Space Shit | 36 Comments »
Thursday, April 25th, 2024
REBEL MOON PART TWO: THE SCARGIVER is, in most traditional senses, a better movie than REBEL MOON PART ONE: A CHILD OF FIRE. It’s more straight forward, less tangents, a little build and then a bunch of action. And I think it looks better, maybe because it’s mostly taking place on one planet (the titular moon of Veldt), so they were able to focus most of their energy on the design and style of that one location. The downside to this is that it feels a little more normal, less unhinged, more restrained. But narratively it’s the big pay off, the exciting part, so it’s hard to be disappointed.
The first movie, you remember, was loosely structured as the first half of SEVEN SAMURAI/MAGNIFICENT SEVEN/BATTLE BEYOND THE STARS. This humble farming village is going to be forced by the evil Imperium to give up all their grain, so secret-former-bad-guy-and-adopted-daughter-of-their-tyrannical-leader Kora (Sofia Boutella, STREETDANCE 2, CLIMAX) flew around and recruited a team of warriors to train the farmers how to defend themselves. They thought they headed off the threat by killing the fascist admiral Atticus Noble (the wonderfully strange looking Ed Skrein, THE TRANSPORTER REFUELED, IF BEALE STREET COULD TALK), but they quickly learn that he’s still alive (technologically resurrected in a cool, slimy opening sequence) so oh shit, it’s back on. (read the rest of this shit…)
Tags: Anthony Hopkins, Charlotte Maggi, Djimon Hounsou, Doona Bae, Ed Skrein, Fra Fee, Ingvar Sigurdsson, Kurt Johnstad, Michiel Huisman, Shay Hatten, Sky Yang, Sofia Boutella, Zack Snyder
Posted in Reviews, Action, Science Fiction and Space Shit | 18 Comments »
Thursday, April 18th, 2024
With part two releasing tomorrow, I have been spurned into action – I must complete my review of Zack Snyder’s REBEL MOON PART ONE: A CHILD OF FIRE. To summarize my Snyder history, I’m a fan. In the eras of SUCKER PUNCH, OWL 300 and MAN OF STEEL I seemed to like him more than the next guy, then I fell off as the true Zack Zealots and ZAnons began their ascent. But I still enjoy all of his movies on some level, and love some of them.
REBEL MOON PART ONE: A CHILD OF FIRE is, uh… the short version of the first half of his long-awaited take on the space opera genre. Squirted onto Netflix with extreme fanfare and modest response, it’s unclear when the promised director’s cut will ever be released. But even in this abbreviated form it manages to have plenty of the self indulgence that defines a Zack Snyder film – it’s what powers his rockets, and also what gets him too close to the sun. On first viewing I felt this leaned closer to the latter, that it was one of his worst, but that I still got a kick out of it. Then I watched it a second time yesterday and it was better than I remembered. I cannot tell a lie. I kinda dig it. Not every “new Star Wars” has to really be the new Star Wars. There’s room in my heart for a new CHRONICLES OF RIDDICK. This is way more fun to watch than SPACE RAIDERS or KRULL or METALSTORM: THE DESTRUCTION OF JARED-SYN or even SPACEHUNTER: ADVENTURES IN THE FORBIDDEN ZONE although that one’s kinda good.
(read the rest of this shit…)
Tags: Anthony Hopkins, Charlie Hunnam, Charlotte Maggi, Cleopatra Coleman, Corey Stoll, Djimon Hounsou, Doona Bae, Ed Skrein, Elise Duffy, Fra Fee, Jena Malone, Junkie XL, Kurt Johnstad, Michiel Huisman, Ray Fisher, Shay Hatten, Sofia Boutella, Stuart Martin, Zack Snyder
Posted in Reviews, Science Fiction and Space Shit | 20 Comments »
Monday, March 11th, 2024
GAMERA VS. BARUGON (1966) – or GREAT MONSTER DUEL: GAMERA VS. BARUGON according to the subtitles on the Arrow blu-ray – is the second Gamera movie, and the first one in color. That makes it extra cool when they recap part 1 at the beginning, because the flashbacks are in black and white. They remind us that mankind’s “Z Plan” sealed the giant turtle Gamera into a rocket and shot him to Mars.
Or so we thought last time! What we didn’t know then was that a meteorite would hit the rocket (in full color), Gamera would escape and fly right back in that cool way he does, spinning like a flying saucer, blue flames spewing from his shell holes. It reminds me of FRIDAY THE 13TH 3D, how they show the ending of part 2 in 2D but suddenly Jason comes back to life and gets back up in three dimensions. (read the rest of this shit…)
Tags: Ichiro Sugai, kaiju, Koji Fujiyama, Kojiro Hongo, Kyoko Enami, New Guinea, Noriaki Yuasa, Shigeo Tanaka, Sho Natsuki, Yuzo Hayawaka
Posted in Monster, Science Fiction and Space Shit | 2 Comments »
Wednesday, March 6th, 2024
There’s this weird French filmmaker, Bertrand Mandico. He has a new movie I’ve seen people raving about called SHE IS CONANN. When I read about it, I realized that over the last few years I’ve read about two other movies of his that also sounded really intriguing. So I decided to finally try one.
AFTER BLUE (DIRTY PARADISE) is his second movie, it’s on Shudder in addition to DVD and blu-ray, but it’s not horror. The reductive way I thought of to describe it is “Jodorowsky’s BARBARELLA,” then I noticed that the promo materials from distributor Altered Innocence call it “a lesbian EL TOPO (in space!),” so I guess I’m not the only one to think of it that way. But I think mine is a little more precise.
It’s set on a planet called After Blue, where people moved to when “the Earth was sick, rotten,” and made new rules banning electronics and screens “to avoid the same mistakes.” Everything works differently there. For example, something about the atmosphere makes hair grow on your neck, and for men it grows inward, so they all died off. Luckily, women can be inseminated “with good Earth sperm.” (read the rest of this shit…)
Tags: Anais Thomas, Bertrand Mandico, Elina Lowensohn, Paula Luna, Pauline Lorillard, Vimala Pons
Posted in Reviews, Science Fiction and Space Shit, Western | 15 Comments »
Tuesday, February 6th, 2024
I feel a little guilty for reviewing more Netflix movies than usual lately. But I’ve been catching up on some stuff and I think THEY CLONED TYRONE (2023), if not the best of them, is still the kind of thing that sinister corporation owes us as a civilization and culture. They gotta balance out their ills a little by spending money on movies by new directors, that have interesting ideas. Give them a name cast and some production value but let them make something that’s not necessarily very commercial, at least not enough that they would’ve made it if they were in the movie business, looking for paying customers.
This one they actually promoted more than most of their stuff and they still didn’t give a fuck, they released it on the same day as BARBIE and OPPENHEIMER! It’s distinct from the typical Netflix joint both structurally and stylistically – structurally because it has the confidence to let you be confused for a while before it starts to reveal what’s going on, or even that there is something going on; stylistically because it avoids that modern digital cleanness, instead having a beautifully grainy 16mm sort of texture to it. I assume they shot it digitally and did that in post (would it really have cigarette burns on the reel changes if it was never meant for projection?) but it works just the same. (read the rest of this shit…)
Tags: conspiracy, Desmond Murray, J. Alphonse Nicholson, Jamie Foxx, John Boyega, Juel Taylor, Kiefer Sutherland, Leon Lamar, Netflix, Pierre Charles, Teyona Parris, Tony Rettenmaier, Trayce Malachi
Posted in Reviews, Comedy/Laffs, Science Fiction and Space Shit, Thriller | 9 Comments »
Monday, February 5th, 2024
There are a bunch of directors who made legendary movies in the ‘70s and ‘80s but in the ‘90s were directing, like, episodes of Timetrax and shit. One such director is Lewis Teague, who gave us the outstanding large animal pictures ALLIGATOR and CUJO, plus FIGHTING BACK, CAT’S EYE, THE JEWEL OF THE NILE and COLLISION COURSE. But after NAVY SEALS it was all TV for the rest of his career.
Oh well. It’s respectable work if you can get it, and at least his small screen period started with a pretty fun sci-fi/action movie for HBO. WEDLOCK (1991) (also released on tape as DEADLOCK) is a futuristic prison escape movie that came out less than a year before Stuart Gordon’s FORTRESS. It’s not as good, but it was first. (read the rest of this shit…)
Tags: Basil Wallace, Branko Lustig, Broderick Miller, Danny Trejo, Denis Forest, futuristic prison, Glenn Plummer, Grand L. Bush, James Remar, Joan Chen, Lewis Teague, made-for-cable-movies, Mimi Rogers, Rutger Hauer, Stephen Tobolowsky
Posted in Reviews, Action, Science Fiction and Space Shit | 18 Comments »
