Archive for the ‘Drama’ Category
Thursday, October 10th, 2019
BEDEVILLED is a powerful South-Korean film from 2010 about a disastrous reunion between childhood friends on the tiny, barely populated island of Mu-do. From the cover I expected something more gothic and intensely gory, and maybe supernatural? But it’s not like that. It’s all leading up to a bloodbath, so I wouldn’t deny its horror credentials. But it mostly plays out as a very involving character drama. So keep that in mind if planning a Halloween celebration.
It’s definitely a morality tale. Hae-won (Ji Sung-won, EMPIRE OF LUST) is a young bank worker in Seoul. At the beginning she coldly refuses to loan to a woman who’s about to lose her home. It reminded me of DRAG ME TO HELL, but she doesn’t get cursed for it, and she’s not doing it under professional pressure. In fact when she steps out her co-worker takes over and does help the woman. So it establishes her lack of compassion. (read the rest of this shit…)
Tags: Bae Seong-woo, Jang Cheol-soo, Ji Sung-won, Korean cinema, Park Jeong-hak, Seo Yung-hee
Posted in Drama, Horror, Reviews | 3 Comments »
Tuesday, October 8th, 2019
I think my favorite movie by director Todd Phillips (ROAD TRIP, STARSKY & HUTCH) is still his 1993 student film HATED: GG ALLIN & THE MURDER JUNKIES. It’s a documentary about an infamously transgressive punk singer skipping parole to do a tour where he kind of plays music, but the shows usually end soon after he shoves someone’s banana up his ass or smashes a woman’s nose with a beer bottle or shits on stage and throws it in the crowd. Phillips was clearly aware of the absurdity of his subject, but also in awe of someone living their life as a human middle finger. The director’s new film, JOKER, won the Golden Lion at the 76th Venice International Film Festival, and shows an evolution in his film craft, but not necessarily in his world view.
Let’s take a moment to consider that when BATMAN & ROBIN came out there is no way in hell any of us could’ve guessed that in 22 years one of our generation’s most respected actors would star in a super-fucked-up hard-R ‘70s period piece Scorsese knockoff character study vaguely based on (and officially branded as) an iconic Batman villain. Much less that it would be controversial only for reasons other than “it’s too scary for kids.” It’s a crazy world we’re living in. Almost like… the Joker. Oh my god. (read the rest of this shit…)
Tags: Brett Cullen, Brian Tyree Henry, DC Comics, Frances Conroy, Joaquin Phoenix, Robert De Niro, Scott Silver, Todd Phillips, Zazie Beetz
Posted in Comic strips/Super heroes, Drama, Reviews | 91 Comments »
Monday, September 30th, 2019
AMERICAN GIGOLO. Paul Schrader’s prequel to AMERICAN PIMP. Older brother of AMERICAN PSYCHO. Cousin to AMERICAN NINJA. Quite a family of movies there.
I really should see more of Paul Schrader’s stuff. Obviously I respect him for writing TAXI DRIVER and revere him for writing ROLLING THUNDER. I remember loving BLUE COLLAR. MISHIMA: A LIFE IN FOUR CHAPTERS was incredible. More recently FIRST REFORMED really impressed me. But there are some very famous ones I haven’t seen. This one, I gotta admit, I ignorantly assumed wasn’t my thing. Some Richard Gere movie. Who cares?
It was getting more into movie soundtracks on vinyl that turned me around. AMERICAN GIGOLO is a pretty common, relatively inexpensive find, so I picked one up, and really liked it. Then I figured okay, I should see where these sounds come from.
Young, slim, squinty-eyed dreamboat Richard Gere (a little after DAYS OF HEAVEN, a little before AN OFFICER AND A GENTLEMAN, way before FIRST KNIGHT) stars as Julian Kaye, L.A. gigolo. In his business there’s alot of ambiguously talking around things on account of the illegality. Lots of not stating what’s going on, or denying it – saying “you’ve heard wrong” or “you’re mistaken” when someone’s too direct or seems like trouble. So it’s interesting that he ends up suspected of a murder he didn’t do. We’re not sure at first if they really did hear wrong, really are mistaken, or if he’s just doing his usual shtick. (read the rest of this shit…)
Tags: Bill Duke, Giorgio Moroder, Hector Elizondo, Lauren Hutton, Paul Schrader, Richard Gere
Posted in Crime, Drama, Reviews | 17 Comments »
Thursday, September 5th, 2019
I don’t have the attachment many people I know have to the KARATE KID movies. But I’m kinda into their mythology, especially after my recent dip into the more over-the-top b-movie villainy of part III. So I excitedly took advantage of a free window (until September 11th) to watch the ten half-hour-ish episodes in the first season of the premium Youtube series Cobra Kai.
Even in today’s gold rush for nostalgic i.p. this seems like a too-good-to-be-true sequel scenario, especially for my interests. Ralph Macchio – now actually older than Pat Morita was in the first movie! – returns as Daniel LaRusso, but so does William Zabka as part 1 nemesis Johnny Lawrence, and even though Macchio gets top billing, Zabka is treated as the underdog hero, like Iceman Chambers in UNDISPUTED II, or like I wanted them to do with Martin Kove’s villainous sensei John Kreese after seeing him down and out in the opening scenes of KARATE KID III. Broke, washed up, divorced, drinking Coors all day, still listening to Ratt and wearing Van Halen t-shirts, Johnny attempts to re-open the Cobra Kai dojo in a strip mall next to a vape store. But he’s so bad at salesmanship he ends up having only one student, a nice kid named Miguel (Xolo Mariduena, Parenthood) who tempers some of his worst tendencies while being empowered by his macho tough love and “strike first, strike hard, no mercy” philosophy. (read the rest of this shit…)
Tags: Hayden Schlossberg, Jon Hurwitz, Josh Heald, Ralph Macchio, TV, William Zabka, Xolo Mariduena, Youtube
Posted in Comedy/Laffs, Drama, Reviews, Sport | 80 Comments »
Tuesday, August 13th, 2019
Who knows what evil lurks in the hearts of men? SHADOW is the 2018 film by Zhang Yimou, the director best know to people like me for giving us HERO and HOUSE OF FLYING DAGGERS. It’s his followup to THE GREAT WALL, the pretty silly but impressive international production that has a bad reputation in the U.S. for exceedingly stupid reasons (basically, a great Chinese director wanting to make a movie with Matt Damon was mischaracterized as whitewashing). SHADOW is another gorgeous and meticulous period martial arts epic. Though quieter and less action-oriented than the others I’ve listed here it’s one of the best movies I’ve seen this year. One of those ones that crept up on me, slowly luring me in until I’m in awe of it by the end, and love it the more I think about it. I was lucky enough to see it theatrically, but waited for its arrival on Blu-Ray and DVD this week to finish my review so that more people would be able to check it out.
This is a movie that’s a little under two hours and builds to a large battle with some really cool weaponry gimmicks and that thing I love where they come up with a philosophy-based martial art to defeat the enemy. But that’s really the cherry on top – it’s mostly about palace shenanigans. It’s about the kingdom of Pei, who lost the city of Jingzhou to rival kingdom Yang when Commander Ziyu (Deng Chao, DETECTIVE DEE AND THE MYSTERY OF THE PHANTOM FLAME, MERMAID) lost a duel to Yang Cang (Hu Jun, RED CLIFF, BODYGUARDS AND ASSASSINS, FIRESTORM). Most of the people of Pei are still sore about it, but King Peiliang (Zheng Kai, THE GREAT WALL) is a coward and just wants to forget about Jingzhou. So he gets pissed and, to the outrage of the military, strips Ziyu of his title when he finds out he challenged Yang Cang to a rematch. (read the rest of this shit…)
Tags: Deng Chao, Guan Xiaotong, Hu Jun, Leo Wu, Sun Li, Wang Qianyuan, Zhang Yimou, Zheng Kai
Posted in Action, Drama, Martial Arts, Reviews | 13 Comments »
Wednesday, July 31st, 2019
THIS IS A FREE RANGE SPOILER REVIEW. THE SPOILERS ARE NOT KEPT IN CAGES. THEY JUST RUN ALL OVER THE PLACE, INCLUDING THE FIRST COUPLE SENTENCES. SEE THE MOVIE FIRST.
ONCE UPON A TIME… IN HOLLYWOOD is an odd and beautiful movie from… Quentin Tarantino. It’s undeniably one that only he could or would make – it’s even in his now-trademark ‘wish-fulfilling rewrite of a historical atrocity’ mode – but it’s different. It’s not as mean and angry as the last three, or as carefully plotted as any of them. It’s sort of a hang out movie, a day-in-the-life of two friends, and a gentle tale of surviving a mid-life crisis, wrapped in a love letter to Los Angeles of the late ’60s, and to the then-fading leading men of the ’50s, with a chaser of gruesome violence. The fun kind, though. The cathartic kind.
Throughout his career, Tarantino has shown his affinity for cool shit like spaghetti westerns, blaxploitation movies, kung fu and crime novels. Here’s where he says “Fuck it, I also like old cowboy shows and procedurals and stuff.” When the guy who makes film exhibition and criticism a major element of his WWII epic does one that’s actually about the Hollywood film industry, obviously he’s gonna go buck wild. The amount of detail he puts into the fictional career of TV star Rick Dalton (Leonardo DiCaprio, two episodes of The New Lassie) – to the point of needing a narrator to talk us through each entry from his Rome period – reaches the level of sci-fi world building. And of course Tarantino, being Tarantino, gives us a soundtrack that drips the sixties without one whiff of Creedence, Dylan, the Doors or Hendrix. Admittedly “Mrs. Robinson” is in there somewhere, but he leans more Deep Purple, Vanilla Fudge and Paul Revere & the Raiders. One of the few I knew was the Neil Diamond song. (read the rest of this shit…)
Tags: Al Pacino, Austin Butler, Brad Pitt, Bruce, Bruce Dern, Bruce Lee, Dakota Fanning, Damian Lewis, Damon Herriman, Emile Hirsch, Julia Butters, Kurt Russell, Leonardo DiCaprio, Luke Perry, Margaret Qualley, Margot Robbie, Martin Kove, Mike Moh, Mikey Madison, Quentin Tarantino, Rebecca Gayheart, Scoot McNairy, Sharon Tate, Steve McQueen, Timothy Olyphant, Zoe Bell
Posted in Drama, Reviews | 204 Comments »
Monday, July 22nd, 2019
It could be argued that LOCK UP isn’t quite an action movie – that it’s more of a drama with some violence and extreme villainy. And if it is action I’m not sure how it fits into the theme of this series about a shift in the genre heading into the next decade. No, it doesn’t seem like the ’90s ones with “DIE HARD on a _____” type hooks (CLIFFHANGER, DAYBREAK) or special effects and stylized settings (DEMOLITION MAN, JUDGE DREDD). But it’s also not quite the over the top feel we associate with the ’80s because of movies like RAMBO: FIRST BLOOD PART II, COBRA and, well… OVER THE TOP. It has a score by Bill Conti (fresh off of THE KARATE KID PART III) that brings ROCKY-like majesty, especially during the montage of the harrowing football game that’s intentionally more about hurting him than sport. This is Stallone in tough-but-vulnerable mode, and even has a part where he builds to a yelling, emotional speech kinda like the end of FIRST BLOOD.
I attribute the film’s timelessness and grit to director John Flynn, a legend to me because of THE OUTFIT and ROLLING THUNDER in the ’70s and OUT FOR JUSTICE in the ’90s. This was his followup to BEST SELLER. He didn’t generally participate in trends – he just made John Flynn movies. (read the rest of this shit…)
Tags: Bill Conti, Danny Trejo, Darlanne Fluegel, Donald Sutherland, Frank McRae, Jeb Stuart, John Flynn, Sonny Landham, Summer of '89, Sylvester Stallone, Tom Sizemore, Tony Lip
Posted in Action, Drama, Reviews | 16 Comments »
Tuesday, July 16th, 2019
INDIANA JONES AND THE LAST CRUSADE was not the only part 3 on offer for Summer of ’89 – there was also John Avildsen’s THE KARATE KID PART III. And as Mrs. Vern pointed out to me, the series kind of follows the same pattern as Indy: there’s the popular first one, the second one goes off in a different direction (bringing him to Japan), and then the third one plays it safe by being closer to part 1, with Cobra Kai, John Kreese and the All-Valley Karate Tournament. And then of course both series also have a much later, unpopular part 4 and a pretty enjoyable remake starring Jaden Smith.
I think PART II had an okay reception, and this isn’t supposed to be an apology for it like LAST CRUSADE was for TEMPLE OF DOOM. But it’s kinda funny to me because PART II’s trailer narrator said, “No more tournaments. No more cheering crowds. This time… the combat… is real.” Of course there’s no more tournaments and crowds and shit, that wasn’t real combat at all, that was for babies, and only a complete coward would make another movie about that kind of sissy bullshit. We have moved well beyond that nonsense and fuck you if you even think for one second that– oh, what’s that? We’re doing tournaments and cheering crowds again? Oh, cool! Welcome back! (read the rest of this shit…)
Tags: John G. Avildsen, Martin Kove, Pat E. Johnson, Pat Morita, Paula Abdul, Ralph Macchio, Robert Mark Kamen, Robyn Lively, Sean Kanan, Summer of '89, Thomas Ian Griffith
Posted in Action, Drama, Reviews, Sport | 20 Comments »
Thursday, July 11th, 2019
A month or two ago I saw a comedy called BOOKSMART, directed by Olivia Wilde, who I just knew as an actress from TRON: LEGACY. BOOKSMART is about two really smart, funny girls obsessed with good grades and good colleges who, on the night before graduation, try to go to a party. It’s similar to SUPERBAD in both laugh ratio and sweet emphasis on friendship, and it even stars Jonah Hill’s hilarious sister Beanie Feldstein (LADY BIRD), along with Kaitlyn Dever, who played Loretta on Justified. I really enjoyed these two characters, plus the score by Dan the Automator, and highly recommend the movie, but it’s the kind of thing I don’t really know how to write about. I don’t know how to get much mileage out of trying to explain why I think something is funny. So I just tweeted about it and left it at that, until this very paragraph.
But the same week BOOKSMART came out there was a much less jolly movie released on video starring Wilde, written and directed by first-timer Sarah Dagger-Nickson. This one is called A VIGILANTE, and she’s literally playing a vigilante. It’s an arty movie that played South by Southwest in 2018, and the title could maybe be an homage to Jacques Audiard’s A PROPHET, because that seems like sort of the category of movie they’d like to be in. But at the beginning there were logos for Emmett-Furla Productions, Saban, and Moviepass. So yeah, obviously this one I know how to write about. (read the rest of this shit…)
Tags: Morgan Spector, Olivia Wilde, Saban, Sarah Dagger-Nickson, vigilante
Posted in Drama, Reviews | 5 Comments »
Tuesday, June 25th, 2019
June is Pride Month, of course, and I hope it’s been a good one for anybody who it means anything to. I never really knew a way to honor the occasion before, but that’s because I hadn’t yet stumbled across this 1996 gay-themed independent drama that shows two guys with guns on the cover – in fact the tagline is “THIS TIME THE GAY GUY’S GOT THE GUN!” – and mentions John Woo on the back.
RAISING HEROES is about a couple, Josh (Troy Sostillio) and Paul (Henry White), in the midst of a custody battle. Paul’s best friend died of cancer and wanted the two to raise her young son Nicky, but the kid’s grandmother and homophobic case workers are trying to stop that from happening. Then, a few days before a crucial hearing, Josh witnesses a mobster named Victor (Edmond Sorel, also co-writer) executing a guy in a convenience store, and various gangsters spend the next few days following and trying to eliminate him. (read the rest of this shit…)
Tags: Douglas Langway, John Hyams, LGBTQ, Stephn Schlueter
Posted in Action, Drama, Reviews | 9 Comments »
