Archive for the ‘Reviews’ Category
Tuesday, November 23rd, 2021
BANSHEE is a pretty cheesy 2000s crime/action type movie I added to my Letterboxd watchlist long enough ago that I don’t remember where I found out about it. I think I was scouring for movies directed by women that were more in the b-action type zone I prefer instead of the respectable stuff you usually see on lists. So I came across this obscure car thief movie I’d never heard of from Canadian director Kari Skogland and screenwriter Kirsten Elms (TEXAS CHAINSAW 3D).
Skogland’s filmography at the time included CHILDREN OF THE CORN 666: ISAAC’S RETURN and LIBERTY STANDS STILL starring Wesley Snipes. And, unsurprisingly, she’d done a bunch of episodic TV work including Dead at 21, La Femme Nikita and The Crow: Stairway to Heaven. In the intervening years she’s become a little more high class, doing episodes of Boardwalk Empire, The Americans and The Handmaid’s Tale, and most recently she directed and executive produced the entire six-episode run of The Falcon and the Winter Soldier. (read the rest of this shit…)
Tags: Christian Campbell, Genelle Williams, Kari Skogland, Kirsten Elms, Maurizio Terrazzano, Michael Lombardi, Mike Tsar, Morgan Kelly, Romano Orzari, Taryn Manning
Posted in Crime, Reviews | 4 Comments »
Monday, November 22nd, 2021
THE SWORDSMAN is a 2020 Korean film about a swordsman. Color me intrigued. (Seriously. I like swordsmen.) I wonder what’s up with this swordsman that makes him THE swordsman?
Actually there’s a bunch of swordsmen in THE SWORDSMAN with one that I assume is the titular swordsman but another one you could make an interesting if not totally convincing argument for. The main one is Tae-yul (Lee Min-hyuk), “the best swordsman in Joseon,” who in the prologue (while being played by Lee Min-hyuk) refuses to stand down from protecting the king (Jang Hyun-sung, SHIRI) when the other top officials have decided to topple him in a rebellion. The secondary swordsman is Min Seung-ho (Jung Man-sik, THE YELLOW SEA), an older military official who, to get to the king, challenges Tae-yul to a duel in which Tae-yul’s sword shatters, sending shards into his hand and eyes. At that point the king stops the fight and agrees to step down.
Unspecified years later, Tae-yul (now Jang Hyuk, VOLCANO HIGH) is a recluse living in the mountains with his teenage daughter Tae-ok (Kim Hyun-soo, THE FIVE). He periodically has problems with his vision, and a monk tells them to go get a special herb from a trader he knows named Hwa Seon (Lee Na-Kyung, BATTLE FOR INCHEON: OPERATION CHROMITE) or he’s gonna go blind. (read the rest of this shit…)
Tags: Angelina Danilova, Choi Jae-hoon, Choi Jin-ho, Jang Hyuk, Jang Hyun-sung, Joe Taslim, Jung Man-sik, Kim Hyun-soo, Korean cinema, Lee Na-Kyung
Posted in Action, Martial Arts, Reviews | 8 Comments »
Thursday, November 18th, 2021
PRISONERS OF THE GHOSTLAND is the latest entry in the Nicolas-Cage-weirdo-arthouse-version-of-an-exploitation-movie subgenre (see also: BAD LIEUTENANT: PORT OF CALL NEW ORLEANS, MANDY, PIG). This one is unusual because it’s the first English-language movie from respected Japanese director Sion Sono (SUICIDE CLUB, LOVE EXPOSURE, WHY DON’T YOU PLAY IN HELL). It’s the first movie I’ve seen from him, but I promise I’ll watch TOKYO TRIBE, which has been recommended to me a few times.
It takes place in what seems like a post-apocalyptic settlement, though apparently it’s just a section of Japan that has been quarantined after a nuclear waste accident. The place is called Samurai Town, and it’s mostly populated by Japanese people in traditional robes, but “The Governor” (Bill Moseley, PINK CADILLAC) is an American redneck. I like how it looks like a very colorful period samurai movie but then there’s a car and Moseley in a white suit and cowboy hat. (read the rest of this shit…)
Tags: Aaron Hendry, Bill Moseley, Charles Glover, Nick Cassavetes, Nicolas Cage, Reza Sixo Safai, Sion Sono, Sofia Boutella, Tak Sakaguchi, Young Dais
Posted in Action, Reviews, Science Fiction and Space Shit | 28 Comments »
Wednesday, November 17th, 2021
I’ve said it before and I’ll say it again: I want them to keep making these franchise western martial arts movies until the cows come home. And how ya gonna get a cow back on the farm after they’ve seen KICKBOXER: RETALIATION? So I’m glad they’re keeping the prestigious NEVER BACK DOWN brand name alive with NEVER BACK DOWN: REVOLT, which came out on Blu-Ray, DVD and digital file download licensing transaction this week. It isn’t connected to the characters or events of the other three, and it’s a very different tone, but Never Backing Down doesn’t belong to any one team of filmmakers or DTV sequelizers. It belongs to the whole world of people who aspire to never backing down (in a good way). And that world apparently includes director Kellie Madison (THE TANK) and screenwriter Audrey Arkins (ELYSE), who bring us a different take on underground fighting movies, this time with all women fighters.
Anya (Olivia Popica, “Receptionist,” FANTASTIC BEASTS 2: FAREWELL TO THE FLESH) is a Chechen immigrant in London. She lives with and supports her brother Aslan (Tommy Bastow, The Crossing), a small time MMA fighter, while studying (and working as a janitor) at a nursing school. But one day her stupid brother and his stupid trainer get her into some shit – Aslan is supposed to throw a fight, but doesn’t (we got a regular Butch Coolidge on our hands here, guys) and when he’s assaulted by the thugs of kingpin Julian (James Faulkner, ATOMIC BLONDE) Anya jumps in to defend him, catching the eye of lusty fight recruiter Mariah (Brooke Johnston, ACCIDENT MAN, 
). (read the rest of this shit…)
Tags: Audrey Arkins, Brooke Johnston, Cecep Arif Rahman, Chloe Bruce, Diana Hoyos, DTV sequels, Hannah Al Rasheed, James Faulkner, Kellie Madison, Lee Charles, Michael Bisping, Nitu Chandra, Olivia Popica, Tim Man, Tommy Bastow, underground fighting
Posted in Action, Martial Arts, Reviews | 1 Comment »
Tuesday, November 16th, 2021
I’ve been curious about BLACK MOON RISING (1986) – and many of you have recommended it to me over the years – for the specific reason that it’s based on a script by John Carpenter. According to the book John Carpenter: The Prince of Darkness by Gilles Boulenger, he wrote it in 1974 and sold it in late 1975 to producer Harry Gittes (GOIN’ SOUTH, ABOUT SCHMIDT), who does not have a credit on the movie. A decade later it ended up being directed by Harley Cokeliss (BATTLETRUCK, studio second unit director of THE EMPIRE STRIKES BACK) and rewritten by Desmond Nakano (BODY ROCK, LAST EXIT TO BROOKLYN) and William Gray (THE CHANGELING, PROM NIGHT, HUMONGOUS, THE PHILADELPHIA EXPERIMENT). They used Todd Ramsay, editor of ESCAPE FROM NEW YORK and THE THING, but otherwise it’s not any of Carpenter’s crew. Still, there aren’t too many fresh Carpenter-related projects out there for me to experience, so I went for it.
And I’m happy to report that it’s much more like a John Carpenter movie than THE EYES OF LAURA MARS, while having enough of its own thing going on to not feel like a Dollar Store knock off. It’s elegantly simple, using some standard thriller ideas but not the usual good guys, and it has that precious quality of feeling edgy and slightly futuristic by the standards of a long past era. Most of all it has 1986 Tommy Lee Jones as a cool, mysterious anti-hero who seems all alone, hated by his bosses and former colleagues as he works as a “freelancer” one last time. It was Jones’s follow up to THE PARK IS MINE and Billy Joel’s “Piano Man” video, where he plays “a real estate novelist who never had time for a wife” (unless IMDb is wrong and that’s just a guy who looks like him). (read the rest of this shit…)
Tags: Bubba Smith, Dan Shor, Desmond Nakano, Douglas Curtis, Harley Cokeliss, Joel B. Michaels, John Carpenter, Lalo Schifrin, Lee Ving, Linda Hamilton, Richard Jaeckel, Robert Vaughn, Tommy Lee Jones, William Gray, William Sanderson
Posted in Crime, Reviews, Science Fiction and Space Shit, Thriller | 11 Comments »
Monday, November 15th, 2021
I think you can see why I’d assume a movie called MEATCLEAVER MASSACRE would qualify as a slasher movie, or at least a chopper movie. Surprisingly, if there is a meatcleaver anywhere in the movie I missed it. There is a massacre, but it’s the inciting incident, and the story is about a series of killings to avenge the massacre. I’m using title on the VHS box, but the opening credits expand it to THE HOLLYWOOD MEATCLEAVER MASSACRE, and it does indeed take place in Hollywood. So at least one third, arguably two thirds of the title is accurate in that iteration.
It’s from 1977, before the slasher craze took off, and it’s about a supernatural force killing people, but there are definitely some parallels to A NIGHTMARE ON ELM STREET, so if that counts as a slasher maybe this could too. (read the rest of this shit…)
Tags: Christopher Lee, Doug Senior, Ed Wood, Guerdon Trueblood, Paul Kelleher, Ray Atherton, Slasher Search
Posted in Horror, Reviews | 4 Comments »
Thursday, November 11th, 2021
You may know Jesse V. Johnson as the director of such Scott Adkins films as SAVAGE DOG, ACCIDENT MAN, THE DEBT COLLECTOR, TRIPLE THREAT, AVENGEMENT and DEBT COLLECTORS. If not, you ought to. Johnson has become well regarded in our circles for his always good, often great movies with Adkins, but it’s not like he’s helpless without him. The latest and best evidence of that is HELL HATH NO FURY, a scorching little WWII thriller released this week on VOD. It’s not a high flying action movie like he’d do with Adkins, but don’t worry, it’s not trying to do SAVING PRIVATE RYAN at bargain prices either. Within a pretty simple standoff scenario, in a contained location and time frame, it finds great tension, some nasty violence and more substance than I ever would’ve expected.
It stars Nina Bergman (ASSASSIN X, THE BEAUTIFUL ONES) as Marie Dujardin, a French woman of uncertain character. We first meet her in the back of a car with SS officer Von Bruckner (Daniel Bernhardt, ATOMIC BLONDE, NOBODY, SKYLIN3S), seeming to enjoy herself before the car is ambushed by French resistance fighters. Three years later, as the Nazis are leaving town, a mob of locals brand Marie a collaborator, shave her head and plan who knows what for her before some American GIs rescue her. (read the rest of this shit…)
Tags: Charles Fathy, Daniel Bernhardt, Dominiquie Vandenberg, Jesse V. Johnson, Josef Cannon, Louis Mandylor, Luke LaFontaine, Nina Bergman, Timothy V. Murphy, World War II
Posted in Action, Reviews, Thriller, War | 8 Comments »
Wednesday, November 10th, 2021
Francis Ford Coppola’s BRAM STOKER’S DRACULA is an incredible fucking movie that I previously mistook for a pretty good one. I saw it first on opening night in 1992, when I thought it was cool and weird, if flawed. (If you would like to imagine my wild teen years, I remember it was a foggy Friday the 13th and I was bummed that I hadn’t done anything good on Halloween, so I drove a carload of friends to an evening show, blasting the score from NIGHTBREED in the tape deck.)
The second time was in 2000 after reading the book (Dracula by Bram Stoker, not Bram Stoker’s Dracula: The novel of the film by Fred Saberhagen and James V. Hart Based on the Screenplay by James V. Hart from the Bram Stoker novel, which I have not read and can’t afford). At that time I wrote about it along with a bunch of other Dracula movies, and you can see I was pretty hard on the “ridiculous origin story” and “trying to make him into a more sympathetic Dracula,” among other things.
But it felt overdue for a revisit and on this viewing all that stuff finally clicked for me. Though I always thought it was a stylish looking movie, I feel like I didn’t fully appreciate just how much, or how special that made it. And everything else worked better this time too. (read the rest of this shit…)
Tags: Anthony Hopkins, Bram Stoker, Dracula, Eiko Sihioka, Francis Ford Coppola, Gary Oldman, gothic horror, Greg Cannom, James V. Hart, Jim Steranko, Keanu Reeves, Mike Mignola, Monica Belluci, Pete Ramsey, Roman Coppola, Sadie Frost, Tom Waits, vampires, Winona Ryder, Wojciech Kilar
Posted in Reviews, Horror, Romance | 48 Comments »
Tuesday, November 9th, 2021
COLD HELL (Die Hölle) is a 2017 German/Austrian movie that’s still exclusive to Shudder in the U.S. I wish they’d put it out on disc like they have with so many of their exclusives, because this is a good one that I’d like to recommend to everybody. As far as I can find the only part of the world to release it on physical media is Germany.
Wanting to see this movie is what originally inspired me to subscribe to Shudder a few years ago, but for some reason I failed to write it up back then. I watched it again in October and it holds up, so I made sure to share it with everyone this time.
Its greatest asset is a strong lead character, Özge, played by Violetta Schurawlow (HEAD FULL OF HONEY, ICEMAN). She’s Turkish, but a citizen of Austria, working as a cab driver. And the movie slowly unveils how tough she is. At first it just seems like the grit required by her occupation, considering how some motherfuckers treat cab drivers, and immigrants, and women. Then it seems to go a step or two beyond that when she needs two guys to stop blocking an alley and beats one up for calling her the c-word. (read the rest of this shit…)
Tags: Austria, Muay Thai, Muslim, Sammy Sheik, serial killer, Shudder, Stefan Ruzowitsky, Tobias Moretti, Violetta Schurawlow
Posted in Reviews, Action, Horror, Thriller | 17 Comments »
Monday, November 8th, 2021
ONE SHOT is the new Scott Adkins joint, and the most heavily hyped and anticipated movie of the moment for those who stay plugged in to “Action Twitter.” I’m sure Adkins would prefer to work in a little higher budget range, but I think having a dedicated and growing following as he continues to make movies like this is a much better outcome than if he had been cast as Iron Fist or some big movie character like we all used to say he should. Instead of a super hero he’s an institution.
This one is not from Jesse V. Johnson or Isaac Florentine, but rising #3 most prolific Adkins director James Nunn (GREEN STREET 3, ELIMINATORS). And as you might guess from the title, yes, it is a movie like ROPE or RUNNING TIME designed to look like it was filmed in one continuous shot. I know there are some who don’t like that approach, so I will say in its defense that it doesn’t come across as flashy or show-offy at all (not that I would see that as a bad thing, personally) and the real time feeling serves to heighten the tension of its siege scenario. And in case you were wondering there is an organic explanation of the title (the protagonists believe they are defending their “one shot” to stop a terrorist attack). (read the rest of this shit…)
Tags: Ashley Greene, James Nunn, Jess Liaudin, long takes, Ryan Phillippe, Scott Adkins, siege movies, Terence Maynard, Tim Man, Waleed Elgadi, War on Terror
Posted in Action, Reviews, War | 14 Comments »
