Archive for the ‘Comic strips/Super heroes’ Category
Wednesday, January 26th, 2022
“He had an uneventful childhood. He played baseball with the other kids on the block, became fascinated with the antics of what later became his heroes – The Three Stooges, read Spiderman comic books, thought Jerry Lewis was hilarious and the Little Rascals even more so. What influenced Raimi to become the ‘horror meister’ of slash and gore films is not found in his past.”
—Dead Auteur: How a 20-year-old ex-college student carved out his horror niche in Hollywood by Sue Uram, Cinefantastique, August 1992
Immediately following Raimi’s very serious director period, his career changed drastically again. After so many stabs at the mainstream, he finally made the leap to genuine blockbuster filmmaking, bringing one of the most famous characters in the history of American pop culture to the big screen for the first time. This is not the use-Intro-Vision-to-stretch-the-budget-enough-to-try-to-compete-in-summer of DARKMAN and ARMY OF DARKNESS, or the work-with-huge-stars-but-scare-off-boring-people-by-doing-something-different-with-them of THE QUICK AND THE DEAD. I’m talking a super hero event movie with ten times the budget of DARKMAN, working with Sony Digital Imageworks to pioneer effects techniques that nobody was even sure would be possible, and finally sharing his talents with pretty much the widest audience possible for a movie. (read the rest of this shit…)
Tags: Alvin Sargent, Benny "The Jet" Urquidez, Bill Nunn, Bob Murawski, Bruce Campbell, Ching Siu-Tung, Cliff Robertson, Clint Cadinha, David Koepp, Elizabeth Banks, J.K. Simmons, James Franco, Joe Manganiello, Kirsten Dunst, Larry Joshua, Laura Albert, Macy Gray, Marvel Comics, Michael Papajohn, Rosemary Harris, Sam Raimi, Scott Rosenberg, Ted Raimi, Tobey Maguire, Willem Dafoe
Posted in Comic strips/Super heroes, Reviews | 51 Comments »
Wednesday, December 22nd, 2021
Contains explicit spoilers. Reader discretion advised.
SPIDER-MAN: NO WAY HOME is a gimmicky MCU multiverse extravaganza, pulling out all the stops, all the comical riffs and all the ideas from the brainstorming session to achieve a rough live action equivalent to in my opinion the best Spider-Man picture by far, INTO THE SPIDER-VERSE. It inevitably lacks the newness and artistic precision of the animated version (not to mention the multi-culturalism) but it is its own type of ambitious fan-pleasing accomplishment. If you haven’t heard, it treats the two previous Spider-Man movie series – Sam Raimi’s SPIDER-MAN 1-3 (2002-2007) and Mark Webb’s THE AMAZING SPIDER-MAN 1-2 (2012-2014) – as alternate dimensions, and pulls those two Spider-Men and five of their villains into the Marvel Corporate Unification to bounce off the current Spider-Man (played by Tom Holland, voice of “Eddie,” LOCKE) and his adult wizard friend Dr. Stephen Strange (Benedict Cumberbatch, WAR HORSE), compare web-shooters, etc. (read the rest of this shit…)
Tags: Alfred Molina, Andrew Garfield, J.K. Simmons, Jamie Foxx, John Watts, Marvel Comics, Tobey Maguire, Tom Holland, Willem Dafoe, Zendaya
Posted in Comic strips/Super heroes, Reviews | 69 Comments »
Monday, December 6th, 2021
Mario Bava’s DANGER: DIABOLIK stars John Phillip Law, who to me will always be Pygar, the blind angel of love from BARBARELLA. This one came out earlier the same year, 1968, and kinda seems like BARBARELLA’s evil crime movie cousin. It is in fact another Dino De Laurentiis international co-production based on a comic book, and reportedly uses some of the same sets (though I’m not sure which ones). It feels very much like a super hero movie at the beginning: we hear police talking about Law’s character Diabolik as some kind of legendary figure, he first appears in a long black car (Jaguar, not Batmobile), he shows up in a mask, does his thing, makes an escape to a secret entrance to an amazing hidden base inside a cave. But this guy is no super hero, he’s just a thief with a whole lot of flair.
Police Inspector Ginko (Michel Piccoli, THE DISCREET CHARM OF THE BOURGEOISIE) is determined to not let Diabolik steal the $10 million that needs to be transported, going out of his way to deliver decoy money and send the real shipment in a Rolls-Royce with cops disguised as diplomats. But that car finds itself engulfed in plumes of multi-colored smoke and then lifted up by a crane operated by by Diabolik. The camera zooms in on him for a diabolical laugh when the title comes up. (read the rest of this shit…)
Tags: Carlo Rambaldi, Dino De Laurentiis, Ennio Morricone, fumetti, John Phillip Law, Lamberto Bava, Mario Bava, Marisa Mell, Michel Piccoli
Posted in Action, Comic strips/Super heroes, Crime, Reviews | 25 Comments »
Thursday, December 2nd, 2021
I’m still catching up with these RUROUNI KENSHIN movies. I really recommend RUROUNI KENSHIN PART I: ORIGINS (2012), and I watched RUROUNI KENSHIN II: KYOTO INFERNO (2014) a while back and then this one. I got caught up and didn’t finish that review until now but I wanted to finish before I watch this year’s final two installments.
RUROUNI KENSHIN PART III: THE LEGEND ENDS (2014) continues from the cliffhanger of part II, in which our no-longer-believing-in-killing samurai hero Kenshin (Takeru Satoh, SAMURAI MARATHON) had leapt from the pirate ship of aspiring-Japan-conqueror Shishio (Tatsuya Fujiwara, BATTLE ROYALE), failed to save his pacifist sword master friend Miss Kaoru (Emi Takei, TERRA FORMARS), and washed ashore on some beach, to be discovered by a mysterious dude. But the story slows down for a while, correctly judging that part II has earned the filmatists our trust and the right to take a breath and dig into the characters and the melodrama for a while. (read the rest of this shit…)
Tags: Emi Takei, Keishi Ohtomo, Kenji Tanigaki, Masaharu Fukuyama, Munetaka Aoki, Ryunosuke Kamiki, Takeru Satoh, Tatsuya Fujiwara, Yosuke Eguchi, Yu Aoi, Yusuke Iseya
Posted in Action, Comic strips/Super heroes, Martial Arts, Reviews | 2 Comments »
Thursday, September 9th, 2021
Believe it or not, I kinda consider myself kind of a Shang-Chi guy. As in, I dig that comic book character, before there was a movie. That’s definitely overstating it, because I don’t know that much more about his history than the next guy, but I’m attached to him because of my fascination with the period that created him, just a couple years before I was born, when American pop culture was catching on to the existence of kung fu and kung fu movies, and trying to cash in.
Shortly after Luke Cage debuted in June 1972 as a super hero response to SHAFT (both SUPER FLY and the coinage of the term “Blaxploitation” happened a few months later), Shang-Chi was conceived as the Marvel Comics version of the hit TV show Kung Fu, and he debuted in the midst of ENTER THE DRAGON mania. He showed up one month in Special Marvel Edition, and two issues later it was retitled The Hands of Shang-Chi: Master of Kung Fu. I can’t resist titles like that – that’s why I also know about the DC character Richard Dragon, Kung Fu Fighter (as seen in BATMAN: SOUL OF THE DRAGON) and why I was introduced to Shang-Chi by buying back issues of The Deadly Hands of Kung Fu.
T
hat’s a ‘70s Marvel Magazine, the type you know is gonna include a full page ad for a “complete audiovisual home study course in dynamic KUNG FU & KARATE” for less than 16¢ a lesson with a 10 day no risk money back guarantee. But it’s mainly black-and-white comics about martial arts characters including Shang-Chi, Iron Fist and The Sons of the Tiger interspersed with crude martial arts-related articles. In issue #1, writer J. David Warner visits the Fred Hamilton All-Dojo Martial Arts Tournament, reviews THE CHINESE MECHANIC starring Barry Chan, and has a news column previewing upcoming Shaw Brothers and Golden Harvest releases, as well as western movies with co-stars from Asian cinema, like YAKUZA, STONER and PAPER TIGER. It also mentions WHEN TAEKWONDO STRIKES, GOYOKIN, and Ken Russell “preparing for production” of a martial arts movie called KARATE IS A THING OF THE SPIRIT. (If that had gotten off the ground I’d probly obsess over it the way people do THE DEVILS.) (read the rest of this shit…)
Tags: Andrew Lanham, Andy Le, Awkwafina, Brad Allan, David Callaham, Destin Daniel Cretton, Fala Chen, Florian Munteanu, Marvel Comics, Meng'er Zhang, Michelle Yeoh, Simu Liu, Tony Leung, Yuen Wah
Posted in Action, Comic strips/Super heroes, Fantasy/Swords, Martial Arts, Reviews | 86 Comments »
Wednesday, August 11th, 2021
THE SUICIDE SQUAD, from writer/director James Gunn (SLITHER, SUPER, writer of TROMEO & JULIET and DAWN OF THE DEAD) is kind of miraculous as far as these big ol’ corporate franchise movies go. Imagine the odds against a director starting out as a writer at Troma, making some well-liked-but-not-super-successful hard-R comedies, then going mainstream with two beloved Marvel hits, then being temporarily fired by Disney due to right wing trolls feigning offense at his old tweets, and spending his time off going over to a different comic book universe to make a super gory and death-filled but heartfelt sequel to someone else’s widely-hated part 1, building off of his horror comedy past, the skills he built on his GUARDIANS OF THE GALAXY movies, and what was fun about that first SUICIDE SQUAD movie, to make something really special?
Though I didn’t hate David Ayer’s 2016 SUICIDE SQUAD the way most seem to have, I had many complaints. I suspect he had a more sensible version before the studio literally hired the trailer company to re-edit it, but even in its present form I think the movie deserves praise for establishing a rowdy, cartoony take on the DC Universe that BIRDS OF PREY and now this were able to riff on and use as a jumping off point. And of course even bigger than that is its casting of Margot Robbie (THE LEGEND OF TARZAN) as Harley Quinn, as close to a universally beloved character and portrayal as has ever come out of such a widely hated movie. (read the rest of this shit…)
Tags: Daniela Melchor, David Dastmalchian, DC Comics, Guy Norris, Idris Elba, Jai Courtney, James Gunn, Joel Kinnaman, John Cena, Juan Diego Botto, Margot Robbie, Mayling Ng, men-on-a-mission, Michael Rooker, Richard Norton, Sean Gunn, Steve Agee, Sylvester Stallone, Tim Wong, Viola Davis
Posted in Action, Comic strips/Super heroes, Reviews | 77 Comments »
Thursday, July 22nd, 2021
Poor Scarlett Johansson. After 8 movies appearing as Natasha “Black Widow” Romanoff in a supporting or cameo role, across 11 years (lengthened by global catastrophe related delays), her Marvel super spy character finally gets to star in her own movie… and it’s only okay. I mean I enjoyed watching it and I’ll say some nice things about it, but I can’t deny it lacks the kick of most Marvel movies without being different enough from them to feel like its own thing. Maybe this would’ve been cool if it was the one they made early on with plans to improve on the formula in subsequent adventures, but instead they made it after the character has been killed off and Johansson is presumably ready to move on with her life. If this is all she gets in the end I almost wish Emily Blunt had stuck with the role (she was cast but couldn’t get out of GULLIVER’S TRAVELS!) so Scarlett would’ve had more time to do her more adventurous roles like UNDER THE SKIN, LUCY, MARRIAGE STORY, JOJO RABBIT and hell, I’ll even say GHOST IN THE SHELL. More problematic, but more interesting.
The good news for people who like Marvel but get overwhelmed keeping track of all the shit is that this one is low on continuity and tie-ins. It references the basic Black Widow backstory and I don’t remember what that’s all about, but I didn’t feel like I missed anything important. It takes place however many movies ago when she’s been set up and is on the run, so that eliminates most “what does this mean for the larger Marvel universe?” concerns. (It also makes me realize how much more attached I am to Star Wars than the MCU: Star Wars makes me say, “Ah, this must be not long after Order 66, interesting,” and the MCU makes me say, “It’s after CAPTAIN AMERICA: CIVIL WAR – who gives a shit?” I treat Marvel more like the serials Star Wars was emulating – on to the next chapter, no time to look back. But I’m sure there’s a whole generation who feel differently.) (read the rest of this shit…)
Tags: Cate Shortland, David Harbour, Ever Anderson, Florence Pugh, Jac Schaeffer, Marvel Comics, Ned Benson, Rachel Weisz, Ray Winstone, Scarlett Johansson
Posted in Comic strips/Super heroes, Reviews | 37 Comments »
Wednesday, June 23rd, 2021
“Avow Life and Be True”
RUROUNI KENSHIN PART II: KYOTO INFERNO (2014) is an epic sequel that builds on everything I loved about the first one (trust me – check that out if you haven’t!) and expands on this idea of a post-war world where various veterans either try to bring back the violence or maintain (and enjoy) the new order. Our hero is so badass and yet so against killing that he wanders around with a “reverse blade” – a sword sharpened only on the back side – to whoop ass and take names but not lives.
Played by one-time Kamen Rider (and co-star of my beloved SAMURAI MARATHON) Takeru Satoh, Kenshin is younger and prettier than I usually prefer in an action hero. But he makes it almost a badass juxtaposition, and he’s such a cool character – he’s seen shit you never dreamed of, but doesn’t use it as an excuse to brood. He’s quiet but not exactly stoic – he smiles and seems content during peace time, even laughs when he sees himself parodied in a play. Everywhere he goes people seem to recognize him as Battousai, the name he went by when he was a legendary killsword (the government’s teenage super-murdering-the-fuck-out-of-everybody assassin). But his friends call him Kenshin, the name he took after abandoning his bloody sword at the Battle of Toba-Fushimi. The real him.
Admittedly he sounds a little dorky later when he angrily growls the villain’s name to show that he’s had it, but I forgive him. I appreciate that we don’t see that side of him very often. (read the rest of this shit…)
Tags: Emi Takei, Kaito Oyagi, Keishi Ohtomo, Kenji Tanigaki, live action manga, Min Tanaka, Munetaka Aoki, Ryosuke Miura, Ryunosuke Kamiki, samurai, Takeru Satoh, Tao Tsuchiya, Tatsuya Fujiwara, Yosuke Eguchi, Yu Aoi, Yusuke Iseya
Posted in Action, Comic strips/Super heroes, Martial Arts, Reviews | 9 Comments »
Thursday, June 3rd, 2021
Previously on Vern Tries To Learn About Indonesian Super Heroes:
The 2019 film GUNDALA caused me to read up a little bit on the other Indonesian comic book characters who will be part of an MCU-inspired franchise called the Bumilangit Cinematic Universe. It turned out some of them had been in movies before, and I was able to find THE DEVIL’S SWORD, about a character named Mandala who will be played by Joe Taslim in the BCU.
The character that sounded coolest, though, was Barda Mandrawata, The Blind Man From the Ghost Cave, a.k.a. Si Buta (“The Blind” or “The Blind Man”). I was intrigued partly because he’s a warrior who poked out his own eyes to learn how to defeat his blind enemy, partly because he has a pet monkey, and partly because his new movie is to be written and directed by Timo Tjahjanto (HEADSHOT, THE NIGHT COMES FOR US).
I was able to find two ’80s movies about Si Buta. The first was THE WARRIOR AND THE BLIND SWORDSMAN (1983), in which the character crosses over into part 2 of a trilogy starring THE DEVIL’S SWORD’s Barry Prima as a different character. The blind swordsman was cool looking, but I didn’t get very into the story and didn’t have enough to say about it to write a review. (read the rest of this shit…)
Tags: Indonesia, Ratno Timoer
Posted in Comic strips/Super heroes, Martial Arts, Reviews | 4 Comments »
Friday, April 16th, 2021
I know Rurouni Kenshin was a ‘90s anime series (sometimes called Samurai X) based on a manga and all that. I don’t usually pay much attention to that sort of thing, but also I knew there was a series of live action movies starting in 2012 with this one, RUROUNI KENSHIN I: ORIGINS. And I’ve been hearing for a long time that it has some really good sword fighting in it, so I’ve been meaning to see it.
But man, if I knew what it was about, I wouldn’t have waited so long! It’s true that it has some good sword fighting and other fun samurai shit in it, but also this is that most rare and beautiful type of action movie: the type that fits lots of fun action into a story that preaches against violence. It shows that nothing could be more badass than a guy who can kill a whole mob of people on his own but chooses to prove it to them while not doing it.
To put it another way, the hero Kenshin (Takeru Satoh, SAMURAI MARATHON) was such a scary motherfucker killing people for the government in his teens that everybody knew him as “Battosai the Killsword,” but now he’s so against killing that he travels around with a sword that is only sharpened on the back side of the blade.
So yeah, don’t worry, he’ll still be sword fighting. He’ll just be whapping them instead of slashing them. (read the rest of this shit…)
Tags: Emi Takei, Genki Sudo, Go Ayano, Keishi Ohtomo, Kenji Tanigaki, Kiyomi Fujii, Koji Kikkawa, Munetaka Aoki, samurai, Takeru Satoh, Taketo Tanaka, Teruyuki Kagawa, Yosuke Eguchi, Yu Aoi
Posted in Action, Comic strips/Super heroes, Martial Arts, Reviews | 1 Comment »
