July 26, 1996
I talked earlier in this series about HARRIET THE SPY and how it was a Nickelodeon production that sort of had its roots in an interstitial-turned-special-turned show made by quirky, creative people with vision. A major cable network farm-teaming artists and giving them opportunities. Now we have JOE’S APARTMENT, the first theatrical film from Nick’s older-sister network MTV, expanded from a CableACE Award-winning 2-minute short they’d used as filler. Writer/director John Payson had worked on the animated intros to MTV shows including Remote Control, The Big Picture and Just Say Julie, plus been a producer on Liquid Television and the Henry Selick short Slow Bob in the Lower Dimensions. That’s great work and an incredibly cool world to come out of, but does it translate to knowing how to write and direct a mostly live action feature film?
In this case no. Maybe yes in other cases, I don’t know.
In the feature version the titular Joe is played by Jerry O’Connell (STAND BY ME) in only his fifth movie, even including “uncredited kid at beach” in POLICE ACADEMY 5: ASSIGNMENT MIAMI BEACH. He’s a hapless dork who takes the bus from Iowa to New York City and has kind of the “Living For the City” experience.There’s a joke that he’s narrating his trip as a letter to his mother but he gets interrupted by three different muggings.
The movie is premised not only on the city’s reputation as a crime-ridden hellscape, but also as a refuge for art weirdos thanks to rent control. Joe meets a guy named Walter Shit (Randee of the Redwoods himself, Jim Turner) of the band Shit by being the only person to check on him laying on the sidewalk in a pool of blood (as an art project). It’s Walter who finds Joe the titular apartment because they happen to be walking by when an old lady is thrown to her death out of her window and Walter pushes Joe to pretend he’s her son. (read the rest of this shit…)

On May 5th, 1983, future Superman actor Henry Cavill was born in St. Helier, Jersey. While he was in his crib, on June 17, 1983, the definitive cinematic Superman met Richard Pryor.
Boy, I hope I’m not trying people’s patience too much with this series. I believe 1985 is the earliest retrospective I’ve done previously, and I thought that went well, but what I’ve really realized looking at 1983 is how many of these movies feel just a little bit before my time. I remember being alive then, but I was only aware of a little kid-sized slice of pop culture. I was hearing all about Salacious Crum, but not
I’ve been curious about BLACK MOON RISING (1986) – and many of you have recommended it to me over the years – for the specific reason that it’s based on a script by John Carpenter. According to the book John Carpenter: The Prince of Darkness by Gilles Boulenger, he wrote it in 1974 and sold it in late 1975 to producer Harry Gittes (GOIN’ SOUTH, ABOUT SCHMIDT), who does not have a credit on the movie. A decade later it ended up being directed by Harley Cokeliss (BATTLETRUCK, studio second unit director of
Man, you’re looking for a movie with seven dudes who possess some level of magnificence, you could do worse than John Sturges’ THE MAGNIFICENT SEVEN (1960). I wouldn’t personally use the adjective “magnificent” to describe any cowboys, but if I did then Yul Brynner, Steve McQueen, Charles Bronson and James Coburn would be good candidates. And Robert Vaughn wouldn’t be out of the question. That there is a hell of a cast, and then they’re facing off against Eli Wallach in a more large-and-in-charge character than he usually plays as Calvera, the leader of a gang of bandits terrorizing a small Mexican village. He’s one of these bullies who gets across his true evil by doing a really unconvincing fake nice guy act to your face. He keeps saying how much he loves the village in the process of threatening it. Make Cuernavaca great again!
Fuck a star war – what about a battle beyond the stars? I know a battle is smaller than a war, it is only one of the units that makes up a part of a war, but maybe that’s better. More intimate. More focused. And then it’s beyond the stars instead of within them, as a mere star war is. Beyond is better. This battle has transcended the fucking stars.

















