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Archive for the ‘Action’ Category

Mandy

Tuesday, September 18th, 2018

MANDY is a deranged bad trip of a movie from director Panos Cosmatos (BEYOND THE BLACK RAINBOW). It features a high grade mega-acting performance from Nicolas Cage (FIREBIRDS), and Cosmatos is the rare director to cinematically keep pace with Cage’s style rather than try to balance it out. He and cinematographer Benjamin Loeb (KING COBRA) peel off the skin of reality and find the painted covers of obscure fantasy novels and death metal albums beneath.

Cage plays Red Miller, a lumberjack who lives in a cabin in the Shadow Mountains circa 1983 with his fantasy illustrator girlfriend Mandy (Andrea Riseborough, OBLIVION). One day they get kidnapped by a demonic biker gang and psychotic Christian cult led by hippie folk singer Jeremiah Sand (Linus Roache, THE CHRONICLES OF RIDDICK), who strings Red up with barb wire and (SPOILER) burns Mandy alive, leaving her to crumble into ashes in his hands.

But he escapes and gathers some weapons and comes back and fucking fucks shit up. And that’s enough to hang a movie on in my opinion but explaining the premise does not remotely describe the movie, which seems from frame one to be drugged out of its mind and/or existing on a different astral plane. I bet when they try to play BORN LOSERS on Civic TV, this is how it broadcasts – a psychedelic fever dream revenge nightmare. (read the rest of this shit…)

Final Score

Monday, September 17th, 2018

If VOD is where we must go to see rugged heroes run through solidly entertaining classical action formulas then I guess that’s what we’ll do. In FINAL SCORE, Dave Bautista (WRONG SIDE OF TOWN) proves that he can handily carry a wholly unoriginal vehicle that knows how to properly operate the machinery of the DIE-HARD-on-a-____ template. To be more specific, this time it’s the SUDDEN DEATH template – DIE-HARD-in-a-hockey-arena-but-in-a-soccer-stadium.

Bautista plays American ex-Marine Michael Knox, who comes to London to bring his teenage “niece” – actually the daughter of a war buddy whose death he blames himself for – to the soccer match. (Yes, he keeps not calling it football, but don’t worry, there’s a part where a guy gets punched out for that very offense.) Unfortunately Uncle Mike and Danni (Lara Peake, HOW TO TALK TO GIRLS AT PARTIES)’s outing coincides with a plot by separatists from the ex-Soviet nation of Sukovia (on the eastern border of Sokovia, I believe) trying to find a former rebel leader in hiding and then blow up the stadium. (read the rest of this shit…)

The Avengers

Monday, September 10th, 2018

August 14, 1998

THE AVENGERS was a widely hated bomb and at the time I thought it wasn’t so bad. I kind of liked it. As is my way. Now, with the benefit of twenty years of hindsight, and not hurt by having preceded it with LOST IN SPACE, GODZILLA and ARMAGEDDON, I stand firmly by it not being that bad and me kind of liking it.

I must note as a disclaimer that I still haven’t watched the at-that-time-twenty-some-year-old British TV show it’s based on. I’m sure there are plenty of legit reasons for Avengers fans and our English friends to hate it that I don’t know about. But I like that it’s a quirky would-be blockbuster with weird gimmicks and humor, and unlike the ugly-as-shit LOST IN SPACE and GODZILLA it has dated well visually – the ’60s-inspired designs look as good or better now than they did in ’98. Also helpful in the timelessness department: the end credits have a James-Bond-theme-worthy song called “Storm” by Grace Jones. (I was gonna say it was 100% ska free, but the soundtrack listing notes a song by Suggs, lead singer of Madness, so I may be forgetting something.)

And it’s a fuckin action adventure starring Ralph Fiennes, cashing in on SCHINDLER’S LIST, I guess. You don’t see that every day. I guess maybe you could count STRANGE DAYS. (read the rest of this shit…)

The Meg

Monday, August 27th, 2018

When elite underwater rescue guy Jonas Taylor (Jason Statham, GHOSTS OF MARS) tries to save his friends from a damaged nuclear submarine, he makes a controversial decision to shut a door and leave behind some of the crew, saving eleven others from an explosion. His career and life are ruined by that hard choice. And also because he believes the sub was attacked by a monster and everybody thinks he’s nuts.

Years later he lives in Disgraced Hero Exile in Thailand, drinking all day in his Thai farmer hat, running a small fishing boat. It’s clear that he’s a sweetheart when some little kids wave at him on his motorcycle and he makes a funny face for them. I liked this little touch, though it kind of undercuts the later badass juxtaposition of his friendship with a little girl named Meiying (Shuya Sophia Cai).

Of course he’s resistant at first when his old buddy Mac (Cliff Curtis, DEEP RISING, WHALE RIDER, THE POOL, RIVER QUEEN, THE FOUNTAIN… he does alot of water related movies, is my point) shows up to recruit him for another rescue. This time it’s people working for a high tech underwater lab who lost radio contact. And one of them is his ex-wife Lori (Jessica McNamee, THE LOVED ONES). In a refreshing swerve from standard action movie protocol, he just likes and respects her, and is not trying to win her back. He does get to tell her “I told you so,” of course, when they all see that giant monster that they spent years telling him he didn’t really see. (read the rest of this shit…)

The Mask of Zorro

Wednesday, August 8th, 2018

You know me, I love these modern (like, 1990s or later) takes on old timey adventure heroes. For example I enjoyed THE SHADOW, THE PHANTOM, THE LONE RANGER and THE LEGEND OF TARZAN, all of which were considered flops. I suspect the generation that was greenlighting these kinds of pictures is gone, and the tradition will die out, but I appreciate their contributions to my entertainment.

There’s only one I can think of that was a genuine hit. THE MASK OF ZORRO opened at #1, made $250 million worldwide, even got a sequel. One of its biggest marks was making Catherine Zeta-Jones into a movie star. Obviously you and I already knew her as a villain who switches to the good guy side in THE PHANTOM, but executive producer Steven Spielberg (DEEP IMPACT) recommended her after seeing her in a Titanic mini-series. MASK OF ZORRO was the thing most people knew her from before ENTRAPMENT, THE HAUNTING, HIGH FIDELITY, TRAFFIC, CHICAGO, etc. For screenwriters Ted Elliott & Terry Rossio (SMALL SOLDIERS), who are credited alongside John Eskow (PINK CADILLAC, AIR AMERICA) and Randall Jahnson (DUDES, THE DOORS) it was the prototype epic-period-adventure-movie template they would use for four PIRATES OF THE CARIBBEAN movies and THE LONE RANGER.

As far as I know nobody ever talks about THE MASK OF ZORRO anymore. But they should. It’s fucking great. (read the rest of this shit…)

Mission: Impossible – Fallout

Monday, July 30th, 2018

On the way home from the new MISSION: IMPOSSIBLE I mentioned to a grocery store checker that I had just seen and enjoyed it. He asked if I was a big fan of “the original series” and as we discussed this I realized that he just meant the other movies. He’d forgotten it started as a TV series until I mentioned it.

This is one of those things as you get a little older, you lose track of how much time has passed. It also happened with JURASSIC WORLD a few years ago. In my mind JURASSIC PARK was an ongoing series that had made it to part 4. But to a whole generation it was holy shit remember that movie we saw in our youth, now a million years later can you believe they’re bringing it back for a new version, oh the nostalgia?

And lately I’ve noticed people declaring the stealth greatness of the MISSION: IMPOSSIBLE series, as if this wasn’t a thing you would be aware of just from watching popular mainstream movies. It reminded me of when FAST FIVE came out and suddenly a whole bunch of critics picked up that those movies were fun. Yeah, no shit. The only other people in on this secret are the, you know, however many paying customers it takes to get a series to part 5. (read the rest of this shit…)

Armageddon

Tuesday, July 24th, 2018

July 1, 1998

“There was some criticism that I made NASA look dumb in certain places. In fact if you heard some of these asteroid theories of what they are thinking of doing, it just sounds asinine.” –Michael Bay

ARMAGEDDON is Michael Bay’s third movie, but in some sense it’s the one where he revealed his true face to the world. There were plenty of examples of his style and character in BAD BOYS and THE ROCK, but it was ARMAGEDDON that first presented the full breadth of his trademarks: awesome awesome macho bros, pretty pretty sunsets, government employees portrayed as insufferable weiners even though they’re in the right, spinning cameras, haphazard editing all over the fucking place, chaotic mish-mashes of explosions and sparks and machinery and debris and smoke and crap, beautiful shots of people in various locations around the world, weirdly hateful characters presented as cutesy comic relief, an army of highly qualified writers seemingly locked in a cage and forced to duct tape a bunch of dumb ideas into the most unwieldy structure they can come up with that has a running time at least 30 minutes longer than the story has earned, and of course an ensemble of talented actors improvising jokes with no regard for any sort of desired rhythm or tone of storytelling. (read the rest of this shit…)

Skyscraper

Thursday, July 19th, 2018

We had DIE HARD on a boat and DIE HARD in a bus and DIE HARD on a train and DIE HARD in a hockey stadium and a couple DIE HARDs in malls and DIE HARD on piano and DIE HARD still in a building but not as good with Anna Nicole Smith (called SKYSCRAPER) and now we have DIE HARD still in a building but not as good without Anna Nicole Smith (but still called SKYSCRAPER). Dwayne Therock-Johnson plays Will Sawyer, former FBI agent turned small time security consultant given the huge break of overseeing the opening of the residential upper half of a fictional 225 story world’s tallest building in Hong Kong.

“The Pearl” as it’s called due to a round structure at the top is owned by rich dude Zhao (Chin Han, THE DARK KNIGHT, GHOST IN THE SHELL), who we later find out is being shaken down by some tactical mastermind guy (Roland Moller, ATOMIC BLONDE) whose guerrillas infiltrate and set the building on fire. Will is outside of the building when it happens, but he gets blamed for it and must evade the police THE FUGITIVE style and figure out how the hell to get onto the building because his wife (Neve Campbell, WILD THINGS!) and twins (McKenna Roberts and Noah Cottrell) are on the 96th floor. (read the rest of this shit…)

Tomb Raider

Thursday, July 12th, 2018

I think this new TOMB RAIDER is kinda good. You probly shouldn’t listen to me because I also kinda liked the new THE MUMMY, and this doesn’t have the benefit of cool monsters.

It’s very much the opposite of what I liked about the previous movies based on this same video game series. I watched LARA CROFT: TOMB RAIDER and LARA CROFT: TOMB RAIDER: THE CRADLE OF LIFE each ten years after they came out, and very much enjoyed Angeline Jolie’s shamelessly larger-than-life super heroine who parachutes into people’s Jeeps while talking to them on the phone, punches and hitches rides on sharks to escape flooded ruins, rides motorcycles on the Great Wall of China, etc. She has the talents and wits and acrobatic wire-fu skills to easily come out on top in any impossible situation, and that’s why it’s fun.

So I was skeptical when I saw that the new one was going for a “realistic” approach (partly based on a newer version of the video game). Doesn’t sound as fun to me. And Alicia Vikander, as much as I liked her in EX_MACHINA and THE MAN FROM U.N.C.L.E., looked silly to me in the trailers, leaping off crumbling cliffs, getting tossed around and scraped up and still John McClaning her way out of the rubble. She seemed too small and skinny and delicate for that to be believable. So when word on the movie was dire I gave up most of the hope that had been instilled in me by my admiration for director Roar Uthaug’s slasher movie COLD PREY and especially his viking-ish chase movie ESCAPE. (Once again, I highly recommend that movie.) (read the rest of this shit…)

Escape Plan 2: Hades

Tuesday, July 3rd, 2018

When I heard they were making an ESCAPE PLAN 2 I couldn’t believe it. If you read my review of the first one you can see that right at the beginning I worried it might be “the last gasp for straight ahead R-rated theatrically released movies from the ’80s action icons.” I was a major proponent of the Old Man Schwarzenegger and Stallone movies and disappointed that they kept flopping. I even saw MAGGIE in a theater somehow (there were three other people there, if I remember right) and I suspect I’ve recommended BULLET TO THE HEAD to more people than any other human being. I liked that one better, but that’s okay – ESCAPE PLAN was a solid genre piece with standard Stallone and Schwarzenegger getting to be funny and some goofiness and weirdness for flavoring. Not the best or worst thing either of these icons have done. A pretty good one. I want to keep seeing old fashioned action star vehicles like that, but these days the world is treating them like VHS. Or maybe Betamax. Or America Online CD-ROMs.

So I was grateful for whatever miracle of international co-financing gave us the possibility of an ESCAPE PLAN franchise. And okay, so it’s too bad Arnold isn’t in this one, but Dave Bautista (WRONG SIDE OF TOWN)? I’ll take Dave Bautista. And then wait a minute, they’re not releasing it in theaters? I guess I could understand it. Still could be good.

But pretty recently I saw another trailer and I noticed wait a minute, this is kind of weird, they say STALLONE and they say BAUTISTA but it kind of looks like it’s mostly about this character played by a Chinese actor whose name they don’t even say. (read the rest of this shit…)