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Posts Tagged ‘Timothy Spall’

The Bride

Tuesday, August 18th, 2020

August 16, 1985

Two John Candy movies in a row, and now all the sudden we’re back to weird science? THE BRIDE asks the question “What if WEIRD SCIENCE happened not in the modern day with teenagers, but with adults a long time ago, and instead of Gary the main guy’s name is Frankenstein?” Or “What if FRANKENWEENIE was a Franken-adult-human-lady?” Or I guess if you want to be a wet blanket you could call it a riff on BRIDE OF FRANKENSTEIN. But it’s totally different. The hair is not even the same, to name only one example.

Director Franc Roddam had done QUADROPHENIA (1979) and THE LORDS OF DISCIPLINE (1983) and was attempting his first big mainstream movie. According to his refreshingly frank DVD commentary track, he had Sting (who had been in his first film) originally slated to play the small part of Josef, but “we said to ourselves this could be a great movie for young people” if they had it star this huge rock star, with his first solo album coming out in June, alongside Jennifer Beals, the hot newcomer fresh off the massive success of FLASHDANCE. So they gave the Josef role to some schmuck named “Carrie Elways” or some shit and Sting played Baron Charles Frankenstein opposite Beals as the titular Bride. But it’s only modernized in some of its themes, while being fairly classical in form and content. It’s not rock ’n roll or flashdancy at all. So I’m not sure the young people much noticed. (read the rest of this shit…)

White Hunter Black Heart

Wednesday, January 1st, 2020

Clint Eastwood ended the ‘80s fighting neo-nazis in PINK CADILLAC, the action comedy directed by Buddy Van Horn, but he started the ‘90s directing and starring in something more self-reflective. In WHITE HUNTER BLACK HEART, Clint plays eccentric filmmaker John Wilson, who has planned to film a movie in Africa mainly so he can try to hunt an elephant while he’s there. He brings along a young writer friend, Pete Verrill (Jeff Fahey, DARKMAN III: DIE DARKMAN DIE) to polish the script and to pressure into going hunting with him. That character is based on Peter Viertel, who rewrote THE AFRICAN QUEEN for John Huston. The movie is based on a novel he wrote about it when he got back.

So Clint is a little different in this one. He moves and talks a little different, doing a partial imitation of Huston, and is more verbal than usual. Also he’s introduced wearing an ascot and sock-garters.

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Assassin’s Bullet

Tuesday, October 2nd, 2012

Friends, it is my sad duty to verify reports that Isaac Florentine’s ASSASSIN’S BULLET (formerly titled SOFIA on IMDb, and out on DVD today) is no good. I guess it played a couple of theaters at some point, and it has a 0% rating on Rotten Tomatoes. I can’t say I really disagree. It’s dull and amateurishly written and even though it has a weird thing going on with being a vanity project for some lady I never heard of, that’s not enough to make it very fun.
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