Posts Tagged ‘Vin Diesel’

Find Me Guilty

Tuesday, April 13th, 2010

tn_findmeguiltyRemember around the time you first heard about Vin Diesel, you would read all this shit about how he wasn’t just some dumb musclehead, he was a multi-talented enigma, he directed a short that caught Steve Spielberg’s eye, blah blah blah? But then he just did a bunch of action and action-like movies, many of them not very good, turned down the sequels, never got his HANNIBAL movie off the ground, then eventually had to stoop to the Hulk-Hogan-in-MR.-NANNY route to get a hit, and everybody wrote him off?

Well, I think he might get things rolling again, but we’ll see. And even if he doesn’t, it turns out he’s got one role under his belt that fits that “more than meets the eye” hype and shows that he’s got more range than just the differences between Riddick and Dominic Teretto (hint: Riddick wears goggles). (more…)

Fast & Furious

Wednesday, April 8th, 2009

You take the “the”s out, the title becomes more aerodynamic. This unlikely THE FAST AND THE FURIOUS part 4 combines elements of the previous 3: the characters and tone of part 1, the video game plotting and drug kingpin bad guys of part 2, the director and improved visual style of part 3. Combining all the technologies they’ve developed into a new model.

Part 3 might still be my favorite, with its comprehensive visual tribute to everything that looks cool in Tokyo and its charismatic lead performance by Lucas Black (plus Sonny Chiba bit part, Incredible Hulk car and stupid cameo at the end). I was surprised how much I liked that one and even more surprised how many people I know who have no interest in the series liked it too.

Ah fuck it, I can’t really choose a favorite though. Each one is a beautiful snowflake. The first one I felt like I was laughing at it more than with it, but I gotta admit I fell for Vin Diesel’s performance and Swayzian dedication to macho philosophy. The second one is the funniest and by far most ridiculous and there’s no way John Singleton didn’t know it was hilarious to pimp the Universal logo. The third one is just the most interesting to look at and most likable. The hero is a scrappy well-meaning tough kid instead of some rich boy, cop or thief, and he doesn’t really seem like a part of that whole ridiculous neon car culture from the first two. He’s just a troubled lower class car guy on his third strike who gets into some scuffles. In Japan. (more…)

Babylon A.D.

Tuesday, January 6th, 2009

7% on Rotten Tomatoes… that’s bad, right? I was kind of interested in this idea of Vin Diesel returning in a big sci-fi movie directed by the guy who did LA HAINE (you know, Kassovitz. Amelie’s boyfriend, later in MUNICH). But then there were all these stories about the studio cutting it to shreds, and then the reviews were CANNIBAL HOLOCAUST brutal, and even Kassovitz called it “pure violence and stupidity” before it was even released, pretty much signaling that he was so disappointed in the movie that he was willing to throw away any future chance at directing in Hollywood. I mean those are some pretty bad omens there in my opinion so I couldn’t work up the courage to pay money to see it in a theater. I remember even talking a buddy out of going to see it by describing how bad the buzz was. It was so bad it wasn’t even buzz, it was more of a whistle.

So I’m surprised to be sitting here telling you this, but this movie is actually kind of good. I mean, unlike Vin Diesel’s character, who does a flip on a snowmobile in one scene, the movie doesn’t stick the landing. The conclusion borders on silly, the storytelling becomes pretty muddled (possibly due in part to those studio cuts, I’m not sure) and I was not sure I really understood the point of how it ended up. But as a whole it’s so much better than I had been led to believe. Aside from some corny Riddick-style opening and closing narration Diesel is a cool action movie character inhabiting a fleshed out, believable world of chaos not too far in the future.

The movie opens with a pretty spectacular show-off camera move, zooming from space onto the earth, through the clouds, down to the United States, to the Northeast, to New York, to New York City, to a particular block, down onto the street, onto Vin Diesel who is kneeling on the ground, and into his face, into his eye, in which we see reflected a fiery explosion coming in his direction…

Man, I hope they got that explosion right on the first try, would’ve been a real pain in the ass to go all the way back up into space. (more…)

xXx

Friday, August 9th, 2002

Well you know me, I’ve been talking about the badass presence of Vin Diesel just as long as anyone has, anyone except for him. I’ve been looking forward to this moronic concept of a Vin Diesel star vehicle, figuring anything this stupid starring Vin Diesel would have to be a good time. You saw my epic dissertation on THE FAST AND THE FURIOUS so you know how I enjoy Vin’s egomaniacal charisma combined with Rob Cohen’s pathetic zeitgeist-chasing high conceptualism.

XXX is completely asinine. And I loved that about it. For about half an hour. Then it just got boring in the exact same way all the modern James Bond movies are boring. It takes a special type of standard lowering to enjoy ANYBODY driving around dreary european villages on motorcycles shooting machine guns and blowing things up in the usual ways. You can only watch a henchman shot into the air by an explosion so many times before you start to ask for more from your badass cinematists. I don’t care if you had a young Clint Eastwood riding piggyback on Steve McQueen, you’d still get bored with this movie before it got to the climax.

Vin Diesel plays Xander Cage, an “action sports” legend on “underground web sights.” In the opening he steals a Corvette from a senator at a country club. While the cops chase him he makes a video saying that the senator tried to ban rap music and video games. Then he jumps the car off a bridge and parachutes out. So he’s a terrorist folk hero to all pudgy 13 year old suburban kids in Slipknot t–shirts. Those kids who you see on the bus wearing big headphones to hide from the world until they are physically capable of growing their first soul patch.

The movie is obvious about playing to the fantasies of these kids. He mentions Playstation at least once, and knows how to use a gun from playing “first person shooter games”. The extreme sports angle is as humorous as you’d expect. My favorite touch is the scene where he is pointing at a map going over tactics with a team of special agents, and he’s holding a can of Amp. (more…)