Marvel has been on a roll for a while now. I guess it’s inevitable that when you release extra colorful and ambitious movies like GUARDIANS OF THE GALAXY VOL. 2, SPIDER-MAN: HOMECOMING, THOR: RAGNAROK, BLACK PANTHER, and AVENGERS: INFINITY WAR all within two or three years then some of the other stuff you put out is gonna seem less impressive. Like, DOCTOR STRANGE was pretty good fun and ANT-MAN AND THE WASP has plenty of laughs and now we have CAPTAIN MARVEL, a perfectly fine movie I enjoyed watching similar to how I enjoyed watching the first THOR. Like that one it’s a pretty cool, well-cast new character who comes to our world from sort of an iffy fantastical one, has some pretty cool, sometimes funny fish-out-of-water interactions with humans, and fights some bad guys from her world in a small town without many people around.
Not bad, but how are you gonna get ’em back on THOR once they’ve seen RAGNAROK? We take the cool characters for granted now and we expect better style, better jokes, better spectacle. At least that’s how I feel. It’s worth mentioning that most of the women I’ve talked to about it liked CAPTAIN MARVEL better than most of the men I’ve talked to, so there may be things we’re not appreciating. (read the rest of this shit…)
When I was invited to write my recent Polygon article about 
THE HARD WAY starring Michael Jai White is not a remake of THE HARD WAY starring Michael J. Fox. It’s a totally different story and he’s co-starring with Luke Goss and Randy Couture in a picture that as far as I can tell has gone straight to Netflix (no disc release). I gotta be honest, I had low expectations, because I first heard of it in an awkwardly worded tweet from co-writer Thomas J. Churchill (LAZARUS: APOCALYPSE), illustrated with key art that looks like the cover for a self-published Christian thriller novel. The director and co-writer is Keoni Waxman, who has churned out more Seagal movies than anyone else (
I have
IRON EAGLE ON THE ATTACK is part IV of the IRON EAGLE saga, made at a time when the series had transcended numbers. And theatrical releases. Specifically that time was 1995, so this is a little movie over on the fringes trying to keep the dream of the ’80s alive while 
ACES: IRON EAGLE III is an impressive sequel because it brings back Louis Gossett, Jr. as Colonel Charles “Chappy” Sinclair in yet another humble day job, and then recruits him for yet another off-the-books missile-run into foreign lands, yet it switches the scenario around enough to still feel very new. See, this time he’s not mentoring a young hot shot – if anything, he is the young hotshot. He works at an aviation show with an international squad of surviving WWII pilots who perform simulated combat firing red paint bullets at each other. (Yes, a bad guy later replaces some of the paint bullets with real rounds.)
I don’t think I’ve ever seen any IRON EAGLE sequels, and I always love to see how the franchises unfold, so let’s do it. Part two came two years later, in 1988, with director Sydney J. Furie returning after SUPERMAN IV: THE QUEST FOR PEACE. The script once again is credited to Furie and Kevin Elders (Albert Pyun’s RAVENHAWK).
I always remembered IRON EAGLE as a chintzy ripoff of 
a.k.a. THE BODYGUARD
FIRST REFORMED is another Paul Schrader broken-man-slowly-boiling-over character piece in the tradition of TAXI DRIVER and 
