"I'll just get my gear."

Posts Tagged ‘Masaharu Fukuyama’

Rurouni Kenshin Part III: The Legend Ends

Thursday, December 2nd, 2021

I’m still catching up with these RUROUNI KENSHIN movies. I really recommend RUROUNI KENSHIN PART I: ORIGINS (2012), and I watched RUROUNI KENSHIN II: KYOTO INFERNO (2014) a while back and then this one. I got caught up and didn’t finish that review until now but I wanted to finish before I watch this year’s final two installments.

RUROUNI KENSHIN PART III: THE LEGEND ENDS (2014) continues from the cliffhanger of part II, in which our no-longer-believing-in-killing samurai hero Kenshin (Takeru Satoh, SAMURAI MARATHON) had leapt from the pirate ship of aspiring-Japan-conqueror Shishio (Tatsuya Fujiwara, BATTLE ROYALE), failed to save his pacifist sword master friend Miss Kaoru (Emi Takei, TERRA FORMARS), and washed ashore on some beach, to be discovered by a mysterious dude. But the story slows down for a while, correctly judging that part II has earned the filmatists our trust and the right to take a breath and dig into the characters and the melodrama for a while. (read the rest of this shit…)

Manhunt

Thursday, March 15th, 2018

“Very impressive. Though perhaps a bit excessive.”

–a quote from John Woo’s MANHUNT that I do not believe applies to the movie itself because the concept of excess does not exist in the Woo Zone

Welcome back to the Woo Zone, a dimension of violence and poetry, of bonding between enemies, of glorious slow motion badassness and tragic desecration of symbols of peace and redemption. When we’re not in the Zone, many of us have resigned ourselves to a world where John Woo is in the past, a face on Action Movie Mount Rushmore, but not a currently active artist. If that’s you, I am honored to bring you word of MANHUNT, Woo’s highly enjoyable new movie which has just been undeservedly sentenced to a Netflix dump in May. I saw it by buying a legitimate region A, English subtitled blu-ray from Yesasia.

The hype around this has been that it could be a return-to-form for the maestro, at last returning to contemporary-Hong-Kong-crime-action-male-bonding-with-doves after a detour into Hollywood studio movies (MISSION: IMPOSSIBLE 2, PAYCHECK) and then massive Chinese historical action (RED CLIFF). And that’s pretty much true. There are “good guys” and “bad guys” who gain respect for each other. There are a whole bunch of thrilling action sequences and guns used with artistic license. And I will definitely be telling you some things about the doves. There are some topnotch doves in this one. There’s also some dancing. Because Woo was once a dance instructor.

But Woo – despite throwing in a line of dialogue referencing the title of his breakthrough movie – doesn’t seem primarily interested in making a throwback to his own classics like THE KILLER and HARD BOILED. This is kind of his tribute to Japanese cinema. He made it to show his respect for recently deceased favorite actor Ken Takakura, who inspired Chow Yun-Fat’s style in A BETTER TOMORROW. It’s based on a book by Juko Nishimura that was made into a 1976 movie starring Takakura (not available on U.S. video – whatchya gonna do about that, Netflix?). Though some of the stars are Chinese it takes place in (and was filmed in) Osaka, Japan. (read the rest of this shit…)