Those of you who participate in the “Twitter” brand social media platform might have seen an account called “One. Perfect. Shot.” It follows the simple idea of posting beautiful frames from favorite movies, so you can admire their composition and lighting and what not. For example here’s a nice one from today:
LONE WOLF AND CUB: BABY CART IN THE LAND OF DEMONS (1973) DoP: Fujio Morita | Dir: Kenji Misumi pic.twitter.com/WDk4HtwDu4
— One. Perfect. Shot. (@OnePerfectShot) October 6, 2015
I didn’t know this at first, but the guy that does it is Geoff Todd, who was the editor over at Daily Grindhouse when I did a column there. He also collects them at a websight, oneperfectshotdb.com, complete with, like, articles and shit. He asked me to write some of those articles and shit, and he’s always been good to me, so what the hell. I will be writing one or two perfect essays a month over there.
Since most of his readers probly don’t know me from Adam and Steve I figured I should introduce myself with a movie that truly represented who I am and what I represent, not only as a writer but also as a human being here on this planet just trying to get by and travel this journey you know what I mean so obviously I wrote the only thing a man in that situation CAN write, a little piece called:
I know I’ve written about this movie a couple times before, but come on. It’s fucking STONE COLD, man. This won’t be the last time either. “Stricly Bozness,” by the way, is what I wanted to call my book on the films of Brian Bosworth before I determined that too many of them (including the barely aired TV show he starred in) were unavailable for me to do it. Maybe some day.
Anyway, check it out and feel free to comment over there so they know somebody gave a shit.