So once again we have survived.

Posts Tagged ‘Michael Bay’

Teenage Mutant Ninja Turtles: Out of the Shadows

Tuesday, October 4th, 2016

tn_ninjaturtles2TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS takes the world of photorealistic animated humanoid amphibian vigilantes established in part 1 off in more fantastical directions. “The Shadows” of the subtitle are the levels of secrecy they require, fighting New York City ninja crime from their secret sewer home, hiding their existence by giving credit for part 1’s heroics to local news cameraman Vern (no relation) (Will Arnett, announcer voice for the DON’T trailer in GRINDHOUSE). But they get alot of teenage mutant ninja angst about having to watch the Knicks game from inside the Jumbotron like a bunch of lepers.

(note: it actually looks like amazing seats)

The turtles’ armored ninja ringleader arch-nemesis Shredder (now played by Brian Tee from TOKYO DRIFT) gets busted out during a prison transfer in a cool vehicle stunt sequence that totally would’ve existed without DARK KNIGHT, it’s only a coincidence. But the beauty of it is that

1) It’s arranged by a scientist in goofy “nerd” glasses and bow tie played by Tyler Perry (ALEX CROSS)

2) Shredder accidentally gets teleported to another dimension and is assigned a mission by a talking brain monster with robot body (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

13 Hours: The Secret Soldiers of Benghazi

Wednesday, June 8th, 2016

tn_13hours13 HOURS: THE SECRET SOLDIERS OF BENGHAZI is Michael Bay’s movie about the deadly September 11th, 2012 attacks on the American consulate and CIA outpost in Benghazi, Libya. That sounds like a terrible joke – one of Hollywood’s most bombastic, least thoughtful directors tackling a recent (and highly politicized) tragedy. And I’m not totally sure whether he’s thinking of this more like a cool action movie or his version of a BLACK HAWK DOWN/ZERO DARK THIRTY. (I’d guess the second one.) But I have to say he did a better job than I thought he would.

John Krasinski (JARHEAD) plays Jack Silva, a former Navy SEAL hired to help out a small group of special ops guys working at a secret CIA base in Benghazi to snatch up grenade launchers and other weapons floating toward the black market after the fall of Gaddafi. Five weeks after he gets there the consulate about a mile away is attacked by a mob of militants, and Jack and friends want to help. And sort of feel like they have to, because there’s no one else to do it.

The appeal to Bay, and of the movie, is the portrayal of these soldiers, their professionalism and heroism, their drive to use their unique skills in a hugely uphill battle, even when they’re (according to the movie) told to stay out of it. From THE ROCK to the TRANSFORMERSes, Bay has always had a fascination with these types of elite soldiers. He’s good at casting big, manly looking dudes and having them throw out the lingo and sling the hardware around and seem like they’ve been doing the job forever. Krasinski is buffed up (he has one scene to really showcase his six pack) and everybody has a shaggy beard and a sweaty forehead, of course. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Transformers: Age of Extinction

Thursday, July 3rd, 2014

tn_trans4For God’s sake don’t take this as high praise, but TRANSFORMERS: AGE OF EXTINCTION is the most legitimate movie in the TRANSFORMABLES saga so far. Not too legit to quit while they’re ahead, but competent in ways the others weren’t, and overall much less annoying. The downside: less crazy. Michael Bay has earned an expectation of escalating preposterousness and headscratching whatthefuck moments in each chapter, but this time he verges on tasteful, at least by the standards of his filmography. Only mild racism, no leg humping, only one scene with a hero threatening an old lady with a baseball bat. Robot hyenas with fur and a trigger happy fat Transformer with the voice of John Goodman seem kinda tame after the robot baby factory on the moon, Robot Heaven and peeing and farting robots of previous chapters. And we’ve gotten acclimated to the robot beards. He’s gotta go further than this if he wants to shock us.

And guess how he did it? I cannot fucking believe I’m typing this, but Michael Bay – the George Washington of the cinematic movement that forced me to invent the Action Comprehensibility Ratings system – has made a movie with genuine action clarity.

(read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Pain & Gain

Sunday, September 29th, 2013

tn_painandgain“Well, I didn’t think it was terrible or anything.”

–Vern, outlawvern.com

For the most part PAIN & GAIN is not that bad in the usual ways that Michael Bay movies are bad. Check this shit out: I honestly had no major stylistic problems with this one, other than some late-in-the-game freeze frame/on screen graphic things that are supposed to be funny (listing the side effects of cocaine use, saying “this is still a true story” during a crazy part, etc.) Even the action scenes are fine and have a good energy to them. I think maybe when Bay is limited to what he considers a low budget ($26 million) he has to do more planning and less shooting everything from a hundred different angles to slap together later.

What I really expected to be deadly in this movie was the jokes. Of course I hold a grudge against Bay for the way his and Simon West’s editing and framing began the crumbling of the visual language of action cinema that led to the current state of things where only a very small percentage of American action movies are worth watching if you are hoping for there to be action scenes in them. That’s what he’s gonna have to answer for when he gets to the Pearly Gates, but it’s definitely not the worst thing about his movies – that would have to be his terrible sense of humor. BAD BOYS 2 and the TRANSFORMERSes especially can’t go a minute without some unfunny ad-libbed jibber jabber, or a cut away to a dog fucking something, or a sassy black lady swearing at somebody (or vice versa), or a cartoonish service person or government stooge being an asshole for no reason other than to reflect Bay’s world view. So when this joker said his next movie was gonna be a comedy I heard the JAWS music.

(read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

The Island (2005)

Monday, May 27th, 2013

tn_theislandTHE ISLAND I guess was Michael Bay’s big failure. He held his head high during his public shaming as the asshole who directed PEARL HARBOR, but this time he hit the type of bump that means more to him: he made a movie that didn’t make very much money. In the U.S. I guess it only made $36 million, which would be enough for his monthly Lamborghini allowance but doesn’t even cover a third of the shooting budget. For comparison, PEARL HARBOR made $75 million on its opening weekend.

Of course I’m coming to it eight years and three TRANSFORMERSes later having heard of its growing reputation as Michael Bay’s Not As Bad Movie. So when I was looking for a dumb summer blockbuster to get me in a summer movie mood it leapt off the video store shelf into my cold, reluctant embrace. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

The Rock

Wednesday, August 17th, 2011

tn_therockNo man, I don’t got a problem. I just watch Michael Bay movies recreationally. I don’t gotta watch them when I wake up or nothin. It’s just every once in a while. I only watched PEARL HARBOR ’cause I was doing all the summer of 2001 movies. And TRANSFORMERS 3 because I thought it would be funny. Then people said I should watch this one. It’s not a big deal, man. That’s not that many. You don’t know what you’re talking about.

(read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Transformers’s Dark of the Moon

Saturday, July 2nd, 2011

tn_transformers3Bnote: this review is excessively long and convoluted and takes forever to get to the point, but only as a clever form-is-an-extension-of-content type reference to the movie it describes, in my opinion. Unfortunately I could never match the feel of the movie no matter how hard I tried. It’s like when some asshole reviews a Dr. Seuss movie in rhymes or some shit like that.

introductory remarks/overture

My friends, we have lost. Michael Bay has defeated us. First he invaded the shores of the genre we hold most dear. He brought us gifts of explosions, while behind our backs he robbed us of the very language of geography and context we use to communicate what is exploding and who or what is endangered by said explosion. Then he confiscated our property, buying up our favorite low budget horror classics to rebuild as slick, soul-less product – just to crush our spirits. And now he has completely subjugated us.
(read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

recommended reading: GQ oral history of Michael Bay

Wednesday, June 29th, 2011

tn_transformers3A friend of mine recommended this piece from GQ where friends, relatives and subjects of Michael Bay are quoted talking about him. As my buddy pointed out it’s kind of horrifying and also fascinating, just like Bay’s movies. It’s not a thorough career overview, because it completely skips BAD BOYS 2 (which is his FEMME FATALE or ON DEADLY GROUND, isn’t it?). I think it’s meant as a goofy but ultimately loving profile, but to me it makes him just seem like an asshole who gets away with yelling at people because of his job. There’s also an anecdote (one I’d heard before, but maybe it’s new to you) that implies that he was destined to make bad movies since he was a teenager.

(read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Pearl Harbor

Sunday, June 12th, 2011
chapter 4
chapter 4

2001posterreleased May 25th, 2001

WARNING: contains spoilers for PEARL HARBOR and World War II

After three financially successful action movies in a row (BAD BOYS, THE ROCK, ARMAGEDDON), Michael Bay got a once-in-his-career itch to make An Important Movie. He probly had SAVING PRIVATE RYAN on the brain, and definitely TITANIC.

Ever since James Cameron’s movie broke all box office records studios had been threatening to make asses of themselves by blatantly trying to catch more lightning in that same melodramatic-love-story-during-historic-disaster bottle. Jan de Bont almost did a love-story-on-the-Hindenburg movie, for example. PEARL HARBOR wasn’t as obvious of a copycat as that because 1) it was a love story set against a war movie as much as a disaster and 2) the love song on the end credits was by Faith Hill instead of Celine Dion. Totally different.
(read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

The stupid argument that will not die

Saturday, May 22nd, 2010

shakespeareMan, I thought I had made peace with this thing. Today I came across this comment on collider.com that’s the purest version of the “what kind of an asshole has basic competency standards for movies? it supposed to go BANG!!!” argument I’ve seen in a while:

LOL @ all the people expecting Transformers to be art house Oscar caliber films. And I really don’t think those twins were racist caricatures. They were just stupid. I also don’t think anybody really hates Michael Bay. It’s just trendy to say that you don’t. Films are escapism, folks, did you all forget that? Michael Bay does what does best: makes escapism movies, and makes them well. If you like “real-life” so much, stay out of the theater and go watch History Channel, and stop being pretentious film-scholar-wannabe’s.

And as you can see if you follow the link I couldn’t help myself, I had to go off on the poor guy. It just infuriated me for some reason. This is not a burden I should try to shoulder. People will always say stupid shit like this, I can’t patrol the internet trying to set them straight. I gotta let it go. Or we need to come up with a way to rebut it that’s as succint as “what u expect, shakespeare lol.” The shortest I can come up with is “okay, you take ‘Batman and Robin’, I’ll take ‘Dark Knight.'”

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.