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Archive for the ‘Action’ Category

Skyscraper

Thursday, July 19th, 2018

We had DIE HARD on a boat and DIE HARD in a bus and DIE HARD on a train and DIE HARD in a hockey stadium and a couple DIE HARDs in malls and DIE HARD on piano and DIE HARD still in a building but not as good with Anna Nicole Smith (called SKYSCRAPER) and now we have DIE HARD still in a building but not as good without Anna Nicole Smith (but still called SKYSCRAPER). Dwayne Therock-Johnson plays Will Sawyer, former FBI agent turned small time security consultant given the huge break of overseeing the opening of the residential upper half of a fictional 225 story world’s tallest building in Hong Kong.

“The Pearl” as it’s called due to a round structure at the top is owned by rich dude Zhao (Chin Han, THE DARK KNIGHT, GHOST IN THE SHELL), who we later find out is being shaken down by some tactical mastermind guy (Roland Moller, ATOMIC BLONDE) whose guerrillas infiltrate and set the building on fire. Will is outside of the building when it happens, but he gets blamed for it and must evade the police THE FUGITIVE style and figure out how the hell to get onto the building because his wife (Neve Campbell, WILD THINGS!) and twins (McKenna Roberts and Noah Cottrell) are on the 96th floor. (read the rest of this shit…)

Tomb Raider

Thursday, July 12th, 2018

I think this new TOMB RAIDER is kinda good. You probly shouldn’t listen to me because I also kinda liked the new THE MUMMY, and this doesn’t have the benefit of cool monsters.

It’s very much the opposite of what I liked about the previous movies based on this same video game series. I watched LARA CROFT: TOMB RAIDER and LARA CROFT: TOMB RAIDER: THE CRADLE OF LIFE each ten years after they came out, and very much enjoyed Angeline Jolie’s shamelessly larger-than-life super heroine who parachutes into people’s Jeeps while talking to them on the phone, punches and hitches rides on sharks to escape flooded ruins, rides motorcycles on the Great Wall of China, etc. She has the talents and wits and acrobatic wire-fu skills to easily come out on top in any impossible situation, and that’s why it’s fun.

So I was skeptical when I saw that the new one was going for a “realistic” approach (partly based on a newer version of the video game). Doesn’t sound as fun to me. And Alicia Vikander, as much as I liked her in EX_MACHINA and THE MAN FROM U.N.C.L.E., looked silly to me in the trailers, leaping off crumbling cliffs, getting tossed around and scraped up and still John McClaning her way out of the rubble. She seemed too small and skinny and delicate for that to be believable. So when word on the movie was dire I gave up most of the hope that had been instilled in me by my admiration for director Roar Uthaug’s slasher movie COLD PREY and especially his viking-ish chase movie ESCAPE. (Once again, I highly recommend that movie.) (read the rest of this shit…)

Escape Plan 2: Hades

Tuesday, July 3rd, 2018

When I heard they were making an ESCAPE PLAN 2 I couldn’t believe it. If you read my review of the first one you can see that right at the beginning I worried it might be “the last gasp for straight ahead R-rated theatrically released movies from the ’80s action icons.” I was a major proponent of the Old Man Schwarzenegger and Stallone movies and disappointed that they kept flopping. I even saw MAGGIE in a theater somehow (there were three other people there, if I remember right) and I suspect I’ve recommended BULLET TO THE HEAD to more people than any other human being. I liked that one better, but that’s okay – ESCAPE PLAN was a solid genre piece with standard Stallone and Schwarzenegger getting to be funny and some goofiness and weirdness for flavoring. Not the best or worst thing either of these icons have done. A pretty good one. I want to keep seeing old fashioned action star vehicles like that, but these days the world is treating them like VHS. Or maybe Betamax. Or America Online CD-ROMs.

So I was grateful for whatever miracle of international co-financing gave us the possibility of an ESCAPE PLAN franchise. And okay, so it’s too bad Arnold isn’t in this one, but Dave Bautista (WRONG SIDE OF TOWN)? I’ll take Dave Bautista. And then wait a minute, they’re not releasing it in theaters? I guess I could understand it. Still could be good.

But pretty recently I saw another trailer and I noticed wait a minute, this is kind of weird, they say STALLONE and they say BAUTISTA but it kind of looks like it’s mostly about this character played by a Chinese actor whose name they don’t even say. (read the rest of this shit…)

The Hurricane Heist

Thursday, June 28th, 2018

Note: the correct title is , in the FAST AND FURIOUS font

The only thing wrong with HURRICANE HEIST is that it’s actually called , and that “the” throws off the alliteration. But I’m betting this thing was written as, like, CATEGORY 5 or IN THE EYE OF THE STORM or something and then director Rob Cohen (DRAGON: THE BRUCE LEE STORY, DRAGONHEART, THE MUMMY: TOMB OF THE DRAGON EMPEROR) said “Are you stupid? This needs to be called . Unless I can talk you into DRAGONWIND?”

Of course I knew I needed to see a new movie from the director of STEALTH, ALEX CROSS and xXx called . Duh. That’s obvious. What I did not know I needed was Toby Kebbel (DEAD MAN’S SHOES, DAWN OF THE PLANET OF THE APES, FANTASTIC FOUR) playing redneck meteorologist Batman. After witnessing his dad getting smooshed by a hurricane as a child, Will Rutledge grows up to fight weather in a high-tech practically-a-tank car he calls The Dominator. It has armor-plating, roll bars, flood lights and retractable spikes that can claw into cement. (read the rest of this shit…)

The Debt Collector

Thursday, June 7th, 2018

“Look, you’re a tough guy, but you’re also a good guy.”
“I ain’t that good, mate. You saw what I did to that lad, didn’t ya?”

Yeah, I know, you’re all aware that Scott Adkins is the reigning king of DTV action. That’s not new information. You’re all well acquainted with UNDISPUTED II and III and 4 and UNIVERSAL SOLDIER: DAY OF RECKONING, if not HARD TARGET 2 or EL GRINGO or the other ones.

What hasn’t been discussed as much is that our favorite English martial artist has hit a new stride in his string of collaborations with director Jesse V. Johnson. Last year they did SAVAGE DOG, a weird and brutal period piece, followed a few months ago by the smart-ass assassin tale ACCIDENT MAN. Adkins gives honestly great performances in stoic roles like Boyka, who grunt almost as much as they speak, and I love those types of characters. But as co-writer and producer of ACCIDENT MAN, he not only gave himself a ton of great fight scenes, but all kinds of witty dialogue and first person narration that no other onscreen kicker could handle. And his latest continues the trend of retaining his Englishness and showing great charisma and verbal dexterity while still living up to the action expectations of a marquee-name martial arts star. (read the rest of this shit…)

Upgrade

Wednesday, June 6th, 2018

Until now, Leigh Whannell has seemed like James Wan’s sidekick. I guess technically he’s the creator of SAW, because he wrote the short film, but he’s mainly known for co-writing the first three SAWs, DEAD SILENCE and all the INSIDIOUSes. And then he directed INSIDIOUS: THE LAST KEY CHAPTER THREE. But did you know he had it in him to go off on his own and write and direct a ferocious low budget cyberpunk action thriller? Man, why didn’t you tell me?

Logan Marshall-Green (from THE INVITATION and Quarry, but I’ll always think of him as “I just want answers, baby” from PROMETHEUS) stars as Grey Trace, a simple mechanic who loves listening to Howlin’ Wolf records in the garage and working on his Firebird even though he lives in a near future with self-driving cars and cyber implants and shit. (Yeah, I know. But at least they don’t say out loud that he’s an analog man in a digital world. They just show you visually and then move on.)

Then one night mysterious criminals shoot him and his wife (Melanie Vallejo, the Blue Ranger on Power Rangers Mystic Force), leaving him paralyzed and her dead. Though his house is set up with some pretty sweet robot arms that can prepare food for him, he’s miserable and suicidal without his wife or the ability to work with his hands. (read the rest of this shit…)

Black Dog

Thursday, May 10th, 2018

April 10: SPECIES II
April 24: THE BIG HIT, TARZAN AND THE LOST CITY

May 1, 1998: BLACK DOG

On the same day that Eldridge Cleaver of the Black Panther Party died, and Uma Thurman and Ethan Hawke got married, BLACK DOG came out. (I wasn’t seeing it, I was seeing HE GOT GAME.)

BLACK DOG is a good old fashioned medium budget summer action movie, which is something that existed twenty years ago (we’ll also see THE NEGOTIATOR later in the summer). It’s an example of the mini-trend of action movies trying to appeal to country music fans (FIRE DOWN BELOW) with its soundtrack of songs about how half your check goes to the landlord and half to Uncle Sam, or how free it is to be “a road man,” with “those windshield wipers slappin out a tempo” when “each mile brings me closer to you.”

Patrick Swayze (STEEL DAWN) plays Jack Crews, a nice and upright Swayzian family man working hard at a warehouse to support his beloved wife Melanie (Brenda Strong, STARSHIP TROOPERS 1-2) and daughter Tracy (Erin Broderick, RETURN TO SLEEPAWAY CAMP). He sees his responsibility to provide for his family as his highest calling, and makes time to cook “only the absolute best homemade” for dinner and to go to Tracy’s basketball game. But if somebody at work tells him to stay late for some bullshit when he’s supposed to pick the girl up from school he’ll say “If you need it, it’ll be done.” (read the rest of this shit…)

Mercury Rising

Wednesday, May 9th, 2018

also April 3, 1998

MERCURY RISING opened on the same day as LOST IN SPACE, and I skipped it until now, too, despite it starring Bruce. I guess I figured it wasn’t a real action movie, it was some thriller from a director I wasn’t excited about (Harold Becker, VISION QUEST, SEA OF LOVE). I was more picky back then I guess.

He’s taking care of a little boy even though it’s a year before THE SIXTH SENSE. A practice run. It’s very much a transitional work because he basically gets to alternate between Action Bruce and Sad Bruce. Strangely enough it’s based on a book called Simon Says, which is the same name as the spec script that DIE HARD WITH A VENGEANCE was based on, as well as the name of Pharoahe Monch’s biggest song, which sampled the Godzilla theme, and a GODZILLA remake was released later in the summer of 1998. Isn’t that fucking crazy!? Well, I guess the third one is not really that relevant, and now that I look at it the book is actually called Simple Simon (by Ryne Douglas Pearson, who has story and screenplay credits on KNOWING). So please strike most of this paragraph from the record. I’m sorry I wasted your time. (read the rest of this shit…)

Emperor of the North

Wednesday, May 2nd, 2018

EMPEROR OF THE NORTH (a.k.a. EMPEROR OF THE NORTH POLE) is a great 1973 tramp epic, a Depression-era tall tale of a battle between the champions of two rival kingdoms: a legend of the homeless counterculture pitted against the meanest, most heartless bastard among those lucky enough to have a job working the railroad. A-No.-1 (Lee motherfuckin Marvin [PAINT YOUR WAGON] in his followup to PRIME CUT) is a smart, experienced “bull” intent on riding the No. 19 all the way to Portland, Oregon. Shack (Ernest Borgnine, THE SPLIT) is the cruel sonofabitch conductor who takes that shit way too personally.

The opening scene sets the stakes high. Under a somewhat amusing Marty Robbins theme tune that personifies trains, the Shack chases down some poor guy trying to ride his rails and whacks him on the skull with a big metal mallet, like he’s Vinnie Jones in THE MIDNIGHT MEAT TRAIN. We have to hear the man’s screams as he falls and tumbles beneath the wheels and is left on the tracks separated into two pieces. Horrible. (read the rest of this shit…)

Paradox

Thursday, April 19th, 2018

Remember the great Donnie Yen/Sammo Hung movie SPL, or KILL ZONE as the Weinsteins retitled it in the U.S.? If not, do you at least remember SPL 2/KILL ZONE 2, the even greater Wu Jing/Tony Jaa movie that knocked our asses and hearts into the stratosphere a couple years ago? Well, PARADOX was made as SPL 3. That’s why I got antsy and ordered an import from YesAsia before I read that Well Go is putting it out in the U.S. on May 8th.

Once again it’s not a normal followup, but a thematic sequel, or a spiritual sequel, or a sequel in name only, or a remix. Some of the connective tissue cast-and-crew-wise is that it’s directed by Wilson Yip (who directed the first SPL and produced the second), it’s produced by Cheang Pou-soi (who directed part 2), it stars Louis Koo (who played the crime boss who needs a transplant in part 2), it has a “special appearance” by Tony Jaa (who was the co-lead of part 2), Ken Lo (part 2) is in it too, and the action director is Sammo Hung (choreographer and co-star of part 1).

Also the cool American cover has a wolf on it, which must be a reference to the weird metaphorical encounter at the end of the last one. I do believe this one is wolf-free. (read the rest of this shit…)