Posts Tagged ‘Laurence Fishburne’
Saturday, July 10th, 2010
Well, whattya know? PREDATORS really is a good old fashioned action movie in the tradition of PREDATOR. Whichever corporate overlord holds the deed to the PREDATOR licensed property seems to be taking a temporary break from the “make sure they know we just want their money” policy that was in place for the two cheesy movies where the PREDATOR predators and the ALIEN aliens all got humiliated together fighting that pizza delivery boy at the pool party or whatever.
The movie begins with THE PIANIST himself, Adrien Brody, dropping from the sky. He just wakes up mid-air, hurtling toward an unknown jungle, no idea how he got here, and luckily finds that he has some kind of small parachute contraption attached to him. We’ve all been there, so it’s a real relatable way to start a movie. (more…)
3 people like this post.
Tags: Adrien Brody, Alice Braga, Danny Trejo, Laurence Fishburne, Nimrod Antal, Oleg Taktarov, Robert Rodriguez, Topher Grace, Walton Goggins
Posted in Action, Reviews, Science Fiction and Space Shit | 127 Comments »
Thursday, June 17th, 2010
One thing we’ve learned from the movies is that cops often come from faraway lands to follow a fugitive or transfer prisoners back to their jurisdictions, and when they do that they have to team with a screw-up from the local department and at first they hate each other and say ignorant things but over time the screw-up will learn from working with the foreigner and the foreigner will see something in the screw-up that no one else did and they will gain respect for each other and at the end they will be great friends to set up for the sequel that most likely will never come. Pat Morita came from Japan and did it in COLLISION COURSE, Jackie Chan came from Hong Kong and did it in RUSH HOUR, Clint Eastwood came from Arizona and sort of did it in COOGAN’S BLUFF, except he didn’t need the partner because he’s motherfuckin Clint. Well, here we got Schwarzenegger coming from Russia to Chicago to get the Georgian gangster who killed his partner and is bringing “the American poison” into their country. James Belushi has to escort him and Walter Hill has to escort the movie. (more…)
Tags: buddy movies, Carolco, Gina Gershon, James Belushi, Laurence Fishburne, Schwarzenegger, Walter Hill
Posted in Action, Reviews | 57 Comments »
Monday, March 15th, 2010
Right now Nimrod Antal is a director-of-interest because they got him doing that PREDATORS movie. And I hadn’t seen his movies (like KONTROLL and VACANCY) but ARMORED is out on DVD this week so I decided to check it out. (And yes, every movie he’s directed so far has a one word title.)
I read somewhere that when Robert Rodriguez saw ARMORED it sealed the deal for Antal doing PREDATORS. I’m not sure what that says, because there’s nothing too wrong with ARMORED, but nothing too right, either. (more…)
Only 1 person likes this post. Kinda sad.
Tags: Fred Ward, Jean Reno, Laurence Fishburne, Matt Dillon, Nimrod Antal, some guy from Lost
Posted in Crime, Reviews | 97 Comments »
Tuesday, March 4th, 2008
DREAM WARRIORS is the most popular of the Elm Street sequels, the one that set the pattern for most of them and, to be fair, the roots of everything that’s bad about them. It makes Freddy a little less mysterious, less scary, more jokey. The dreams become less surreal and more gimmicky. But still pretty good.
After skipping out on part 2, Wes Craven decided to co-write this one, although his script was then rewritten by Frank Darabont (who would go on to direct SHAWSHANK REDEMPTION) and director Chuck Russell (who would go on to do crap like ERASER). I think the reason for the movie’s lasting popularity is Craven’s “dream warriors” concept. In the first two you had one lead character who has to take on Freddy pretty much by themselves, with only a girlfriend/boyfriend trying to help them. In this one Craven has a girl who for some reason has the power to pull other people into her dreams. So you have a group of teens all in a mental hospital because their Freddy attacks have been misinterpreted as mental illness. They not only share the belief in Freddy, they share the same dream world, so they can work together to fight Freddy.
Not only that but Heather Langenkamp returns as Nancy, now a grad student with a shock of white in her hair from her encounter with Freddy. She’s like Obi Wan coming back to share her veteran’s knowledge with these kids. And it’s pretty cool when Freddy is surprised to see her in Kristen’s dream. “YOU!” he says.
The genius of the concept as far as appealing to young people is that young people all like having friends. Even if they think they are outsiders they often have a group of similar friends who they think are like their family. They have stupid nicknames, they hug alot, sometimes they wear giant pants and clown makeup. Misfit kids travel in packs, they are gonna like Dream Warriors better than Nancy fighting Freddy on her own. (more…)
4 people like this post.
Tags: Chuck Russell, Frank Darabont, Laurence Fishburne, Rodney Eastman, slashers
Posted in Horror, Reviews | 1 Comment »
Saturday, January 1st, 2005
In this movie Christopher Walken plays Frank White who is the King of New York. He is not literally a king but actually some sort of crime boss of New York. He’s fresh out of the joint and unlike certain heroic individuals who choose to turn their life around and follow a path of Positivity, making the world a better place through art and culture, he decides to be king of new york. But he says he’s gonna build a hospital so that makes it okay.
The director is Abel Ferrara, an asshole director who I sort of like. I mean I never met the guy obviously but he’s one of those greaseballs like Vincent Gallo where, before you even see an interview with the guy, you just get the feeling he’s an asshole. In his movie DRILLER KILLER I didn’t even realize he was the star (he used a pseudonym) and I kept thinking this star really thinks he’s hot shit, it’s not just the character. What a fuckin asshole. But then I listened to the commentary track and heard Ferrara say the same exact thing about himself. So I had to like him.
Plus, some assholes are talented and I think Ferrara is, at least sometimes. He makes gritty, raw movies, alot of them bad, some of them good. His commentary tracks are always funny and even on a movie like this, maybe the best he’ll ever make, he makes fun of it like it’s some corny slasher movie. Here he makes a crime saga but he doesn’t have Hollywood germs tainting his blood so he makes it serious and brutal and unformulaic. You could argue that he’s one of these pretentious New York underground art type assholes, and that that’s not necessarily better than being a corny Hollywood asshole. True, but I prefer the New York asshole for making KING OF NEW YORK. Especially a macho guy like Ferrara. (more…)
2 people like this post.
Tags: Abel Ferrara, Christopher Walken, David Caruso, Giancarlo Esposito, Laurence Fishburne, Paul Calderon, Roger Guenveur Smith, Steve Buscemi, Theresa Randle, Victor Argo, Wesley Snipes
Posted in Action, Crime, Drama, Reviews, Thriller | No Comments »
Saturday, January 1st, 2005
When I saw the first trailer for MYSTIC RIVER I practically flipped out. I guess not like one of those “geek-gasms” my bud Harold Knowles talks about but more like getting goose-shivers or the hair standing up on your balls or whatever the saying is. I already knew it had cleaned up at the Whatsisdick Film Festival over there in wherever it was, and that it was directed by my man Clint, who actually did the narration for this trailer. There was no scenes from the movie, just a helicopter shot of the town with the narration and then the credits start telling me, okay: Sean Penn, Tim Robbins, Kevin Bacon, Laurence Fishburne, Marcia Gay Harden, Laura Linney… and then it says, “A Film by Clint Eastwood.” It gives you no clue what it’s about really, just shows you the setting and tells you the players and figures that if that’s not enough for you then you must be an asshole. “That’s all I need to know,” I said, but really I already knew more – that it was written by oscar winner Brian Helgeland, director of outlaw award winner PAYBACK.
I mean I was very excited for this picture so naturally what I did was, I put off seeing it for months and then when I finally did see it I was kind of disappointed.
Don’t get me wrong though, it’s a pretty good one. Just not by Clint standards. The whole cast is great, especially Mr. Penn as the ex-con who has to deal with his daughter being murdered and then with the suspicion that it might’ve been a childhood friend that did it. Pretty depressing, of course, but especially since it all stems back to a childhood incident where Tim-Robbins-as-a–kid gets kidnapped and molested. I always say, any movie that starts out with child molesting is gonna be kind of a bummer, in my opinion. (more…)
Only 1 person likes this post. Kinda sad.
Tags: Clint, Clint Eastwood, Kevin Bacon, Laura Linney, Laurence Fishburne, Marcia Gay Harden, Sean Penn, Tim Robbins
Posted in Crime, Drama, Mystery, Reviews, Thriller | No Comments »
Saturday, January 1st, 2005
This might bother some of you but I just want to say it up front: put me in the camp of people who say the original MATRIX really is “the shit” as the kids say when they mean that it is not shit but actually the opposite of shit, which is I guess in this case THE MATRIX. Because what these boys the Wachowski Brothers did was an extremely well executed twilight zone concept for the post William Gibson days which also happened to be the perfect vehicle to combine over the top Hong Kong martial arts traditions with american actors and computer effects AND an appropriate metaphor for our times.
I love the idea that somebody like Jackie Chan or Michael Jordan who has extraordinary physical skills could actually just be a smart dude who figured out loopholes in the laws of reality. If you can understand the program well enough you can cheat and do things that a person isn’t supposed to be able to do. In the old shaw brothers movies it was just magic or shaolin wisdom but here we put those same spectacular moves in a sci-fi context and we get a whole different spin where even some jackass like Keanu Reeves can fly through the air and be so convincing that most of American can watch him as the iconic badass Neo and not even think of him as Keanu anymore.
It would be hard to exaggerate the influence THE MATRIX has had on movies in the past couple years, unless you said that all movies made after 1999 were word for word re-creations of THE MATRIX. It has been a big influence, not just on the clothes they wear and the wires they swing around on, but even the very concept of how much stuntwork an actor can be expected to do. If Keanu Reeves can do kung fu training for months and do most of his own fighting then what the fuck is Steven Seagal’s excuse? Maybe that’s why he went back to straight to video. Because the Wachowskis convinced their cast to do it and they were crazy enough to be convinced, now Charlies Angels can do it and Kill Bill can do it. Because it’s been proven possible. And people know who Yuen Wo Ping is enough to hire his brother to do Charlie’s Angels. And then of course there’s all the people copying the “bullet time” freeze framing effect which had been done before but was popularized and made easier and more flexible by the technology invented for THE MATRIX. I know that’s just a gimmick but in couple decades that will be known as one of the cliches of this era of film just like wah wah guitars are for ’70s film. It’s like what was the first movie to do a freeze frame or a split screen? It’s trivial but it’s a big effect. (more…)
Tags: Carrie-Anne Moss, Harold Perrineau, Harry Lennix, Hugo Weaving, Jada Pinkett Smith, Keanu Reeves, Laurence Fishburne, Monica Bellucci, Randall Duk Kim, Wachowskis
Posted in Action, Reviews, Science Fiction and Space Shit | 2 Comments »
Saturday, January 1st, 2005
This one’s from ‘91 and I guess it’s most famous as the movie that introduced the world to Snoop Dogg. Not as an actor, but the young Snoop is “introduced” on a Dr. Dre song that plays on a stereo in the movie and then on the end credits. But this is a pretty good one, a serious undercover cop movie directed by Bill Duke, made memorable by a great performance by Mr. Laurence Fishburne.
Laurence plays one of those straightlaced cops whose dad was a junkie shot in front of his eyes and ever since he’s walked the straight path, stayed 110% clean and fought to clean up his community, stop the drugs, etc. Against his better judgment he signs up to become an undercover cop, working for a sleazy white fuck, looking the other way when people are murdered and selling drugs to kids and pregnant mothers – all because of the carrot at the end of the stick, the chance to bust a guy near the top of the pyramid bringing drugs into the country. But not the guy at the very top, a politician, because that guy’s off limits.
In every movie about an undercover cop, alot of the same shit is definitely gonna happen. But if it’s done well, you’re gonna make me a sucker. It’s just like a con-man picture or a revenge picture. We can see the same shit over and over but if the execution is good enough, that’s what we want.
Obviously we all know where this story is going. He builds a relationship with the criminals he’s working with, and even a sleazy lawyer/drug kingpin played by Jeff Goldblum becomes somewhat likable. He gets his hands dirtier than he wants to, kills people and regrets it, even starts snorting coke. He ends up becoming disillusioned with the phoniness and corruption of the DEA, saying that he thought he was a cop pretending to be a drug dealer, but was actually a drug dealer pretending to be a cop. (I liked that line but I doubt this was the first movie to use it.) So he quits the force but is so entrenched in the drug dealing that he has to continue, until he can pull a badass Superfly type move and turn the tables on everyone. The kind of fuck–you that Vin Diesel should’ve pulled at the end of XXX instead of just selling out and lounging on a beach. (more…)
Tags: Bill Duke, Jeff Goldblum, Laurence Fishburne
Posted in Action, Crime, Reviews, Thriller | No Comments »
