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Posts Tagged ‘Christopher Young’

Godzilla 1985

Monday, August 31st, 2020

August 23, 1985

“Godzilla. I was hoping I’d never hear that name again.”

Near the conclusion of the Summer of 1985 – a movie season that attempted to bring back James Bond, the Vietnam War, pirates, Dorothy Gale, Clint Eastwood westerns, Mad Max, Walt Disney animation, the Griswolds, Dr. Frankenstein and two different types of Living Dead – America welcomed back a very large visitor from overseas. Godzilla had not had a movie since THE TERROR OF MECHAGODZILLA in 1975, so this is about the same as the gap between REVENGE OF THE SITH and THE FORCE AWAKENS, and it was a similar case of a younger generation being entrusted with reinventing and continuing an iconic series for modern audiences. Original producer/creator Tomoyuki Tanaka was still in charge, but director Koji Hashimoto (SAYONARA JUPITER) and writer Shuichi Nagahara (STRAY CAT ROCK: DELINQUENT GIRL BOSS) were both teenagers when the first film came out. (Hashimoto got his start as an assistant director on Toho movies in the ‘60s, including GODZILLA sequels).

This one ignores all the previous sequels. There’s no Mothra, no Minya, no Monster Island, only the events of 1954’s GODZILLA: KING OF THE MONSTERS, so in that sense it’s less FORCE AWAKENS and more David Gordon Green’s HALLOWEEN. It was made for the 30th anniversary, so think about the films of 1990. In terms of time, if not cultural relevance, it’s like if this summer had a big new event sequel to TREMORS or DARKMAN, I guess? Or, to put it another way – GODZILLA 1985 is five years older today than the original GODZILLA was at the time. Shit. (read the rest of this shit…)

Invaders From Mars

Thursday, October 5th, 2017

In the ’80s, lots of people were trying to make Steven Spielberg movies. And obviously POLTERGEIST is Tobe Hooper’s Steven Spielberg movie. Or Steven Spielberg’s Tobe Hooper movie. These days it sounds like they should’ve just been credited as co-directors if it had been allowed. Accounts vary. So let’s forget all that and call INVADERS FROM MARS his version of a Spielberg movie, but not a regular Spielberg movie. It’s the type that the weirdo who directed LIFEFORCE would make. And that Golan and Globus would produce.

It was, in fact, Hooper’s followup to LIFEFORCE (which the kid is watching in part of the movie – lenient parents) and has a screenplay by the same duo. That would be the great Dan O’Bannon (ALIEN, RETURN OF THE LIVING DEAD) and the mysterious Don Jakoby (DEATH WISH 3, ARACHNOPHOBIA, DOUBLE TEAM, VAMPIRES – how is the writer of all of those not legendary?) Hooper was still editing this when he started TEXAS CHAINSAW MASSACRE 2, so by my calculations this is right near the peak of feverish Hooper creativity. (read the rest of this shit…)

Swordfish

Wednesday, August 9th, 2017

a survey of summer movies that just didn’t catch on

June 8, 2001

These next two Summer Flings will not be wannabe tentpole Happy Meal type movies with action figures, but adult-aimed studio action thrillers that arrived with a thud. SWORDFISH was heavily hyped as the movie where Halle Berry (THE CALL), not long before winning her Oscar for MONSTER’S BALL, appeared topless. But the star is her fellow X-Man Hugh Jackman (THE MISERABLES), suddenly a leading man after the world fell in love with his Wolverine in 2000. He plays Stanley Jobson, legendary hacker who is no longer allowed to touch a computer or visit his daughter Holly (Camryn Grimes, MAGIC MIKE). He’s leaner than we’re used to him now, with an earring and spiky, slightly frosted hair, like an early Tom Jane character. Unlike in REAL STEEL, where he reluctantly formed a relationship with his estranged son, this guy will do anything to get his kid back.

Though an ex-con, Stanley is 100% good guy. We find out, of course, that his big crime was a hacktivism/whistleblower type thing where he planted a virus in an intrusive FBI spying program. (In my opinion Julian Assange and Edward Snowden both fantasize about being Stanley Jobson and this movie is their SCARFACE.) He’s trying to be a good boy now, and is introduced wearing only a towel and hitting golf balls off of his trailer in an oil field in Midland, Texas. A mysterious stranger named Ginger (Berry) shows up knowing everything about him and sexily harasses him into flying to L.A. to meet her boss, Gabriel Shear (John Travolta, BROKEN ARROW). (read the rest of this shit…)

Hellraiser

Monday, October 12th, 2015

tn_hellraiserHELLRAISER is a rare event: a horror author, not necessarily an aspiring filmmaker, turns one of his short stories into a low budget movie, and it turns out to be a timeless horror classic. Like many prose writers Clive Barker had had a few disappointments writing screenplays (UNDERWORLD aka TRANSMUTATIONS, and RAWHEAD REX) that weren’t filmed the way he wanted them; unlike most he’d run his own experimental theater company in the ’70s, where he worked with many of his eventual film collaborators including star Doug Bradley and II-IV sequel writer Peter Atkins.

The movie launched a bit of a Hollywood career for Barker, but mostly in the ol’ Development, uh, Hell, so he’s only ended up directing two other movies (NIGHTBREED and LORD OF ILLUSIONS) in the nearly 30 years since, while continuing to be well known as a novelist and painter. Meanwhile HELLRAISER lives on in comic books, DTV sequels, endless remake talk, and tattooed on the flesh of fans. (read the rest of this shit…)