I don’t know why I never got around to seeing the THE CROW sequel from the director of SIX-STRING SAMURAI. Always was curious. Still took me 19 years. Lance Mungia’s THE CROW: WICKED PRAYER, just like the previous one, was meant for theaters, but I think it only played somewhere around here? Wiki(dprayer)pedia says its theatrical run was only in Seattle and only for one week, and I do remember seeing an ad for it and being confused, but I was thinking it was in Eastern Washington. Anyway, I didn’t go.
When I saw DOMINO on opening day in 2005, I really thought it was the worst shit ever. In fact, at some point I earnestly added a “the worst shit ever” tag to my review of it. Tony Scott’s most chaotic ever visual style and editing just scraped against me and took me out of the story (to the extent that there was one), and I fixated on that and raged against it in my review. This had happened to me only a couple of times before: first with CON AIR, then ARMAGEDDON, and later it would happen with TRANSFORMERS and DOOMSDAY. But DOMINO is the most stylistically aggressive of any of those, and arguably the most pretentious.
In my review I said Scott was trying to seem young and edgy, compared it to getting his ear pierced. In my mind at that time he was the guy who directed TOP GUN, and TOP GUN was a movie for jocks, military lovers and top 40 listeners. When that one came out I didn’t notice that its style was revolutionary, I just knew everybody loved it including my entire sixth grade class, which meant it was the height of mainstream popular culture about a year or two before I would start kneejerk rebelling against such things. So to have the TOP GUN guy, almost 20 years later, trying to do what screenwriter Richard Kelly calls on the commentary track “punk rock,” was just a joke to me. (read the rest of this shit…)
“He had an uneventful childhood. He played baseball with the other kids on the block, became fascinated with the antics of what later became his heroes – The Three Stooges, read Spiderman comic books, thought Jerry Lewis was hilarious and the Little Rascals even more so. What influenced Raimi to become the ‘horror meister’ of slash and gore films is not found in his past.”
—Dead Auteur: How a 20-year-old ex-college student carved out his horror niche in Hollywood by Sue Uram, Cinefantastique, August 1992
Immediately following Raimi’s very serious director period, his career changed drastically again. After so many stabs at the mainstream, he finally made the leap to genuine blockbuster filmmaking, bringing one of the most famous characters in the history of American pop culture to the big screen for the first time. This is not the use-Intro-Vision-to-stretch-the-budget-enough-to-try-to-compete-in-summer of DARKMAN and ARMY OF DARKNESS, or the work-with-huge-stars-but-scare-off-boring-people-by-doing-something-different-with-them of THE QUICK AND THE DEAD. I’m talking a super hero event movie with ten times the budget of DARKMAN, working with Sony Digital Imageworks to pioneer effects techniques that nobody was even sure would be possible, and finally sharing his talents with pretty much the widest audience possible for a movie. (read the rest of this shit…)
THE PAPERBOY is the new one from Academy Award nominee for Best Director Lee Daniels. That’s the guy that did PRECIOUS, BASED ON THE NOVEL PUSH BY SAPPHIRE as well as SHADOWBOXER, BASED ON THE IDEA THAT HELEN MIRREN AND CUBA GOODING JR. ARE ASSASSINS AND SHE RAISED HIM BUT ALSO THEY’RE FUCKING AND SHE HAS CANCER. I feel like the critical community embraced PRECIOUS without really picking up on how nutty it was, or doing a background check on Mr. Daniels’s previous work. So they did cartoony “wh-wh-whUHHH?” double-takes when THE PAPERBOY played at Cannes and had a part where Nicole Kidman territorially pisses on Zac Efron from HIGH SCHOOL MUSICAL. Because it’s a Lee Daniels movie. (read the rest of this shit…)
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Recent commentary and jibber-jabber
Bill Reed on I Love Boosters: “I’m on record as believing SORRY TO BOTHER YOU is a top 5 movie of the 21st century, so my…” Jun 12, 05:49
renfield on I Love Boosters: “I’m with Vern at every point here as well. I thought the straightforward earnestness of the ending was real nice,…” Jun 11, 21:54
MdM on The Furious: “Choreography- I’ve never seen anything this extravagant. I wish they remembered they were making a movie – not just an…” Jun 11, 17:53
Paul Constant on I Love Boosters: “Great review, Vern. I’m in complete agreement about the movie and The Coup. One thing I learned after watching the…” Jun 11, 14:50
grimgrinningchris on Heaven’s Prisoners: “My only memory of the movie is that they WERE real, but decidedly nothing near “spectacular”.” Jun 11, 12:41
Felix Ng on The Furious: “Just came back from this. Some incredible martial arts here. Especially the 4 way fight at the police station in…” Jun 11, 02:38
KayKay on The Furious: ““It’s set in unspecified Southeast Asia” Yup…this is square in the territory of your standard China Web Movie, which takes…” Jun 10, 23:21
KayKay on The Furious: “““Warning: she’s billed as a “special appearance,” so…” Didn’t come as a surprise, she’s been clear on cutting down on…” Jun 10, 23:10
KayKay on The Furious: “I caught this at a special screening* in my neck of the woods. So…I caveat this to those excited up…” Jun 10, 23:08
Adam C aka TaumpyTearrs on The Furious: “Jeeja Yanin! YES! “Warning: she’s billed as a “special appearance,” so…” GODDAMMIT! I had to stop reading there, I already…” Jun 10, 21:44
Furious Fred on The Furious: “Entirely possible some lines were dubbed by different actors if the on camera performer struggled with the lines. Hell Hong…” Jun 10, 19:32
VERN on The Furious: “You know, I’m really unsure. I noticed some dubbed lines at the very beginning, but there were definitely subtitled parts…” Jun 10, 16:34
Franchise Fred on The Furious: “The Lionsgate cut has Rainy speaking Chinese and everyone else it seemed was already speaking English so not dubbed. Were…” Jun 10, 15:58
When I saw DOMINO on opening day in 2005, I really thought it was the worst shit ever. In fact, at some point I earnestly added a “the worst shit ever” tag to 
“He had an uneventful childhood. He played baseball with the other kids on the block, became fascinated with the antics of what later became his heroes – The Three Stooges, read Spiderman comic books, thought Jerry Lewis was hilarious and the Little Rascals even more so. What influenced Raimi to become the ‘horror meister’ of slash and gore films is not found in his past.”
“If anyone’s gonna pee on him, it’s gonna be me!”
