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Posts Tagged ‘slashers’

Prom Night (2008 remake), + closing thoughts on the PROM NIGHT series

Tuesday, June 5th, 2018

At a glance the PROM NIGHT of 2008 doesn’t seem like a remake at all, but more of a re-use of the title. It doesn’t take any major elements of the original or its unrelated sequels – there’s no children’s game turned deadly, no principal’s son or masked killer or prom queen burned alive and back as a ghost or evil priest, no Hamilton High or Brock Simpson or even ambiguity about which North American country it takes place in (it’s in Bridgeport, Oregon, though filmed mostly in L.A.). It does take place on prom night, though, so I totally get why they wanted that title.

If you look closely it is arguably based on a somewhat forgotten plot point of the original 1980 PROM NIGHT, but if so that detail is now a xerox of a xerox of a xerox of the fifth revision of the 13th draft. The part in question is the original’s red herring about the pedophile who was blamed for the sister’s death and now has escaped and the police are trying to make sure he doesn’t come to the prom for revenge. The remake/”remake” uses a similar escaped lunatic template, but in this one it’s ex-teacher turned stalker Richard Fenton (Johnathon Schaech, ACTS OF VENGEANCE) who, three years ago, became delusionally obsessed with his student Donna (Brittany Snow, PITCH PERFECT, BUSHWICK) and murdered her family in front of her. Unlike PROM NIGHT (but like PROM NIGHT IV and their original inspiration, HALLOWEEN) there’s no whodunit mystery in this one. He definitely did it, he really is here, he for sure is killing a bunch of people, and we’re seeing it. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Prom Night IV: Deliver Us From Evil

Monday, June 4th, 2018

By the time they finished off the PROM NIGHT series it was 12 years after the original. The ’80s horror cycle that had given rise to Mary Lou Maloney had petered out. This was a year of studio auteur horror (BRAM STOKER’S DRACULA, RAISING CAIN, DEATH BECOMES HER), genius cult directors getting to work with more resources (DEAD ALIVE, ARMY OF DARKNESS), shitty horror with morphing (Stephen King’s SLEEPWALKERS, not Stephen King’s THE LAWNMOWER MAN) and in my opinion the best horror movie of the decade (CANDYMAN). The PROM NIGHT series was part of another trend of lesser or totally unwanted sequels, arguably including PET SEMATARY TWO, HELLRAISER III: HELL ON EARTH, HOUSE IV, STEPFATHER 3, WITCHCRAFT IV & V, 976-EVIL 2, CRITTERS 4, AMITYVILLE 3: IT’S ABOUT TIME, BASKET CASE 3: THE PROGENY, THE GATE 2: TRESPASSERS and SCANNERS III: THE TAKEOVER (and some might say ALIEN 3).

PROM NIGHT IV: DELIVER US FROM EVIL, the finale of the original Canadian PROM NIGHT series (so far), ditches parts IIIII‘s story of the avenging prom queen ghost for some new religiously themed horror about some Catholic school students and their boyfriends from Hamilton High who get dressed up and rent a limo and do not go to prom. (So there is no disco, no rock, no Maestro Fresh-Wes, no popular music at all.) (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Hello Mary Lou: Prom Night II

Wednesday, May 30th, 2018

HELLO MARY LOU: PROM NIGHT II doesn’t have a whole lot to do with the first PROM NIGHT, but it follows the same basic template of opening with a tragic past incident and then skipping to the present day, when older actors playing some of the same characters await impending tragedy at the senior prom.

This one seems even more CARRIE-inspired than the first one, even having a part where the protagonist is teased while playing volleyball in P.E. and gets hit in the head with the ball and knocked to the ground. But instead of having an obvious HALLOWEEN influence it’s the NIGHTMARE ON ELM STREET series. This is, after all, a relatively late sequel – seven years later, in a whole new era of horror.

The classics were just pouring out in 1987: EVIL DEAD II, THE STEPFATHER, THE MONSTER SQUAD, A NIGHTMARE ON ELM STREET 3: DREAM WARRIORS, HELLRAISER, PRINCE OF DARKNESS and many others. There was so much going on in the genre that this didn’t make the cover of Fangoria when it came out in October – that honor went to Jason Voorhees, with THE HIDDEN, PUMPKINHEAD, THE UNHOLY, GHOULIES II and WEREWOLF on the sidebar.

When PROM NIGHT came along in 1980 the modern age of horror had been just kind of kicking off. By ’87 it was an industry, it had a built-in audience that worshiped special effects artistry and loved franchises. So hey, PROM NIGHT was a big one. Time for another PROM NIGHT. Doesn’t even need Jamie Lee. She would’ve graduated by now. Who was the killer again? The brother? Well, that doesn’t work. Do a new one. Make her a prom queen. And put her name in the title. Maybe make it rhyme? (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Prom Night

Tuesday, May 29th, 2018

PROM NIGHT is one of the early slasher cash-ins. It has a 2008 remake, though, so it’s a classic. It kind of seems like there’s not alot going on, because the body count is pretty low and the killings don’t start until 2/3 of the way in and there’s a surprisingly long uninterrupted disco dancing scene. But at the same time there’s a couple movies’ worth of things going on.

1. There’s the whole HALLOWEEN plot. A killer (also child molester) has been locked up (and burned up) and now it’s the anniversary of the murder of a little girl and he’s escaped and kidnapped a nurse and the police are trying to find him and I hope he doesn’t come after Jamie Lee Curtis (this time playing prom queen Kim, whose little sister was the murder victim).

2. Also there’s the CARRIE plot. A mean popular girl named Wendy (Eddie Benton, DR. STRANGE, HALLOWEEN II, Sledge Hammer!, married Michael Crichton and co-wrote TWISTER with him) is jealous of Kim getting to go to the prom with her ex-boyfriend Nick (Casey Stevens, THRESHOLD) so she gets a thuggish gum-chewing neanderthal lookin guy named Lou (David Mucci, “Quick Mike” in UNFORGIVEN) to help her with a cruel prank planned to take place when the king and queen are being crowned. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Victor Crowley

Thursday, February 8th, 2018

VICTOR CROWLEY is part 4 of the HATCHET series. Despite the title it’s not any kind of a reboot or a prequel or anything. Part I-II director Adam Green made it secretly and surprised fans with it at an event advertised to sound like a tenth anniversary screening of the first one, and it’s very much designed as a fun time for dedicated fans of the series and the people who buy t-shirts of Green’s dog  and stuff.

So the fact that I didn’t love it shouldn’t scare fans off, because it’s not really for me. I really liked part III, a final girl vs. slasher standoff cranked up to 11. This is more in the tradition of parts 1 and 2, with the quirky character business, broadly cartoonish performances and occasional over the top chopping and splattering of bodies, done with a scream and a wink. Also you got your cameos by horror people, though some of them just in cell phone footage this time. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Happy Death Day

Tuesday, January 30th, 2018

HAPPY DEATH DAY is a nice little high concept horror movie. 90 minutes, fast paced, upbeat. When I first saw the teaser I thought “I can’t believe nobody’s thought to do that before!” and sure enough these people did it ably.

See, it’s GROUNDHOG DAY meets a slasher movie (specifically SCREAM 2 I would say). Oddly named sorority girl Tree (Jessica Rothe, LA LA LAND) wakes up hung over on her birthday in the dorm room of some geek she barely knows. She shame-walks out of there in her shoulderless sequin blouse, squinting at the bright sun, and goes through a busy day (rushed changing of clothes, late for class, awkward run-ins with guys, sorority meeting, avoiding her dad, attempted tryst with a teacher) before being stabbed to death by an unknown person in a baby mask (weird school mascot, good slasher mask). And then she wakes up in that dorm again, on her birthday again. So she has to keep re-living this day, but also solve her own murder so that maybe she can see tomorrow. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Intruder

Tuesday, December 20th, 2016

Just when the night crew is closing up at the Walnut Lake Market, cashier Jennifer (Elizabeth Cox, NIGHT OF THE CREEPS, THE WRAITH) gets assaulted by crazy ex-boyfriend Craig (David Byrnes, WITCHCRAFT 7 and IX). Most of the staff get in a big brawl with him and he runs off. They think he’s still hiding in the store somewhere, but they’re not sure, and the police come and prove to be incompetent.

That’s a solid slasher movie set up. It has that all important sense of time and place – a limited location with all kinds of possibilities for horror gimmicks and gags, a set of characters doing their duties in different parts of the building where they can be picked off, a reason why other people aren’t around and the cops are no help. The few minutes of searching for Craig near the beginning sets up the geography of the store and all the potential hiding places that will become important locations. Though not necessary, INTRUDER also sets up a mystery, because we have the easy-to-jump-to conclusion that this abusive asshole is the murderer, but not showing his face gives us the unsettling feeling that we’re being tricked. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Pieces

Thursday, December 1st, 2016

tn_piecesMan, I don’t know about PIECES, you guys. This is another one I first saw in an all night horror marathon. I remember liking it. But this kind of crudely-presented-brutal-fucked-upness plays better with a crowd who are rowdy and dazed and trying to stay awake than alone in my living room. Maybe I should’ve woken up a bunch of people in the middle of the night and made them come over.

It’s a Spanish movie, but it takes place in Boston. It’s kind of like GOOD WILL HUNTING in my opinion. (I have not seen GOOD WILL HUNTING). I wasn’t sure which version you’re supposed to watch, so I went with the original. The Spanish is not spoken with a Boston accent. It turns out this version also has a different score that’s mostly piano and pretty good, I thought.

This is the style of slasher movie like NIGHTMARE or SLEEPAWAY CAMP or even HALLOWEEN now that I think about it where the killing dates back to childhood and the walking-in-on of a sex act. In this case though it’s a boy’s mother taking away his best porno puzzle and rather than fighting for his right to party he chops her up. He gets away with claiming it wasn’t him, though. Being a kid is a good alibi. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Halloween 5: The Revenge of Michael Myers

Wednesday, October 26th, 2016

tn_halloween5By HALLOWEEN 5: THE REVENGE OF MICHAEL MYERS, it is clear that we’ve fully transitioned into HALLOWEEN, an ongoing series from producer Moustapha Akkad, as opposed to the creation of John Carpenter. We still have Carpenter’s characters of Michael Myers and Dr. Loomis, but we’ve forgotten all about Laurie and moved on to the story of her daughter Jamie (who it’s hard to associate with Laurie, since we never saw them together). This one is much less of a rehash of the original than part 4, and it digs into the series tradition of really fuckin stretchin it in getting themselves out of the corner they painted themselves into last time. They actually went into production before part 4 came out so they could have it done the next year, yet it seems like separate people trying to figure out how the fuck to follow up a part 4 ending they had no control over. That gives it kind of an adventure serial cliffhanger type of feel, I guess. How will The Shape get out of this mess? Find out next time!

In part 4 they had to undo Loomis (Donald Pleasance) having blown himself and Michael sky high in part 2. They handled that by just having both of them alive but burnt. This time they have to undo part 4’s ending, where Michael was shot to death by cops and collapsed into an abandoned mine, but his evil spirit and/or curse was passed on to his little niece Jamie Lloyd, and she stabbed her step mom in the tradition of little Michael killing his sister in the opening of part 1. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Halloween 4: The Return of Michael Myers

Tuesday, October 25th, 2016

tn_halloween4These days we got that thing of the remaquel, where they try to get an old series going again with new characters but they’re kinda just tracing over the first movie, because they know we’d get scared and cry if we had to accept something new that we weren’t already comfortable with from having seen it a bunch of times before. That seems kinda natural in a pop culture landscape where people demand regurgitations of their favorite “properties” and  even the “new” things they like pay fetishistic tribute to old movies through retro style and nostalgic references. But it’s not a new trick.

Take, for example, 1988’s HALLOWEEN 4: THE RETURN OF MICHAEL MYERS. John Carpenter had not intended to turn his 1978 smash hit into a series of slasher sequels, nor had there been much of a precedent for that type of thing. After producing, scoring and reworking the direct continuation HALLOWEEN II (1981), he went to his preferred idea of producing HALLOWEEN III as an unrelated, Halloween-set horror story, turning it into an anthology series, causing confusion and disappointment at the time.

That was 1982. Next thing you know it’s 1988, ten years after the first one. Freddy is appearing in his fourth movie. Jason is appearing in his fifth (part 7 of a series that started after HALLOWEEN). John Carpenter is off making THEY LIVE and wants nothing to do with this slasher icon shit. But HALLOWEEN is financier Moustapha Akkad’s job now, so he’s gonna make another one no matter what and he’s gonna call it THE RETURN OF MICHAEL MYERS just so everybody is clear. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.