"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘Cliff Robertson’

Escape From L.A. (30th anniversary revisit)

Friday, September 4th, 2026

August 9, 1996

John Carpenter’s ESCAPE FROM L.A. is a movie that I still like, but (kind of like THE FRIGHTENERS) not as much as I did at the time. Come to think of it maybe part of that was that Carpenter had been, up to that point, almost entirely a video experience for me. When I saw BIG TROUBLE IN LITTLE CHINA in the theater I was too young to be aware of who the director was. ESCAPE FROM L.A. was the first time I was purposely watching a John Carpenter film on the big screen, excited to see Kurt Russell play Snake Plissken again, his theme music blasting through the then-state-of-the-art THX sound system.

But I remember people trashing it at the time. Carpenter hadn’t done a sequel before, they didn’t like seeing him rehash a previous story, they didn’t like seeing c.g. in one of his movies, at least not like this. In many cases, I have to say, they really didn’t get the joke. I was, and still am, a person that finds it funny to move the anti-hero from a classic ‘80s urban dystopia over to the west coast and make him surf with Peter Fonda. Not everyone feels that way. They’re missing out on some of life’s beauty, in my opinion.

Okay, the c.g. complaint, I still get that. There are shots that look bad for the time, and that was 30 years ago. On the other hand, I’d guess it’s around 30 seconds of screen time, and lit murkily enough that it doesn’t look as shiny and ridiculous as most of the similarly budgeted stuff from the same era. One of those shots is underwater at night. What I found interesting on this viewing was that as the movie ages it looks and feels much more like ESCAPE FROM NEW YORK than it seemed to at the time, when it felt too current. The arc of time is starting to merge them. (read the rest of this shit…)

Renaissance Man

Thursday, June 6th, 2024

June 3rd, 1994

RENAISSANCE MAN is a really-not-that-bad inspirational teacher movie directed by Penny Marshall (A LEAGUE OF THEIR OWN) and written by Jim Burnstein (a rookie who later did D3: THE MIGHTY DUCKS). It’s corny in the usual ways but also benefits from the simple appeal of the formula and a more-subtle-than-usual performance by Danny DeVito (ROMANCING THE STONE, THE JEWEL OF THE NILE, BATMAN RETURNS).

He plays Bill Rago, a fuck up in the world of advertising who gets fired after missing an important meeting with out-of-town VIPs. Ed Begley Jr. (last seen two weeks ago in EVEN COWGIRLS GET THE BLUES) appears briefly as his friend Jack who hired him and still cares about him but has run out of jobs for him. While defending him to the boss Jack says “the man’s had a few personal setbacks the last couple years,” and we can infer that one of them is a divorce, but I like that they never elaborate. Maybe it was some weird shit too. We don’t know. (read the rest of this shit…)

Spider-Man

Wednesday, January 26th, 2022

“He had an uneventful childhood. He played baseball with the other kids on the block, became fascinated with the antics of what later became his heroes – The Three Stooges, read Spiderman comic books, thought Jerry Lewis was hilarious and the Little Rascals even more so. What influenced Raimi to become the ‘horror meister’ of slash and gore films is not found in his past.”

Dead Auteur: How a 20-year-old ex-college student carved out his horror niche in Hollywood by Sue Uram, Cinefantastique, August 1992

 

Immediately following Raimi’s very serious director period, his career changed drastically again. After so many stabs at the mainstream, he finally made the leap to genuine blockbuster filmmaking, bringing one of the most famous characters in the history of American pop culture to the big screen for the first time. This is not the use-Intro-Vision-to-stretch-the-budget-enough-to-try-to-compete-in-summer of DARKMAN and ARMY OF DARKNESS, or the work-with-huge-stars-but-scare-off-boring-people-by-doing-something-different-with-them of THE QUICK AND THE DEAD. I’m talking a super hero event movie with ten times the budget of DARKMAN, working with Sony Digital Imageworks to pioneer effects techniques that nobody was even sure would be possible, and finally sharing his talents with pretty much the widest audience possible for a movie. (read the rest of this shit…)

Mach 2

Sunday, February 2nd, 2014

tn_mach2The Super Bowl is on Sunday. I noticed because here in Seattle people are losing their shit. Every single person I’ve run into in the last month has been a life long die hard dyed in the wool cradle to the grave never forget Seahawk maniac, judging by their shirts, hats, coats and conversations. At the grocery stores they have “12th Man” cupcakes, cakes, microbrews, wines, they have “Beast Cut” deals on meat, that type of shit. The local news had a story about a guy who “created an internet sensation” by putting a jersey on his cat. There’s more blue and green flying than there were flags after 9-11, and an hour doesn’t go by outside of my apartment without people yelling stupid chants at each other, or at nobody. (In fact I hear some right now.)

Yesterday a homeless drunk with an eyepatch gave me a fist bump because “yeeaaaah, that’s the look. That’s the look of a Seahawk,” then told me about “the best defense in the league” and something something Peyton Manning. Basically, these crazy fuckers are gonna burn my building down if I don’t try to exploit, or I mean support the team in some ridiculous way. But I’m sorry friends, I am an honest individual, I cannot tell a lie, I just can’t fake something like being excited that we finally have a local men’s team doing well at something. It’s not a sport I normally watch and it would be real fuckin covenient to start now, wouldn’t it? So the best I can offer is to review 2001’s MACH 2 starring the greatest Seahawk of all time (movie-acting-wise), Brian Bosworth.
(read the rest of this shit…)