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Posts Tagged ‘whodunit slashers’

Trick

Thursday, October 28th, 2021

I figured I should see another Halloween-set film this season, and I knew this one was from director Patrick Lussier (DRACULA 2000) and writer Todd Farmer (JASON X), the team that brought us MY BLOODY VALENTINE 3D and DRIVE ANGRY 3D, so I’d been wanting to see it even though it was filmed in a pathetic 2 (two) dimensions.

TRICK is a mystery slasher set not just on Halloween, but on multiple Halloweens from 2015-2019. It begins at a high school party during a game of spin the bottle. Well, spin the knife. The camera focuses on the reactions of Cheryl (Kristina Reyes, Blindspot), who seems uncomfortable with a guy in a pumpkin mask (Thom Niemann, The Deuce) who is not speaking or responding to anyone. When it’s his turn she calls him “Trick,” which does turn out to be his name. He spins and it ends up on a boy and he tries to re-spin but they tease him and tell him he has to kiss the boy. As he leans in to do it, suddenly he grabs the knife and stabs the guy.

(Though this inciting incident implies some sort of homophobia-related motive, that does not turn out to be a theme of the film.) (read the rest of this shit…)

There’s Someone Inside Your House

Friday, October 22nd, 2021

THERE’S SOMEONE INSIDE YOUR HOUSE (2021) is a horror movie that played Fantastic Fest this year and then came to Netflix. It’s a solid teen whodunit slasher very much in the post-SCREAM vein, but with some 2021 themes and concerns. I like that because it shows that this is a worthwhile format even when it’s not a remake, a sequel or a retro-styled throwback.

The title doesn’t describe the premise (unless in some poetic way that I’m not picking up on), but it does apply to a few of the suspense sequences, including the first one. It’s a SCREAM-like cold open but with a macho football player named Jackson (Markian Tarasiuk, CHRISTMAS JARS), talking to his friend on the phone and noticing odd things that make him think someone else is in the house. At first it’s things subtle enough to dismiss (what is this doing on the table?), but they escalate until he finds a trail of photos of himself punching someone bloody in a possibly homophobic bullying incident. Then he comes face to face with his killer – who is wearing a mask of his face. Yes, the killer wears 3D-printed masks of his victims, a technology invented by Darkman, but given new meaning here as the killer seems to want people to face their ugly selves. A very cool masked slasher gimmick because it has meaning, hasn’t really been done before, and looks creepy as fuck. Wouldn’t that freak you out even more than seeing Ghostface? As soon as you see it you know that you are the target and that some serious prep time has already gone into it. (read the rest of this shit…)

Slumber Party Massacre III

Monday, October 29th, 2018

SLUMBER PARTY MASSACRE III is less crazy than part II, and has less going on thematically, but to me it was a little more fun to watch this time through. I don’t think this one is connected by any characters, though the killer has a backstory that I didn’t quite follow, so maybe there’s something there.

Like the other two SLUMBER PARTY MASSACREs, this is directed by a woman, Sally Mattison this time. This was her only time directing – she was a casting director and associate producer for Concorde, including for BLOODFIST and SILK 2. Screenwriter Catherine Cyran (credited as “Bruce Carson”) also wrote BLOODFIST II, FUTURE KICK and HONEY 3: DARE TO DANCE. As a director she’s responsible for three sequels in the THE PRINCE & ME franchise, among other things. (read the rest of this shit…)

Edge of the Axe

Wednesday, October 19th, 2016

tn_edgeoftheaxeslashersearch16EDGE OF THE AXE is a 1988 slasher movie that looks and feels a few years earlier to me. It’s got a masked killer and a whodunit and most of what you need besides some imagination.

It starts pretty legit with a nurse getting her car washed, enjoying a cigarette inside when suddenly a dude in a featureless white mask appears and axes her through the windshield. Blood drips down the inside of the passenger side window while suds drip down the outside.

This same masked man (or at least a guy in the same outfit) starts chopping up people in a small town nearby, and the cops and citizens try to figure out who it is.

Gerald (Barton Faulks, FUTURE-KILL) is a young man who rides a motorcycle, so he’s a rugged individualist, but he wears a helmet, so he’s unusually safety conscious for a movie character of the time. He just bought a new computer and he’s excited about it, so he’s also a genius or a nerd or something. He works as an exterminator with his buddy Richard Simmons (Page Mosely, GIRLS NITE OUT) who is not the famous aerobics instructor, but a tail-chasing jock dude who wears bodybuilding shirts and plays darts. (read the rest of this shit…)

Stage Fright (2014)

Thursday, July 10th, 2014

tn_stagefrightI honestly thought this new-to-disc movie STAGE FRIGHT was gonna be a loose remake of the Italian STAGE FRIGHT directed by Michel Soavi, but after seeing it I don’t think they’re suppoosed to be connected. It’s just the logical title for a stage-performance-themed masked killer whodunit (or whoslashedit I guess). This one’s got completely different characters and backstory, it’s set at a camp for kids learning musical theater, and instead of a silent killer in a creepy as hell owl mask it’s a guy who sings rock songs in a kabuki mask that looks like that puppet from SAW.

See, that’s the thing about this, it’s a musical. And by “thing” I mean both “unique part” and “problem for me.” You know I don’t have a completely closed mind, I have appreciated a musical now and again. I loved the critically trashed THE MISERABLES, for godsake, I thought it was amazing. And you know how I feel about MARY POPPINS. But by my way of thinking “slasher movie with musical numbers” is kinda like BRICK‘s “hardboiled detective story, but in a high school.” I can admire the cleverness of how it’s put together, but that extra element is a drawback to me, not a bonus. I’d be more excited for the regular thing. I guess I still see room for great straightahead slasher movies in the world. The slots haven’t been filled yet, no need to start getting all fancy. (read the rest of this shit…)