GOOD TIME is a hell of a movie from Josh and Benny Safdie, thirtysomething New York indie directors I never heard of until the flashy A24 trailer acted like they were a household name. Sure enough it’s their fifth feature film (including one documentary) but this one got a little more attention for starring Robert Pattinson, the guy from the Cronenberg movies. He plays Connie Nikas, a New York City dirtbag who storms into a doctor’s office to get his developmentally disabled brother Nick (Benny Safdie) and bring him to help rob a bank. They get away at first but most of the money is ruined by a dye pack and Nick gets arrested. The movie is about Connie running around town all night trying to find $10,000 more dollars to pay Nick’s bail.
It’s a stylish epic of dirt-baggery – Meth Age Michael Mann. An intimate look at a shitty dude doing idiotic things with fevered lighting, gritty real locations, some raw non-professional actors and one of the most legit retro-synth scores I’ve heard, a Tangerine Dream-esque thing by an electronic artist Oneohtrix Point Never, which is a name that I totally understand and can say easily, on account of how young and with it I am. And just so you know I didn’t have to ask anybody what vaporwave was and if I had I totally would’ve understood what Wikipedia meant about it being “built upon the experimental and ironic tendencies of genres such as chillwave and hypnagogic pop.” (read the rest of this shit…)