After seeing WAR HORSE I wanted to see something about a civilian horse, so I watched this 2002 animated cartoon movie about a horse running wild in the old west. I guess his name is Spirit. I guess he is a stallion. I guess he lives in one of the places that is called Cimarron. I’m not sure which one.
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Posts Tagged ‘Matt Damon’
Spirit: Stallion of the Cimarron
Sunday, February 5th, 2012
Saving Private Ryan
Tuesday, January 31st, 2012
No joke, I never saw SAVING PRIVATE RYAN before. I’ve never been big on war movies and I think back when it was a recent movie I was real cynical and suspicious of any type of flagwaving. I thought movies like this were just brainwashing kids to join up in case they needed to blow up Iraq again.
But that’s stupid. This one’s about “the good war” and still makes it look like something to avoid at all costs. The famous Omaha Beach invasion sequence near the beginning is a total bloodbath, soldiers pouring off the boats into waves of machine gun bullets. They might as well just be jumping from a diving board directly into a giant fan, it seems like.
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Hereafter
Wednesday, March 16th, 2011
My man Clint’s new directorial work HEREAFTER hit the home video this week, and it’s some creepy timing. The movie opens with vacationing TV reporter Cecile de France (from HIGH TENSION and MESRINE but once again I didn’t recognize her) leaving a Thai beach hotel one beautiful morning to shop for souvenirs in an open air market. Something about the filmatism here reminds me of JAWS, it’s just that heightened sense of sight and sound, you can hear voices and tones from every direction and almost feel the warm breeze on your neck. It’s so beautiful and peaceful but you know something horrifying is rumbling in the distance. (more…)
True Grit (2010)
Wednesday, December 29th, 2010
Jeff Bridges makes a great Rooster Cogburn – weird froggy voice, sloppy beard, aura of laziness, legitimately kind of disgusting as he’s introduced taking a shit and later casually pisses himself. If you don’t know the character from the novel by Charles Portis, or from John Wayne’s Academy Award winning portrayal in the 1969 version, or from the considerably less Academy Award winning sequel, or perhaps Warren Oates in the TV movie version, or obviously the episode of Scooby-Doo where Rooster has to figure out which Harlem Globetrotter has been replaced by an evil Moon-man, then let me fill you in: Reuben “Rooster” Cogburn is an eccentric, one-eyed civil war vet turned U.S. Marshall who “really knows how to pull a cork” and has a reputation for unnecessary but high quality shootings of suspects. So he’s the bounty hunter of choice for 14-year-old Mattie Ross, who wants to “finish [her] father’s affairs” by chasing down the drunken ranch hand who killed him and fled into Chocktaw territory with the Lucky Ned Pepper gang.
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Invictus
Sunday, January 3rd, 2010
So Mandela (Morgan Freeman) has just been elected president of South Africa. The headlines ask, “He can get elected – but can he run a country?” Mandela says it’s a legitimate question.
Apartheid ended a few years earlier, but the white Afrikaners still aren’t ready for this. In his first day as president he has to make a speech explaining to the white people in his office that no, contrary to rumors they are not fired. Whatever they did in the past is in the past. If they don’t want to work with him then fine, pack your shit (paraphrase), but otherwise he needs you so stay and do what’s right for the country.
The mistrust goes both ways. Mandela’s head of security (Tony Kgoroge) knows this is gonna be a tough job, but when he asks for more men Mandela gives him a bunch of white South African cops, the enemy of the African National Congress. He has every reason to believe these scary motherfuckers could plan an assassination themselves, but Mandela wants them for their symbolic value. If he goes around with an integrated security team then that says something. What else can he do, really? Somebody’s gotta put their toes in the water. (more…)
The Informant! and The Girlfriend Experience
Sunday, September 20th, 2009
Today I have a Steve Soderbergh double feature. I got his new one, THE INFORMANT! followed by his previous one, THE GIRLFRIEND EXPERIENCE.
Twenty years after SEX, LIES AND VIDEOTAPE and Steve Soderbergh is still experimenting up a storm. This year he’s alternating a low budget improvised drama starring a porn star (more on that later) with this big studio comedy starring Matt Damon. But as far as Soderbergh’s commercial movies go THE INFORMANT! is on the weirder end. He takes the true story of a corporate crime whistleblower who helped the FBI crack open a huge price fixing scandal, but he plays it as a broad comedy. (more…)
The Departed
Thursday, February 22nd, 2007If you saw INFERNAL AFFAIRS you know the storyline. Undercover cop vs. undercover gangster. There’s alot of stories about cops going undercover in gangs, but this one also has a member of the crime family who entered the police academy and moved up the ranks as a mole for his gang. So now both traitors are well situated and it starts to get obvious to both sides that they have a mole in their midst. And the moles are given the job of finding out who the mole is. It could be called LOS TOPOS.
Mr. Scorsese took that premise and moved it to Boston and told his own story about contemporary Boston criminals. Scorsese’s young associate Leonardo Del Caprio (looking more like Benicio Del Toro every year) plays the cop who pretends to get kicked out of the force, does some time and then joins Jack Nicholson’s gang. Matt Damon plays the cop who’s really working for the gang. We first see him as a little kid getting money from Nicholson in a diner. And the kid they chose is a dead ringer. They even taught him how to cock his eyebrow like Damon. Somebody’s gonna have to find a young Ben Affleck doppelganger and these two can go on the road. Or they could do THE YOUNG JASON BOURNE MYSTERIES where the camera shakes around while he’s fighting some kid in a treehouse.
People are calling this a return to form for Scorsese, but it’s more like a return to genre. Come on man, THE AVIATOR wasn’t good enough for you? Of course it’s great to see Scorsese back doing a current day gang movie. And this is a great movie. But don’t get TOO excited, it’s not GOODFELLAS. There’s alot of funny macho dialogue that makes it alot of fun, but it’s more stylized I think. GOODFELLAS seems more authentic. THE DEPARTED is more just for laughs. This probaly isn’t a masterpiece. But it’s a really fuckin great thriller. (more…)
Syriana
Monday, December 12th, 2005Brothers Grimm
Friday, August 26th, 2005Ever since that documentary LOST IN LA MANCHA, Terry Gilliam has a reputation as the bad luck director who can’t finish a movie without the Lord dropping down on him like a bag of cinder blocks. I heard he writes his shooting schedules under a ladder on the 13th day of the month. It’s been what, six years since FEAR AND LOATHING IN LAS VEGAS, he’s been trying to make movies since then but this is the first one to make it to the screen. People figure it’s a miracle if he can shoot a scene that is not interupted by an act of God, let alone finish a whole movie and have it released in theaters. So in that sense, THE BROTHERS GRIMM is a miracle. Because it is a finished movie with credits and everything. They even made a poster I think.
As far as actual entertainment value though it’s maybe a little less miraculous, in my opinion. The main problem: the first hour. A man of my knowledge and insights, I oughta be able to put my finger on it more than that, but all I can say is I was bored as shit for the first half of this movie. Nothing really painfully lame or anything but it’s just not involving and not in the usual Terry Gilliam way where he overwhelms and disorients you with his powerful imagination rays. It looks like a Terry Gilliam movie, it seems like an okay premise for a Terry Gilliam movie, but it just doesn’t click. It’s not funny. It’s not that clever. And takes for fucking ever to get going.
I don’t know for sure what happened but this is my guess. The poor bastard spends all these years doing these weird fantasies about the power of imagination and what not, then suddenly he takes a left turn and makes that great adaptation of FEAR AND LOATHING. It makes sense that he was the guy who could pull that movie off, but at the same time it’s pretty different from castles and hot air balloons and flying around on wings and shit. And all that heat, something in his brain cracked. So now he goes back and tries to do Don Quixote, he can’t do it without disaster: floods and sickness and I forget, did anybody get eaten by locusts in that documentary? He has such a hard time he figures what the hell, after all these years of fierce uncompromising independence, it’s time to take one for the team. He does one for hire, from somebody else’s script (the chump who wrote SCREAM 3) just to get his camera rolling again. But I bet he doesn’t really have his heart in it. (more…)
Ocean’s Twelve
Friday, December 10th, 2004OCEAN’S 12 is a sequel to OCEAN’S 11 (the 2001 version [not the movie 2001, I am referring to the year 2001, the year the movie OCEAN'S 11 was made {the remake, not the original, that is why I brought up this year thing originally}]) so this will be the sequel to my review of that movie.
It turns out that the eleven do NOT die horribly as I predicted. But their past (the other movie) does catch up with them, and the sequel is all about them doing various heists in order to pay back the money, plus interest, that they stole the first time around. So that means that Ocean’s 11 actually have a net loss across the two pictures. I mean, think about that. That’s terrible! What does that say about the current state of doing a job right? You want to do the impossible, so you bring in 11 of the greatest experts from around the world, you pull it off, you win back your ex-wife, and you have a fun time doing it. And your reward is horrendous debt and threat of life and limb. That’s how this world rewards you for ambition, talent and dedication.
That’s kind of a bummer in a caper movie where you expect each one to be a bigger and better heist. But it’s nice to be able to have another ending that’s not one of the standard caper movies endings (A: they get away with it and are last seen chilling on a beach somewhere; B: they almost get away but die tragically, probaly ironically.) At the very least this movie will probaly be a big inspiration to those of you with large credit card debts.
As you know from my original O11 review, I was already ready for a sequel. And I always pictured it as a tighter version of 011, maybe a little harder. As much as I enjoyed that movie it was no THE LIMEY or OUT OF SIGHT which are the movies that really told me this Steve Soderbergh was capable of a top notch crime picture. I thought they would follow the same basic formula of Part 11 but with the characters already introduced, they would be able to have a more detailed and realistic look at a heist, maybe some gritty everything-goes-sour type business, who knows. But with the same charismatic cast and bouncy sense of humor and funky David Holmes soundtrack. (more…)
