"CATCH YOU FUCKERS AT A BAD TIME?"

Backwoods

slashersearch15 tn_backwoodsa.k.a. GEEK

This year during Slasher Search I’m hoping to find a few more woods/camping/cabin based slashers, because I’m working on a novel that relates to this subgenre. So I started with one that actually had the word “woods” as part of the title.

BACKWOODS is a very routine low budget movie about a young couple who go on a camping trip and get into trouble with a feral mountain man type dude. Things do not look promising when the movie goes from the opening credits – with a hillbilly folk tune about racoon hunting creepily whisper-sung over black (you’ll be hearing this song alot) – to a shot of the protagonists riding bikes with cheesy drum machines and music so inappropriately upbeat it sounds like it comes from an old educational film strip. This is a pretty bad movie, but at least it’s not as bad as this music cue had me convinced it would be.

Karen (Christina Noonan, no other credits) and Jamie (Brad Armacost – holy shit, he was on an episode of Empire! I love that show!) are visiting Kentucky. Karen insists on riding their bikes through a mountain trail, then chaining them to a tree and hiking further until they set up a tent and have some sex and what not. Of course this is after a friendly local tells them definitely not to go up in that direction. No specific reason I want to mention but, you know, trust me on this.

The first sign of trouble: they keep finding chicken heads everywhere. Kinda weird. Then it seems like somebody’s watching them have sex. (read the rest of this shit…)

October 8th, 2015 | 19 Comments »

The Last Circus

tn_lastcircusFrom the monster clowns on the cover and the opening scene set in 1937 I really thought this was gonna be some kind of ghost or demon story, but it’s actually set in the sort-of-real-world. Director Alex de la Iglesia (DAY OF THE BEAST, 800 BULLETS) gives us another hard-to-classify brew of insanity, whimsy, tragedy and cruelty, like a Jean-Pierre Jeunet movie that got left out too long and went rancid.

It’s the tragic tale of Javier (Carlos Areces, EXTRATERRESTRIAL, I’M SO EXCITED), son of a clown (Santiago Segura, BLADE II, BEYOND RE-ANIMATOR, PERDITA DURANGO) who as a child watched his father’s troupe dragged away from a performance and conscripted to kill some rebels. Some resist, but his pop takes the machete they give him and goes to town, still wearing his makeup like a fuckin nightmare. Afterwards a Colonel (Sancho Gracia) enslaves him in a mine for years, until nerdy little Javier tries to avenge him with a guerrilla bombing, which has mixed results. On one hand, it kicks off a ruckus and some of the prisoners escape. On the other hand his father has his face stomped in by the Colonel’s panicking horse.

As an adult  in the ’70s Javier gets a job as the sad clown in a traveling circus. He immediately gets a crush on the aerialist, Natalia (Carolina Bang, AS LUCK WOULD HAVE IT, WITCHING & BITCHING), but she’s the property of his abusive funny clown superior Sergio. (read the rest of this shit…)

October 7th, 2015 | 25 Comments »

Halloween II

tn_halloweeniiHALLOWEEN II is… not HALLOWEEN. But I guess that’s why they added the “II” on it. I should’ve caught that.

Continuing immediately from the end of John Carpenter’s genre-defining much-imitated timeless unkillable masterpiece classic, and using most of the same crew (including cinematographer Dean Cundey), it’s able to imitate the style enough to recapture the feel sometimes. Other times it just emphasizes how outstanding and impossible to duplicate Carpenter’s touch was.

To be fair, this was written and produced by Carpenter and Debra Hill, scored by Carpenter, who also chose the director, Rick Rosenthal (who later ended the series in disgrace with HALLOWEEN: RESURRECTION) on the basis of a short he directed. Then, when it was filmed and Carpenter didn’t think it was scary enough he went and shot gorier death scenes. So he has a hand in it, for good or bad.

This is one of the rare sequels that just continues exactly from the ending of the last one. So it starts by replaying the ending of the original, where Dr. Loomis (Donald Pleasance) shows up to rescue Laurie (Jamie Lee Curtis) by shooting Michael “The Shape” Myers (in the new footage played by stunt coordinator Dick Warlock, the only major cast change), who then disappears. I always wonder if the end of HALLOWEEN, a series of shots of empty locations, was meant to imply that Michael could be anywhere, or that he IS everywhere. But part II goes with the first choice. He snuck off.

The sequel proper begins with an excellent steadicam P.O.V. sequence. Carpenter has his scene from the point-of-view of young clown-costumed Michael spying on and then murdering his sister on Halloween night. Rosenthal has adult Michael walking around dark Haddonfield unseen by unsuspecting suburbanites. We hear his breath, the dogs barking and nearby cars driving by as he walks through an alley and looks into people’s homes. Some of the innocents he comes across are doomed, most will not know how close they came, or that they walked right past him without noticing his presence. (read the rest of this shit…)

October 6th, 2015 | 28 Comments »

a new piece on STONE COLD

tn_stonecoldThose of you who participate in the “Twitter” brand social media platform might have seen an account called “One. Perfect. Shot.” It follows the simple idea of posting beautiful frames from favorite movies, so you can admire their composition and lighting and what not. For example here’s a nice one from today:


I didn’t know this at first, but the guy that does it is Geoff Todd, who was the editor over at Daily Grindhouse when I did a column there. He also collects them at a websight, oneperfectshotdb.com, complete with, like, articles and shit. He asked me to write some of those articles and shit, and he’s always been good to me, so what the hell. I will be writing one or two perfect essays a month over there.

Since most of his readers probly don’t know me from Adam and Steve I figured I should introduce myself with a movie that truly represented who I am and what I represent, not only as a writer but also as a human being here on this planet just trying to get by and travel this journey you know what I mean so obviously I wrote the only thing a man in that situation CAN write, a little piece called:

Strictly Bozness: The Fiery Majesty of ‘Stone Cold’

I know I’ve written about this movie a couple times before, but come on. It’s fucking STONE COLD, man. This won’t be the last time either. “Stricly Bozness,” by the way, is what I wanted to call my book on the films of Brian Bosworth before I determined that too many of them (including the barely aired TV show he starred in) were unavailable for me to do it. Maybe some day.

Anyway, check it out and feel free to comment over there so they know somebody gave a shit.

October 5th, 2015 | 6 Comments »

Scream 2

tn_scream2SCREAM 2 is a slasher sequel that had a rare level of difficulty. The fringe nature of the subgenre normally allows part 2s some leeway as exploitational cash grabs, making room for everything from an okay continuation (HALLOWEEN II) to an experimental misstep (A NIGHTMARE ON ELM STREET PART 2: FREDDY’S REVENGE) to a perfection of the formula (FRIDAY THE 13TH PART 2) to a re-inventing masterpiece-in-its-own-right (TEXAS CHAINSAW MASSACRE 2). But SCREAM was such a mainstream smash hit, and it created such a new interest in horror among non-horror people, that it had different expectations to live up to.

Also, its horror-movie-where-the-characters-know-about-horror-movies gimmick positioned it as sort of above horror movies, so they couldn’t get away with a normal sequel, they had to also say something about sequels. At the same time, it couldn’t really follow the template of the sequels it was supposed to be commenting on because it’s a series where the bad guys die and the good guys come back in sequels, so it’s a totally different type of story from most popular slashers.

As if all that wasn’t a tall enough hurdle to jump over, this was maybe the first movie production to get screwed by internet spoilers. A first draft of the script got leaked online, so they changed the twist ending during filming. (I bet Elise Neal was bummed she didn’t get to do her killer reveal speech.) (read the rest of this shit…)

October 5th, 2015 | 64 Comments »

Insidious Chapter 2

insidious2INSIDIOUS CHAPTER 2 is another pretty good ghost movie from director James Wan (DEATH SENTENCE, FURIOUS SEVEN) and his longtime co-writer Leigh Whannell. It’s actually a better sequel than usual because either they set up on purpose what part 2 would be or they just happened to leave a good hook for it on accident. Chapter 1 was kind of a POLTERGEIST meets JAWS THE REVENGE deal where this family thinks their house is haunted by a demonic Tiny-Tim-loving Darth Maul cosplayer, but it turns out their son (Ty Simpkins, IRON MAN THREE) is haunted. The dad (Patrick Wilson, THE A-TEAM), has to go to The Other Side or Tiptoe Through the Tulips Land or whatever to straighten things out with these fuckin ghosts. But also we met his mother (Barbara Hershey, BOXCAR BERTHA), and there was some indication that something like this had already happened to him before when he was a kid.

Well, now it all ties together. We flash back to his childhood (Isn’t chapter 2 kinda soon for that? I think this is gonna be a pretty short book. Will this even be a novella?) and then we see how it connects to some spookiness going on with the family right now, particularly with dad acting weird, being seen doing odd things when he thinks he’s alone, and covering his growing agitation with an increasingly awkward fake smile. Did he come back from ghost world somehow… wrong?

The first one dealt with the fear of spooky kids, this is one is all about the fear of insane dads and husbands. And the idea of someone you know really well suddenly seeming different, not themselves.

(read the rest of this shit…)

October 1st, 2015 | 9 Comments »

Species II

tn_speciesiiOh shit. What if instead of a female alien killing people in a SPECIES movie, it was a male alien? That would change everything. I HAVE NEVER SEEN ANYTHING LIKE THIS.

No, actually I’m making it sound stupid, but I honestly think this is a good premise for part 2. I talked in my review of the first one about how much I liked the gender subtext there, even if they didn’t do as much with it as I’d like. This one continues the exploration by giving us a male-alien-sex-rampage to compare and contrast with the female one.

Men are from Mars, you know, so that’s where it starts. America’s first manned mission to Mars (co-financed by Pepsi, Sprint, Reebok and Bud Lite) ends up getting the crew infected by Species DNA, which speaks to either how bad their luck is or what a toxic shithole Mars is, because I swear they were there for like five minutes total. I kind of feel bad for Reebok on this, it doesn’t seem like they got their money’s worth. One of the astronauts goes down on the lander, plants the flag, makes a brief speech, digs up three soil samples and flies back to the shuttle. They don’t notice that the samples are steaming and dripping slime as they high five and get ready to be “Homeward bound, bay-bay!” (read the rest of this shit…)

September 30th, 2015 | 18 Comments »

The Fly II

tn_flyiiDavid Cronenberg’s remake of THE FLY was and is something special. There’s nothing else like it. But you know how us humans are, we tried to put it in a box, treat it like a regular hit movie. Hollywood said “Hey Cronenberg, it’s your lucky day, we got TOP GUN for you.” And the world of horror movies said “Let’s get the guy that did the special effects to direct a sequel!” For her part, Geena Davis said “You know what, find some other actress to play my character dying in childbirth and redub my lines over the re-used video footage of Goldblum.” And thus humanity embarked on the journey of THE FLY II.

I don’t remember thinking too much of this one when I saw it in the 1980s as a double feature with I’M GONNA GIT YOU SUCKA. And for years I would joke about the true fact that people didn’t want to buy THE FLY on DVD because it came with THE FLY II. That they could charge more for it if it was just the first one.

But I realize now that I was too close. It was too soon. I wasn’t ready for it yet. But now, after a quarter century of experiencing life in a world where there is a FLY II, no matter our moral objections… shit, I enjoyed this one. It’s kind of like The Fly himself. It shouldn’t exist, but it does, so what’s it supposed to do? It makes a go at it. (read the rest of this shit…)

September 29th, 2015 | 13 Comments »

The Green Inferno

tn_greeninfernoEli Roth is one of the few name brands in modern horror. That’s weird because THE GREEN INFERNO is his first directorial work released in eight years. He’s spent more time producing and writing (the non-horror MAN WITH THE IRON FISTS being his most notable in that area in my opinion) and he was an Inglorious Basterd and what not. But as a director this is only his fourth film. At this point in John Carpenter’s career he was on his twelfth film, PRINCE OF DARKNESS.

I’m glad to have him back though because I’ve liked all of his movies. I remember CABIN FEVER being fun when I saw it at a midnight show, and though I had mixed feelings when I first saw HOSTEL it has grown on me on further viewings. And I especially like HOSTEL PART II, which I think is very underrated, even something of a modern horror classic.

Roth has always been one to talk worshipfully about the Italian horror directors, not just arty Argento but the slimy guys out in the jungle filming muddy maggot ridden zombies and cannibal savages cutting open ancient tortoises. So this is his tribute to those movies, his story of western travelers intruding on the territory of indigenous people who have, you know… different customs.

In the old ones they carried film cameras to make documentaries, these kids carry smart phones to livestream what’s happening. (Don’t worry, it has no found footage elements.) They come as activists trying to stop a corporation from plowing down the rain forest and the people inside it to get to the natural gas underneath. Or “unobtainium,” let’s call it. But their small plane crashes and leaves them stranded near the village, where they are manhandled, poisoned, caged, carved, cooked, eaten, etc. by a fictional Peruvian tribe (portrayed primarily by indigenous farmers who had never left their village deep in the Amazon). The captives plan and fight amongst themselves and try to escape. (read the rest of this shit…)

September 28th, 2015 | 56 Comments »

My new most anticipated movie: MANIAC COP

tn_maniaccopWell, MAD MAX: FURY ROAD had a good decade-plus run as my most anticipated movie. And that worked out well. I doubt I’ll ever see another one pay off like that in my life, but it’s always good to have things to look forward to, to keep you going.

Right now there are plenty of lower key projects to be excited about, from the finally-happening BOYKA: UNDISPUTED IV to the new STAR WARS picture. But right now the one that pushes my buttons the most is actually a remake of MANIAC COP.

This has been in development for a while, to be produced by Nicolas Winding Refn and (last I heard) scripted by Ed Brubaker, writer of acclaimed crime comics (and Seattleite I believe). Sounds fantastic. But what takes this news to the next level is the director: John Hyams, the genius behind UNIVERSAL SOLDIER: REGENERATION, UNIVERSAL SOLDIER: DAY OF RECKONING, DRAGON EYES, THE SMASHING MACHINE and RANK. I have spent the last five years wondering why the hell some studio hasn’t given this guy a budget to deal with, since his straight-to-video works easily out-thrill, out-style and out-smart most big screen action movies, including $200 million dollar duds like, I’m sorry to say, the recent TERMINATOR picture. (read the rest of this shit…)

September 25th, 2015 | 20 Comments »

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